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Various | Basement Boys Anthology

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Electronic: Dance Electronic: House Moods: Type: Vocal
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Basement Boys Anthology

by Various

Banging, classic house music, unmixed.
Genre: Electronic: Dance
Release Date: 

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  Song Share Time Download
clip
1. I Walk Alone
Those Guys
8:05 $0.99
clip
2. Praisin' His Name
Ann Nesby and Jasper Street Co.
7:01 $0.99
clip
3. Don't Blame Me
SubLevel feat. Andrea Holdclaw
14:23 $0.99
clip
4. Gypsy Woman
Crystal Waters
9:41 $0.99
clip
5. It's Over Now
Ultra Nate
7:48 $0.99
clip
6. Leave a Light On
Martha Wash
13:29 $0.99
clip
7. Lift Every Voice (Take Me Away)
Mass Order
7:27 $0.99
clip
8. Love Don't Live Here
Basement Boys
8:38 $0.99
clip
9. Love Love Love
Those Guys
10:07 $0.99
clip
10. Scattmasters
DJ Oji
8:07 $0.99
clip
11. Surprise
Crystal Waters
9:29 $0.99
clip
12. Through Colored Folks Eyes
Vinx
8:06 $0.99
clip
13. Tonite
Those Guys
11:15 $0.99
clip
14. The Violin
Teddy Douglas and Louis Radio
6:54 $0.99
clip
15. You Gave Me Love
Kenny Bobien
8:56 $0.99
clip
16. 100% Pure Love
Crystal Waters
7:34 $0.99
clip
17. A Feelin'
Jasper Street Co.
10:24 $0.99
clip
18. The Path
Teddy Douglas
7:54 $0.99
clip
19. Time to Celebrate
SubLevel feat. Donnell Rush
4:38 $0.99
clip
20. Do You Believe
007
9:54 $0.99
clip
21. God Helps Those (Who Help Themselves)
Jasper Street Co.
8:02 $0.99
clip
22. Fool for Love
Russell
10:07 $0.99
clip
23. I'm Blessed
Spenitch
6:58 $0.99
clip
24. Best of Me
Belita Woods
7:48 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The seminal production team the Basement Boys, who have been responsible for remixes for artists like Paula Abdul, Michael Jackson, Erykah Badu, and Bob Sinclair, first got together in Jay Steinhour's Baltimore basement in 1986. All of them respected DJs in their own right in the Baltimore, D.C., and Virginia club scenes, the trio of Steinhour, Teddy Douglas, and Thommy Davis soon realized that they worked even better as a team, though three years later Davis left to pursue other ventures and DJ Spen joined the group.
The Basement Boys' first taste of success came in 1991, after they produced dance diva Ultra Naté's debut album, Blue Notes in the Basement, and Crystal Waters' song "Gypsy Woman," and released Tonight under the moniker Those Guys. The Basement Boys performed the same duties for Ultra Naté's follow-up record, 1994's One Woman's Insanity, and that same year started their own label, Basement Boys Records, in order to have full artistic freedom in their pursuits. Soon, a studio band was added to the group's lineup, and the band's run as label owners and producers officially took off. This is a 3 disc Anthology of some of their greatest hits, remixes, and unreleased mixes. ~ Marisa Brown, All Music Guide

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Reviews


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DJ Purple - CD Baby Artist

A Must-Have for the Serious Househeads!
I had always been a fan of Basement Boys even before I became familiar with the name. This anthology is what I would call a good introduction into the legendary “Baltimore Sound”. I have a particular fondness for this collection because Baltimore and my hometown of Chicago are “sister cities” in terms of House musicality. (Side note: a bond between two entities is often strengthened by the exchange of remixes between them. In the mid-1990’s this was exactly the case. VIBE Music (Chicago) released a double-pack 12”, “Bring Me Joy” by Meechie. The remix offering from Baltimore was the Basement Boys Dub. Basement Boys released “Bad Girls” by Xaviera Gold, a Chicago artist. Chicago’s remix offering came courtesy of none other than VIBE Music with UBQ’s BadVibe Dub.) The other great thing about this collection is the musical rang that is covered. The only way to fully explain this is to break things down by CD:

Disc 1

These are 7 of the most amazing tracks ever made for the dance floor! Track one hits you right away and covers the Disco feel. Track two is a straight up Gospel House tune that raise the hairs on the back of your neck (at least it does if you’ve been through something)! Ann Nesby’s voice fits the song perfectly. Track three has an old school sound with its 117 BPM (Chicago people listen up – 117 BPM: you know what means, right?) And, the vocals are simply oozing with “old soul”. Track four – everyone knows “Gypsy Woman” (‘nuff said), but I will say that I like how the re-edit made the song even more DJ-friendly. Track five is another old school flavored track with the perfect beat count – 119 BPM. The bassline is very simple and catchy, as well! Track six is a dance floor killer! We get treated to another powerful vocal thanks to Martha Wash. 13 minutes may seem lengthy for a song, but this is House Music – and you will love every minute of this track, trust me. Track seven is equally powerful. The message is all about House Music and how it makes you feel.

Disc 2

The dance continues with this disc. Track one has a slight 80s flavor and the tempo to match, consistent with disc one. This time we clock in at 119 – perfect! Track two will put you in an absolute trance. Track three is perhaps the fastest with the tempo in the 130’s, but that takes nothing away from its dance-ability. Track four features another Basement Boys favorite with Crystal Waters. This is another simple track, and sometimes those are the ones that work! Track five is my favorite on this disc. Here we get just slightly funky, but yet smooth. This track is another fast one with the tempo, but as long as we have pitch control this track will be on my radar for future gigs. Track six is a sleeper. Old school flavor once again, with a simple bassline and great keyboard “werk”. The added bonus is the slowing down and speeding back up of the track, made popular by legendary Chicago DJ Lil Louis. Track seven takes us to a different music instrument and shows that House Music welcomes all forms of instrumentation. Track eight features yet another recognizable voice in Kenny Bobien.

Disc 3

Track one was an instant classic upon its release in 1994. I’m quite sure that along with “Gypsy Woman” this one has to be in every serious House DJ’s record box. Track two has to be another one in everyone’s crates. For track three we go slightly tribal, this has always been a great sound for the Basement Boys crew. Track four blew me away, since I also have a fondness for “finding” unreleased mixes on label albums. I have this 12” record, and instantly fell in love with it. Now that I have an additional mix via this album, I am falling in love with the song again. Track five is another DJ-friendly track that changes the mood to a happy one. This one has just enough Gospel flavor to get you to forget about your problems! Track six is another classic and is instantly recognizable. Track seven gives us a touch of disco (with the bassline) and some heart-felt vocals: serious stuff! Track eight is another Gospel track that will also make you forget about the world, and the tribal beats are sure to make you move. Track nine is pretty smooth, especially with the horns.

Now that you have gotten a synopsis of the Basement Boys Anthology it is up to you to investigate for yourself. Once you purchase it the next challenge may be to see if your review can be shorter than mine.
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