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Moods: Mood: Dreamy Folk: Alternative Folk Rock: Experimental Rock Rock: Acoustic Kids/Family: Lullabies

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UK - England - London United Kingdom

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ruby throat

With a bipolar folk noir soundscape, the poetry of a slow unravel, and the ghost of a barren desert blues, Rubythroat is the latest incarnation of underground british singing icon Katiejane Garside… "when she isn't fighting it she bottles it, frames it or records it, she was the singer in the influential early 90's band daisychainsaw, escaped to the mountains and then returned with rooftop experience to form queenadreena, she has made installation art pieces 'trablinka dresses', 'prayer flags' and 'dream dolls', completed her own collection of 'lalleshwari / glasswilderness' recordings and last year had her first art exhibition ‘darling, they’ve found the body’ at the woom gallery in birmingham". Her current collaboration with Rubythroat was the result of a random encounter on the london underground where Chris Whittingham was making his living busking original solo slide guitar compostions.

Their debut album The Ventriloquist sounded like nothing released by KatieJane before, drawing from English folk, dark Americana and country blues. An initial English pressing in extremely limited quantities was a bespoke package made from old Indian ledger books, hand bound and personally inscribed. The artwork was a mixture of ghostly pastoral pinhole photography by Chris and sketches by Garside. The album has since gone into wider release through Weatherbox uk.

Describing their recording process: "we record as we often the base of a recorded song is the first time we've ever played it through, but generally, there's a lot of dead ends...but pleasant ones. The main thing is to play and not get locked into the need to make something. The music finds itself if you get out of the way."


KatieJane has been keeping abnormally busy in the time between the last release from Queenadreena -- the immediate successor to Daisy Chainsaw -- and Ruby Throat. One off projects undertaken include Corps Electriques or “Electric Bodies,” a collaboration between the late French composer Hector Zazou, Bill Rieflin (Ministry, REM, Swans), Lone Kent and Nils Petter Molvaer. The ensemble has performed live only once at the 2007 Presences Electronique festival in France on the 15th of March and released one self-titled album. Lesions In The Brain is a comic short written by Garside and written/illustrated by Dan Schaffer: “[It's about] Psychological distress, self-mutilation, sex, defiance… the usual.” The comic was named after a track from KatieJane’s Lullabies In A Glass Wilderness CD of hushed yet disturbing songs, released under the name “Lalleshwari.”

Garside first penetrated the public’s awareness with the band Daisy Chainsaw. Chainsaw pushed the envelope with their wild style, frantic sound and hypnotic force. KatieJane swung the pendulum in vocal performance from sweet innocence to rabid dog. The band's performances were symphonies of collective energy, waving you through their maze of emotions, both darkness and light. The band clobbered the UK indie singles chart with back-to-back number one hits, "Love Your Money" and "Pink Flower." The band's live performance earned them outstanding approval around the globe. Daisy Chainsaw created a circus-like atmosphere as the stage for their music.

After Katie Jane Garside had recovered from the breakdown that Daisy Chainsaw caused, and moved back to Belsize Park, north-west London, she unexpectedly bumped into old DC band mate Crispin Gray. A spark was rekindled and the pair soon got together and wrote about 30-40 new songs. Before recruiting band members to take the new project on the road, the pair went into the recording studio and released three singles prior to launching the debut. All three received general praise all around, Kerrang! magazine exclaiming, “like Kate Bush fronting Nine Inch Nails.” This was followed by the debut album Taxidermy which boasted a much darker sound than DC’s with ever-changing tempos and stark styles. Their second full length release was entitled Drink Me and was even more raw, harsh, and violent than ANY previous material released by the band. The Butcher And The Butterfly was their third album and found KatieJane’s sister Melanie joining the band on bass for its recording.