Angelina Van Dyke | Innamorato alla follie

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Classical: Opera Classical: Opera Moods: Type: Vocal
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Innamorato alla follie

by Angelina Van Dyke

The arias in "Innamorato alla follie" represent some of bel canto's celebrated operatic heroines, such as Lucia (Donizetti - "Lucia di Lammermoor"), Elvira (Bellini - "I Puritani") and Amina (Bellini - "La Sonnambula"). This album also includes some of Verdi's soprano roles, including Violetta's unforgettable first act in "La Traviata." these heroines are either madly in love, or have gone mad through misfortune in love. May the singing style most attuned to the rhythms and motions of a heart in love or in anguish, move you.
Genre: Classical: Opera
Release Date: 

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  Song Share Time Download
1. Le nozze di Figaro, K. 492: "Porgi amor"
Angelina Van Dyke
3:00 $0.99
2. Le nozze di Figaro, K. 492: "Dove sono"
Angelina Van Dyke
5:33 $0.99
3. La Sonnambula: "Come per me sereno"
Angelina Van Dyke
6:12 $1.99
4. La Sonnambula: "Ah! non credea"
Angelina Van Dyke
4:07 $0.99
5. La Sonnambula: "Ah! non giunge"
Angelina Van Dyke
3:04 $0.99
6. I Puritani: "Qui la voce; Vien diletto"
Angelina Van Dyke
9:13 $1.99
7. Lucia di Lammermoor: "Regnava nel silenzio"
Angelina Van Dyke
9:00 $1.99
8. Lucia di Lammermoor: "Il dolce suono; Ardon l'incensi"
Angelina Van Dyke
12:01 $1.99
9. Rigoletto: "Caro nome"
Angelina Van Dyke & Eric Hominick
5:30 $0.99
10. La Traviata: "E strano; Sempre libera"
Angelina Van Dyke
9:17 $1.99
11. La Rondine: "Chi il bel sogno"
Angelina Van Dyke
3:28 $0.99
12. Gianni Schicchi: "O mio babbino caro"
Angelina Van Dyke
2:35 $0.99
Downloads are available as MP3-320 files.


Album Notes

Angelina Van Dyke is a Canadian lyric soprano with a coloratura extension, who has spread her wings across continents and musical genres. She has trained internationally with Joseph Shore, Mikiko Hashimoto, Gioachinno Li Vigni, Nelly Miricioui, Salvatore Fisichella and Felice Venanzoni. In her artistic pursuit Angelina seeks to imbue her music with an integrated understanding, embracing her faith identity with technical grace and excellence into a tangible, personal expression of wholeness. Whether characterizing operatic roles such as Lucia in Lucia di Lammermoor, Amina in La Sonnambula or singing from oratorios and sacred concert repertoire such as Messiah, Elijah or Exsultate Jubilate, Angelina’s voice carries her audiences to a meaningful realm of deeper realization.



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