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Various Artists | Beach Boogie & Blues (Some White People Can Dance), Vol. 2

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Delbert McClinton The Drifters

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Blues: Carolina Beach / Shag Blues: Rhythm & Blues Moods: Type: Compilations
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Beach Boogie & Blues (Some White People Can Dance), Vol. 2

by Various Artists

"Beach Boogie & Blues" is a popular form of beach music geared towards the booming dance club scene incorporating an almost equal blend of Blues, R & B, Country, Rock & Gospel.
Genre: Blues: Carolina Beach / Shag
Release Date: 

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  Song Share Time Download
1. Rocket 88
Nappy Brown & Kip Anderson
3:18 $0.99
2. Don't Wait Up On The Shrimpboat ('Cause I'm Coming Home With
Hack Bartley & Shuffle
3:49 $0.99
3. Symphony
Sammy Turner
2:44 $0.99
4. Don't Drop It
Wilbert Harrison
2:39 $0.99
5. If I Had A Hammer
Carl Gardner & The Coasters
4:31 $0.99
6. Give Me Some Sugar Baby
Miranda Louise
3:14 $0.99
7. Let The Boogie Woogie Roll
3:38 $0.99
8. Just A Little Bit
Fat City
2:38 $0.99
9. She Felt Too Good
Bill Pinkney & The Original Drifters
3:34 $0.99
10. You Can't Play The Blues (In An Air-Conditioned Room)
Ruby Andrews
3:30 $0.99
11. Bang All Night
3:43 $0.99
12. Shake Rattle & Roll (feat. Maurice Williams, Billy Scott & Cliff
Soul Patrol
4:13 $0.99
13. She Done Me Wrong
Holiday Band
3:21 $0.99
14. Is You Is Or Is You Ain't My Baby
King Edward & The BD's
3:30 $0.99
15. Mockingbird
Eliza & Big John Thompson
4:19 $0.99
Downloads are available as MP3-320 files.


Album Notes
Back in the late 70’s, a true renaissance in Beach Music occurred in the Southeast as many baby boomers, who had grown up in the 50’s and 60’s, cast aside the musical trends of the day and re-embraced the traditional sounds of R n B they had grown to love in their adolescent days. Along with traditional vintage hits came a tidal wave of new recordings by Southeastern juggernaut bands, like The Embers and The Catalinas, that broadened the horizons of the genre. A critical addition to the equation was the emergence of Texas’ revolutionary musical stylist, Delbert McClinton, as a defining entity on the scene. McClinton’s music incorporated an almost equal blend of Blues, R n B, country, Rock and Gospel with all of these elements interwoven to create a sound that defied any absolute classification. By the mid 80’s, as more acts began to follow this path, The term “Beach Boogie & Blues” came to define this style of music in Southeastern dance circles. Thus was born a new category of Beach Music, a form heavily geared toward the booming dance club scene. The music, like McClinton’s sound, carried a harder and more deeply defined bottom groove purely accentuating the “dance-quotient” of the song. Bursting out of the club scene, this new sound’s popularity began to bleed over into Beach radio. This series of compilations features some of the prime material that has been integral to the growth of “Beach Boogie & Blues”.



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