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Aaron Vanderweele, Euphonium | Panache

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Easy Listening: Instrumental Pop Easy Listening: Instrumental Pop Moods: Solo Instrumental
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Panache

by Aaron Vanderweele, Euphonium

"The complete mastery of the euphonium that Aaron VanderWeele displays throughout this recording means that the listener is able to forget about technique and all such physical matters—one can just sit back and listen to the sheer music being performed."
Genre: Easy Listening: Instrumental Pop
Release Date: 

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  Song Share Time Download
clip
1. When You Wish Upon a Star
Aaron Vanderweele
4:42 $0.99
clip
2. Panache
Aaron Vanderweele
5:36 $0.99
clip
3. Fantaisie Originale
Aaron Vanderweele
8:11 $0.99
clip
4. This Is the Day
Aaron Vanderweele
3:13 $0.99
clip
5. Knowing You
Aaron Vanderweele
2:47 $0.99
clip
6. When My Heart Was so Broken
Aaron Vanderweele
3:40 $0.99
clip
7. The Warrior
Aaron Vanderweele
8:40 $0.99
clip
8. My Love Is Like a Red, Red Rose
Aaron Vanderweele
3:59 $0.99
clip
9. Wonderful Day
Aaron Vanderweele
5:08 $0.99
clip
10. Ransomed
Aaron Vanderweele
6:35 $0.99
clip
11. Rondo
Aaron Vanderweele
3:56 $0.99
clip
12. A Song of Faith
Aaron Vanderweele
4:29 $0.99
clip
13. Folksong
Aaron Vanderweele
4:47 $0.99
clip
14. The Londonderry Air
Aaron Vanderweele
3:19 $0.99
clip
15. Hammond
Aaron Vanderweele
3:00 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Aaron VanderWeele
2007 International Euphonium Player of the Year
Principal Euphonium, Princeton Brass Band
Member - New York Tuba Quartet (with Alan Baer, Derek Fenstermacher and Jason Ham)
Private Euphonium Teacher and Clinician


THE BRASS HERALD REVIEW OF PANACHE:
"The complete mastery of the euphonium that Aaron VanderWeele displays throughout this recording means that the listener is able to forget about technique and all such physical matters - one can just sit back and listen to the sheer music being performed."
- Philip Biggs, Editor


Panache Foreword:
When an instrumentalist plays with 'panache' the label fits if the performance exhibits a certain marked sense of style, a grand swagger, even a touch of the theatrical. That is certainly the case throughout Aaron VanderWeele's wide-ranging program. The title track by Robin Dewhurst encapsulates that so well, providing a showcase for the euphonium's main strengths - the ability to sing lyrically and to handle technically demanding gestures, all this in a stylistically eclectic mix. That eclecticism gets broadened via three types of solos shared throughout the recording: 1) Salvation Army solos from the 1930's - the first peak in such technical display pieces (Ball, Catelinet, Marshall); 2) Classical repertoire both for the instrument and in transcription (Capuzzi, Picchi); 3) A larger number of generally short song arrangements of both sacred and secular origin.....I trust and hope that an entire new generation of musicians will be encouraged by this fine example of both excellent playing and captivating literature.
- Dr. Ronald W. Holz

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