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Ten Pound Troy | Soundtrack

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Rock: 90's Rock Pop: Beatles-pop Moods: Mood: Intellectual
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Soundtrack

by Ten Pound Troy

skewed flair of power pop with discernable choruses and heavy guitar describes the songsmithings of Ten Pound Troy. Spawned from the depths of suburbia (like everyone else), without a scene to rely on, without reward, with some respect, and no remorse, th
Genre: Rock: 90's Rock
Release Date: 

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  Song Share Time Download
clip
1. Unchained (Alt. Mix)
4:27 $0.99
clip
2. Disappear (Alt. Mix)
4:01 $0.99
clip
3. Amatol (live)
2:19 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Notes: SOUNDTRACK FEATURES REMIXES OF UNCHAINED & DISAPPEAR. THE EP ALSO FEATURES A LIVE TRACK RECORDED FROM A LIVE SHOW IN BURBANK 1996.

FEATURES:
RYAN HEMMING - VOCALS, GUITAR
MICHAEL HEMMING - DRUMS, BACKING VOCALS
GARRETT JOHNSON - BASS, KEYBOARDS
KEN NORIEGA - GUITAR - AMATOL
REGINA ZERNAY - BASS - AMATOL

PRODUCED BY: MARTIN BLASICK
RELEASED BY: MOTION CITY RECORDS

Check out what the press has to say about Ten Pound Troy:

BAM #552 - February 12, 1999
".. Endless Loop is a collection of dark, brooding rock songs that flows in its distortion from track to track... "Bender," "Disappear," "Platitudes," and "Everything About Nothing" are the ones that will stick long after the disc has been returned to its case."

Mean Street Volume IX Number 7 - January, 1999
"For a pretty laid-back band, Santa Monica's Ten Pound Troy pack a disarming and unexpected punch. The bulk of Endless Loop finds the band in a comfortable, relaxed pop mood, offering sparse instrumentation, gentle harmonies and the odd psychedelic tinge with buzzing guitar forays or loopy keyboards. There's bits of the Byrds and The Beatles in there, or so it seems, but none of the insidious idol worship so many Brit-pop bands exhibit. But Ten Pound Troy also has a Nirvana-esque knack for sonic drama, with punchy, driving riffs emerging to kick up the chorus of "New Leaves" or "Disappear" or providing the opening salvo to the title track before retreating when the vocals begin, only to return for the chorus or bridge parts. The band has a good sense of balance between pop cathciness and rock balls and are savvy enough to avoid predictability on the likes of "Platitudes" by building to what seems will be the explosive, feedbacky crescendo, but then pulling back before delivering the blow. Ten Pound Troy can get a bit too mellow at times, but they've got more than enough spunk to make up for it and prove they're not just another bunch of shoegazers."

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