Order 3 or more CDs and get 1¢ domestic shipping through 03/31/2020.
Amber Weekes | Pure Imagination

Go To Artist Page

Recommended if You Like
Nancy Wilson Natalie Cole Shirley Horn

More Artists From
United States - California

Other Genres You Will Love
Jazz: Jazz Vocals Easy Listening: Mood Music Moods: Solo Female Artist
There are no items in your wishlist.

Pure Imagination

by Amber Weekes

Straight ahead Jazz vocalist with a blend of "The Great American Songbook," the music of Oscar Brown Jr., and other eclectic selections.
Genre: Jazz: Jazz Vocals
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
cd in stock order now
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Pure Imagination (feat. Sue Raney)
3:47 $0.99
2. It's All Right with Me
3:28 $0.99
3. When He Makes Music
4:27 $0.99
4. The Snake
4:43 $0.99
5. Gotta Be This or That
2:53 $0.99
6. Brown Baby
5:56 $0.99
7. After You've Gone
2:14 $0.99
8. When October Goes (Bossa)
4:23 $0.99
9. Mr. Kicks
2:36 $0.99
10. The Way He Makes Me Feel (feat. Mon David)
4:55 $0.99
11. Just Squeeze Me (But Don't Tease Me)
2:48 $0.99
12. Gone at Last
4:16 $0.99
13. When October Goes (Ballad) [Bonus Track]
5:21 $0.99
Downloads are available as MP3-320 files.


Album Notes
Liner Notes from Chet Hanley, host of "Straight Ahead Jazz Plus"

The diner; ah yes, the diner. Weekes’ Luncheonette, located on 155th Street & St. Nicholas Ave. in Harlem, NYC, provided the beginnings/foundation for the musical career of the lady you are about to hear on this recording. . . Simply stated, Amber Weekes is a consummate vocal stylist, having absorbed the influences from the likes of Duke Ellington (who enjoyed fried egg sandwiches at the Weekes’ diner, served up by her father, aunts, and uncle); and other giants of the genre, like Sarah Vaughan, Nancy Wilson, Ella Fitzgerald, and Diahann Carroll, among many others.

Having selected several of Southern California’s first-call musicians to work with, Amber displays her remarkable ability to tell a story and paint a musical portrait, using the lyrics of each song as a vehicle to reach you, the listener.

Amber and company explore the music and words of an eclectic group of composers/lyricists; from Cole Porter to Oscar Brown, Jr.; from Duke Ellington to Paul Simon; from a popular song written in 1918 (!) to a more contemporary classic by Barry Manilow/Johnny Mercer. Throughout, Amber displays her vocal versatility, including a remarkable way with a ballad.


The set begins with a bright, samba-like collaboration featuring Amber and her vocal coach, the legendary Sue Raney, as they interpret the Newley/Bricusse classic, "Pure Imagination," from the 1971 film Willy Wonka & the Chocolate Factory. Justo Almario provides a tasty flute solo, while guitarist Mitchell Long offers just the right, delicate accompaniment. As the song concludes, Amber and Sue hint at what’s to come on this recording.

With an augmented band, including strings arranged by Mark Cargill, Amber interprets the Cole Porter standard, "It’s All Right With Me," from his musical "Can Can" (1953). Dale Fielder takes a brief but spirited baritone saxophone solo. Amber’s effortless delivery of the lyrics is noteworthy.

The tempo slows and features Amber’s way with a ballad. She interprets the Fisher/Segal ode to all-absorbing passion and longing, "When He Makes Music." Mark’s violin solo echoes the poignancy of the lyrics.

One of Amber’s musical heroes is Oscar Brown, Jr (OBJ). As a young girl, while traveling with her mother and sisters, OBJ’s cautionary tale, "The Snake," aired on the car radio. Mom directed her daughters to listen carefully to the words. That moment left an indelible mark on the young girl. Ah yes, the power of the lyric/story-telling. Note Trevor Ware’s sultry acoustic bass as he sets the tempo and feel, while Scotty Barnhart provides some “slithery” fills. Mom would be proud.

The band, led by Keith Fiddmont’s alto saxophone stylings, swings into Sunny Skylar’s "Gotta Be This Or That" (1945). Yes indeed, “Straight-Ahead” is alive and well; Amber channels Ella and Sarah with ease.

Amber returns to the OBJ songbook with a moving nod to, arguably, his most heartfelt composition, "Brown Baby." We all want the best for our children, and Amber, along with some stellar arco bass accompaniment by Trevor, conveys the message as only they can.

The classic, early swing-era tune by Creamer/Layton, "After You’ve Gone" (1918), is given an up-tempo treatment by Amber and the band. Once again, guitarist Mitchell Long takes a tasty mid-song solo . A nostalgic swinger, indeed!

A Bossa-Nova-flavored interpretation of the Barry Manilow/Johnny Mercer tune "When October Goes" showcases, yet again, Amber’s way with a lyric (and her bilingual skills!). Mark Cargill’s string arrangement adds a lush backdrop to this timeless composition.

As before, Amber shares her love of Oscar Brown, Jr.’s brilliant compositions with this rendition of his devilish "Mr. Kicks." Throughout, the band swings relentlessly. Once again, Keith Fiddmont’s alto saxophone solo shines. Kudos to to Brian Swartz’s horn arrangements on this and other tunes on this recording date

A moving duet by Amber and guest vocalist Mon David brings home the story-telling power of the ballad in the hands of consummate musicians. Michel Legrand, in collaboration with Alan & Marilyn Bergman, wrote this beautiful song, "The Way He Makes Me Feel," for the film "Yentl" (1983). Props are due to Mark Cargill for his stirring string arrangements for this song.

Duke Ellington’s "Just Squeeze Me (But Please Don’t Tease Me)," with lyrics by Lee Gaines (yes, Gaines wrote the lyrics to Billy Strayhorn’s Take The ‘A’ Train) is taken at a leisurely pace, with Amber at her most sultry. Guest artist Nick Mancini takes a few choruses on vibraphone. This is yet another example of nice ‘n easy swing!

Any eclectic jazz-oriented set has to take a trip to New Orleans. This nod to NOLA is exemplified by Amber and Company’s interpretation of Paul Simon’s "Gone At Last." An all-star band, including Vince Tividad’s punching sousaphone, and background vocals arranged by Kenny Sara, takes the listener on a trip down Bourbon Street and environs.

The date closes with a re-interpretation of the Manilow/Mercer collaboration, "When October Goes." Amber Weekes can sing a ballad! Frankly, Amber can sing, no matter the tempo, style, or feel. ...and to think, in a sense, it all started in that little diner on 155th & St Nicholas Avenue, Harlem, NYC.

-Chet Hanley 2019



to write a review