Annalisa Ewald | Annalisa Ewald Live At the Factory Underground

Go To Artist Page

Recommended if You Like
Ida Presti Julian Bream

More Artists From
United States - Connecticut

Other Genres You Will Love
Classical: Traditional Latin: Tango Moods: Featuring Guitar
Sell your music everywhere
There are no items in your wishlist.

Annalisa Ewald Live At the Factory Underground

by Annalisa Ewald

Live. Spicy. Classical Guitar.
Genre: Classical: Traditional
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
cd in stock order now
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Introduction
0:08 album only
2. Soleares
1:58 album only
3. Farruca
1:36 album only
4. Introduction 2
0:26 album only
5. Solea
1:37 album only
6. Monotonia
1:09 album only
7. Por Una Cabeza
1:51 album only
8. Introduction 3
0:33 album only
9. El Dia Que Me Quieras
2:16 album only
10. Introduction 4
0:10 album only
11. Mr. Dowland's Midnight (feat. Caroline Golino)
1:29 album only
12. Les Buffons (feat. Caroline Golino)
1:41 album only
13. Larghetto
1:54 album only
14. Chorinho
2:39 album only
15. Milonga With La Cumparsita
2:05 album only
16. Villa-Lobos Prelude No. 2 in C Minor
2:34 album only
17. Spanish Romance
2:32 album only
18. Vals Venezolano No. 1
1:59 album only
19. Vals Venezolano No. 2
1:42 album only
Downloads are available as MP3-320 files.


Album Notes
On October 22, 2012, a raucous group of friends and musicians gathered together for a very special night of intense celebration at The Factory Underground Studio in Norwalk, Connecticut. The large recording studio had been transformed into a nightclub for music lovers and became a festival for everyone who believed that life is good and good times are what living is all about. Three acts were scheduled to play that night and as the only soloist and “classical” player I had the task of opening the event, grabbing the audience by the collar and letting them know that this night was not going to be soon forgotten.

Candlelit café tables, ratty couches, multiple cocktail stations amidst jungle vines of recording wires overhead and underfoot created a setting most unlike Carnegie Hall. Which was all to the good. Intentionally, this recording places the classical guitar in surroundings less formal and more intimate than its modern setting of the concert hall and pristine recordings. The idea was to put the guitar back in its birthplace of hazy candlelit gathering places where old troubles are forgotten, passions ignited and new troubles born.

The guitar is an amazing instrument: its first appeared around 1500 in Spain, and was designed specifically to play chords. It could also play melody and harmony which gave it a flexibility other instruments did not have. In short from the very beginning it could and still does "sing" in a uniquely expressive and passionate voice.

The guitar was immediately embraced by the common people and was soon incorporated into their dance and song traditions throughout the old and new worlds. The uniqueness of its design opened a wonderful new musical door, one that allowed for the evolution of very sophisticated, multilayered interwoven threads of sound and complex chord structures. Unfortunately this also led eventually to an established canon of material, a cult of perfectionism and "competitions" - all of which took the guitar far from its original roots.

What I love about the music I selected for that night: the Argentine tangos, Spanish folk music, Brazilian choros, and even a couple of "cousins" from the Renaissance courts - is that this music is alive, slightly dirty, feeds on rowdy crowds and it does not pretend to be anything it is not.

To me guitar music has always been like a sonic visit to the most interesting person in the world. To stretch this metaphor, there are walls of books on fascinating subjects, cool things on shelves brought back from journeys all over the world, great things to eat and drink and a twinkle in the eye of your host, who is truly glad to see you. The guitar has always been that host to me, that amazing "person,” and I wanted to share its music with the crowd that exuberant evening in the nightclub studio.

The evening was beautifully gritty, filled with laughter and the audience was loud. Perfect.

Artists note: A portion of the album sales is is being donated to the John DeCamp Fund helping veterans heal through music and caring



to write a review