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Barry Cleveland | Hologramatron

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Rock: Avant-Prog Rock: Progressive Rock Moods: Featuring Guitar
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Hologramatron

by Barry Cleveland

An avant-rock 21st Century protest album featuring Robert Powell, Michael Manring, Celso Alberti, and Amy X Neuburg, with Harry Manx, Deborah Holland, Erdem Helvacioglu, Artist General, Rick Walker, and Gino Robair.
Genre: Rock: Avant-Prog
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  Song Share Time Download
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1. Lake of Fire
4:21 $0.99
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2. Money Speaks
4:40 $0.99
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3. You'll Just Have To See it To Believe
5:22 $0.99
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4. Stars of Sayulita
6:11 $0.99
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5. Warning
4:19 $0.99
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6. What Have They Done to the Rain
4:56 $0.99
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7. Abandoned Mines
5:44 $0.99
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8. Suicide Train
4:22 $0.99
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9. Telstar
3:55 $0.99
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10. Dateless Oblivion & Divine Repose
2:18 $0.99
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11. Abandoned Mines Remix
8:26 $0.99
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12. You'll Just Have To See it To Believe Alternate Mix
5:48 $0.99
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13. Lake of Fire Remix
4:20 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
When Barry Cleveland isn’t talking guitar with people like Jeff Beck, David Gilmour, Ry Cooder, Tony Iommi, and John Frusciante, he’s busy recording globally acclaimed progressive rock and world fusion music. For more than 25 years, his epic compositions and virtuoso, eclectic guitar work have been celebrated by critics and listeners alike. And for 12 years he served as a key editor at Guitar Player magazine, holding court with the world’s most important musicians and enabling them to make statements to a massive global audience. Now, it’s Cleveland’s turn to make his own timely statement with his fifth album Hologramatron.

Hologramatron is a 21st Century protest record with songs featuring biting, sometimes brutal, commentary on the state of the Western world. It’s a musical response to contemporary social, political, and even spiritual realities. The disc draws inspiration from a musical continuum spanning art rock, psychedelia, metal, ambient, world music, trance, and funk.

The cast of players joining Cleveland comprises some of the most respected musicians of the avant-rock scene, including bass innovator Michael Manring; drummer and percussionist Celso Alberti (Steve Winwood); pedal-steel iconoclast Robert Powell (Peter Gabriel, Jackson Browne), vocalists Amy X Neuburg, Deborah Holland (Stanley Clarke, Stewart Copeland), and Harry Manx. Other renowned contributors include Turkish electro-acoustic guitarist Erdem Helvacioglu, percussionists Gino Robair and Rick Walker, and cymbalom master Michael Masley, a.k.a. the infamous “Artist General.”

In addition to the eight original songs on Hologramatron, there are two covers—Malvina Reynolds’ anti-nuclear proliferation anthem “What Have They Done to the Rain” and Joe Meek’s iconic “Telstar.” Bonus tracks include remixes by Evan Schiller (“Lake of Fire”) and Forrest Fang (“Abandoned Mines”), as well as an alternate mix of “You’ll Just Have to See It to Believe.” Grammy Award-winning engineer John Cuniberti mastered the album.

Cleveland is all about sound—from his guitar playing to his compositions to his production—and it’s the deeply layered, highly nuanced, cutting-edge sonics that unify his wildly diverse material. Cleveland’s earlier work was more ambient and impressionistic (Mythos, released on Larry Fast’s Audion label, received rave reviews in Option, Jazziz, and Stereo Review) and his last recording explored instrumental world fusion (Volcano garnered accolades in All About Jazz, Abstract Logix, Innerviews, and Progression)—but Hologramatron pushes multiple musical envelopes simultaneously.

In addition to playing acoustic and electric 6- and 12-string guitars on Hologramatron, Cleveland utilized a prototype of the revolutionary Moog Guitar and both acoustic and electric GuitarViols—hybrid bowed instruments tuned like a guitar—along with myriad effects processors and alternative playing devices such as a Chinese erhu bow, Masley Bowhammers, and the Ebow.

Barry Cleveland is also the author of Joe Meek's Bold Techniques.

“This is a fantastic, essential rock album. Several of its ten mini-epics explore the precarious state humanity finds itself at the present moment, with deep insight, humor, and wit—not to mention some ferocious playing from an avant all-star ensemble.” —Anil Prasad, Innerviews

“There are a handful of albums in my life that hit me the way this album did. For me it sits in a small group of very special musical experiences: David Byrne and Brian Eno’s My Life in the Bush of Ghosts, Bill Bruford’s Feels Good to Me, NIN’s Downward Spiral, and King Crimson’s Discipline.” —Reeves Gabrels (David Bowie, The Cure)

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