Andy Fite | The Prince: New Readings from Machiavelli and Don Carlo Gesualdo Da Venosa

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Avant Garde: Experimental Spoken Word: Instructional Moods: Mood: Fun
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The Prince: New Readings from Machiavelli and Don Carlo Gesualdo Da Venosa

by Andy Fite

The Jazz Comic Philosopher visits 16th-century Italy with a Vocal Kaleidoscopic reading of Machiavelli's instructional manual "The Prince", framed by a few multi-guitar arrangements of madrigals by an actual prince, Don Carlo Gesualdo da Venosa.
Genre: Avant Garde: Experimental
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  Song Share Time Download
1. Fly Away, O My Sighs
3:09 $0.99
2. To His Magnificence
1:31 $0.99
3. Why Darius' Kingdom Did Not Rebel
2:54 $0.99
4. How to Govern a Former Republic
3:15 $0.99
5. A Prince's Duties Concerning the Military
2:27 $0.99
6. Kisses Sweet and Dear
2:31 $0.99
7. How Not to Be Good
1:15 $0.99
8. Of Generosity and Parsimony
4:01 $0.99
9. Of Cruelty and Mercy
3:06 $0.99
10. How to Acquire Prestige
2:26 $0.99
11. That Cruel "No", Which Destroyed My Hope
2:19 $0.99
12. Of Flatterers and Counselors
2:59 $0.99
13. On the Influence of Fortune
1:51 $0.99
14. In Vain, O Cruel One
3:33 $0.99
15. Free Italy from the Barbarians!
4:48 $0.99
Downloads are available as MP3-320 files.


Album Notes
In 2009, having already developed what I like to think is a whole new genre, Vocal Kaleidoscope, basing albums on the Book of Revelation, and on Colin Powell's notorious 2003 speech boosting the Bush/Cheney war on Iraq (they are both available here on CD Baby), I happened to read Machiavelli's classic book of advice for the powerful. I expected to be appalled by the cold lizard logic that the word "machiavellian" usually indicates, but I found instead a work of such melancholy that my heart nearly broke.

The logic operating in the book does seem sound, but what also comes through to me is that Machiavelli himself hated every line of it.

And so the book is endlessly tragic, and reflects a tragedy that has continued, and may indeed be inescapable for our species.

If my own approach in setting this work to music expresses a more joyous, indeed comic, attitude, don't let it lead you to think I'm ridiculing anything about it, except perhaps life itself.

The surprising atmosphere of melancholy in The Prince led me to another melancholy character, an actual Italian prince living just a few decades later, the tragic pioneer of dissonance Don Carlo Gesualdo da Venosa. Having made mad vocal music from the reading of Machiavelli, it seemed appropriate to render Gesualdo's choral works as instrumental music. Three of these I have rendered as faithfully as I could. The last one I found a way to open up for a multi-guitar improvisation.

I don't expect this to be a big seller. But I'm hoping a few people will have a good time with it.

If you like it, please write a review, and let me know!

Andy Fite
Stockholm, Sweden
May 31, 2012



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