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Moods: Type: Instrumental Classical: Contemporary New Age: New Age Electronic: Ambient Electronic: Down Tempo

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Silentaria is an Electronic New Age musical project founded in 2010 by Rixa White, a self-taught pianist, keyboardist, composer and poet, born in 1974 and known as “Man in White”.

Silentaria music layered with progressive parts, effective vocals and proper sound effects creates gentle themes which take the listeners on a journey of self-actualization, inner thought and peaceful insight, while focusing on pure experience of life, beyond conceptual words and beliefs.

The project’s music combines elements of Electronic, New Age, Progressive, Contemporary Instrumental and Ambient music.

The main instruments are Keyboards, Synthesizers, drum machines and digital choirs. Rixa White also uses digital sounds like Flutes, Strings and computer-generated human voices and writes all the lyrics by himself. Silentaria music is mainly instrumental and vocals are occasionally used to highlight its message.

It is the reminiscence of New Age and Electronic music projects such as Enigma, Yanni, Jean Michel Jarre, Kitaro, Vangelis and Era.

Silentaria is inspired by the Wholeness and Emptiness philosophy. Its voice is an invitation to the inner world which is silent but the source of every sound. This manifests Silentaria’s slogan: “The Voice of Emptiness”.

Rixa White:
As a self-taught musician, Rixa composed his first pieces of music at the age of 14 by Electric Melodica and later continued his music career by giving electronic recitals for family members using his Commodore64.
While studying Industrial Engineering, he continued composing more music using musical softwares and several types of keyboards.
In late 1990s after composing plenty of enthusiastic musical themes, he gradually got involved in computer software business and carried on with his life as an online entrepreneur.
This made him travel around the world, being in touch with more than 20 countries and cultures and stop playing and composing music for a while.
15 Years later, enriched with life and business experiences, like Japanese painters in ancient Zen stories, he started to compose music again after a long break. He has been working in his personal studio as a professional composer, arranger, keyboardist and sound engineer since then.
Rixa White also writes haiku-like poems that follow the same concept as his music.

Album Overview: The Beginning of the End
The album theme interprets mankind concerns to get free from the past and move beyond destiny via an inner journey as a life quest.
By naming the album as “The Beginning of the End”, Rixa White refers to his life status and illuminates his vision of present era.
This album is the first album of a sequel named “The Inner Journey”, focusing on a journey to the inner world. All 11 tracks are conceptually related and named based on their roles in the album story line. However, each track can be listened, felt and enjoyed distinctly.
The album cover image has been designed to emphasize the fact that both the beginning and the end come with enormous blasts in the universe.
Better saying, every beginning (like the Big Bang) and end (the end of the world) come after each other.
The light circle in the cover is an iconic sign in most Silentaria’s album covers, here demonstrates a blast of awakening.

Tracks Overview:
The mellow theme of “Emerge” , with multi-layered melody and no drum beat, starts to prepare the atmosphere for the second track, “The Beginning of the End” , which is a strong and glorious piece with particularly the same name as album.
It is followed by “Return of the Lost” contains three consecutive movements and ends with an upbeat theme.
“The Ruined Innocence” appears as a chorus music having soft beats, reversed background vocal and expressive melody in an electronic atmosphere combined with influential sound effects.
The next track, “Lament of being”, is a soft low-beat music which emphasizes sadness.
It leads to “Beyond Destiny”, an upbeat progressive music which is energetic and enhances the listeners’ mood more exclusively.
The most epical piece of the album is “One Last Quest” that reminds us the Enigma’s “Mea Culpa”.
“Hidden Utopia” uses computer-generated vocals to create both breezy and soprano voices for calling Utopia enigmatically. Its identical chord turns into a mid-beat techno in the last part of the track.
Now, “It’s time to go”. In this track the use of computer generated vocals reaches its climax by such a dialogue-like communication between a robot voice and a digital angelic choir. It is mainly about “time” and an invitation to leave the current situation.
“Farewell” is factually indicated a hollow beat by a soothing and consoling theme. It demonstrates a well-built synchronization between electronic and classical themes.
Finally the last episode of the album is “Eastward”. It points to a mystical journey toward spiritual east. It is a mid-beat music containing quad-tone melodies played by middle-eastern instruments and percussions in an electronic space.

Album Overview: What's Real?
This concept album interprets human challenges for knowing what is real in both ancient and modern era.
It is the story of a lost creature, surrounded by reality and illusion contradiction.
By naming the album as “What’s Real?” Rixa White recalls this essential question that we all ask through our life experiences.
“What’s Real?” is the second album of a sequel named “The Inner Journey”. All 11 tracks in this album are conceptually related and named based on their roles in the album story line. However, each track can be listened, felt and enjoyed distinctly.
The album cover image shows a fading shadow on fading water ripples in the dark which ends up to a dot. The shadow can be any creature diving into illusion. Both shadow and reflection on water does not exist by themselves which this, emphasizes the concept of what we believe and do may not be real.
The circle of light which is iconic in most Silentaria’s album covers is representing the enlightenment of who seeks the answer of “What’s Real?”.

Tracks Overview:
The album starts with a mellow track, “Mirage”, which is a low-beat track using no percussion, while hearing very illusive sounds coming from a very far distance.
It is followed by the title track, “What’s Real?”. This second track contains a dialog between a robot asking about reality and an angel who answers him. The double sided style of the music is ear catching as its beat is techno-like and melody and instruments are classic.
The 3rd track is “Oceans of Illusion” that uses a bunch of illusive sounds creating a warm oceanic atmosphere in each of its three sections.
“Vital Doubts” is the 4th track and one of the two techno tracks in the album. The main characteristic of this up-beat track is its non-repeating full-length melody that is performed by a kind and friendly sound coming from a combination of four digital strings and flutes.
“Curtains over Eyes”, the 5th track uses Electric Guitar and horn-like instruments combined with strings and sitars to create a heroic atmosphere.
“Sorrowful Truth” comes in the 6th place and is totally Violin-based followed by some mild epic-romantic harmonic background melodies. The chorus of the track is both sorrowful and soothing Perhaps all can be told about is sorrow, sorrow and more sorrows.
The 7th track is “Deceived”, the only Rock genre track in the album. Electric Guitar plays the main gear of the track but its combination with violins and strings makes a multi-style atmosphere. Human choir also emphasizes the spiritual atmosphere of the track. All four parts are related to each other as a whole story and rebellion and objection are lucidly encouraged in all parts.
The other electronic techno track appears in 8th place named “Real Fantasia”. Its melody is mainly a long repeated sentence with lots of non-repeated harmonic background melodies that projects a kind of happiness in a visionary Fantasia. Almost all sounds are electronic in this track.
In this album, “Consciousness”, the 9th one, is very special. Repeating the Consciousness word combined with metal-like percussions in the background recalls spiritual temples atmosphere. Its spiritual concept is brought up with a techno style and variable melodies performed by electronic instruments even Electric Guitars. The vocals are totally computer-generated human voices.
The 10th track is “Diversion” mainly having a modern Epic atmosphere in both its harmonic intro and main part by using Brass and Strings combined with background Pads and smart Basses.
”Echoes from East”, the 11th and last track, has a World genre and contains a variety of Middle Eastern melodies performed by Turkish, Persian and Arabic instruments and percussions.