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Bill Colgate | waiting for simon

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CANADA - Ontario

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Rock: Roots Rock Folk: Folk Blues Moods: Solo Male Artist
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waiting for simon

by Bill Colgate

Uprooted Roots or Urbane Wine in a Rural Bottle. One part wry lyrical wit of Lovett. One part muscular bar band vocal of Springsteen. Liberally season with Essence de Dylan. Wrap in giant Maple Leaf and simmer for 20 years.
Genre: Rock: Roots Rock
Release Date: 

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  Song Share Time Download
clip
1. I Don't Know A Soul In Toronto Tonight
3:48 $0.99
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2. Emperor's New Clothes
3:27 $0.99
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3. Waiting For Simon
4:37 $0.99
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4. Something Wicked This Way Comes
3:25 $0.99
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5. Living On The Outside Of The Law
4:16 $0.99
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6. The Grace Of You
3:12 $0.99
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7. Lebanon Pike
4:02 $0.99
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8. Not Another Song About The Rain
4:27 $0.99
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9. Devil's Right Hand Man
3:22 $0.99
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10. It Still Comes Down To You
4:19 $0.99
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11. Rock & Roll Eats It's Young
4:40 $0.99
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12. Bobby Stayed Too Long At The Fair
3:30 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
What is a Bill Colgate? Poster boy for mid-life crisis or a somewhat late bloomer? Born in Welland Ontario and raised in Toronto, the arc of Bill’s professional life begins in the early 70’s, fronting such memorable bar bands as Uncle John’s Dirty Secret and The All Star Disco Band (currently residing in the 9th Circle of Hell). It was while playing The Nickleodeon (Ronnie Hawkins’ old “Hawk’s Nest”) that things took a left turn when he was approached by the artistic director of a fledging theatre company with the proposal that he might consider giving acting a try “since you seem to be handling the role oflead singer pretty well”. 20 years later, when he recorded his first CD, Bill had appeared in every aspect of the profession: stage, screen (BIG and small), radio, cartoon and commercial
voice work. He has performed the plays of Shakespeare, Beckett, Shaw and Ibsen but is most often recognized as The Singing Pirate from an episode of the children’s show “Join In” recorded 15 years ago.

Bill has worked with the following names you may recognize: Tommy Lee Jones,John Cusack, Billy Bob Thornton, Diane Keaton, Diane Lane, Kiefer Sutherland, Liev Schreiber, Matt Dillon, Anthony Edwards, Tia Carrere, Jennifer Jason Leigh, Beau Bridges, Joe Mantegna, Sarah Polley, Kyra Sedgwick and Joanna Cassidy.

While with a small theatre company in Mississauga, Ontario(Cyclos Theatre), the process of osmosis first affected Bill’s artistic life. He discovered that all those years of singing in bar bands had given him an instinctive understanding of song structure. This came in especially handy as he was the only one in the company with any musical background and someone was needed to write original songs for their children’s shows. Thus began Bill’s education in songwriting. It proved to be an excellent training ground. The lyrics had to convey information and “further the plot” while the melody had to engage the
notoriously fickle pre-pubescent audience. It was an apprenticeship that’s advantages far outweighed the one disadvantage of having to “unlearn” a certain didacticism inherentin children’s music as he later struggled to find his own “voice”

This struggle began during an hour long walk Bill would take every summer day from the hamlet of Port Ryerse to the town of Port Dover (where he was appearing at The
Lighthouse Festival Theatre) along The Radical Road. It had been several years since Bill had been required to write a song but, for some reason, that summer they came fast
and furious and, so far, the flood has not abated. Whereas once the osmotic process had flowed from music to theatre, the reverse was now the rule. All the experience Bill
had acquired from his years as an actor — his understanding of imagery, the rhythms of speech, the relationship and responsibilities of performer to audience — informed his
songwriting. He had a foot in both camps. He could stand on the shoulders of the giants, not only of the music he loved (The Band, Bob Dylan, Neil Young, Bruce Springsteen) but of the theatre, whose works he had performed (Shakespeare, Beckett,Ibsen, Shaw).

Bill does not play an instrument. He has too much respect for musicians to call what he does to a harmonica “playing an instrument”. Nevertheless, with his principal musical
collaborator, Cam MacInnes, he has successfully developed techniques for getting what he hears in his head “outta there”. At three critically lauded CDs and counting, it must
be workin’.

Fast forward to today and we have a Bill Colgate who, ironically enough, uses the acting profession as that thing to fall back on if this singer/songwriter gig doesn’t work out. Look out world there’s a not-so-new-kid in town.

Bill has shared the concert stage with the following names you may recognize: Ron Sexsmith, Bobby Wiseman, Kevin Hearn, Sarah Slean, Mia Sheard, Tamara Williamson,
Amos Garrett, The Bills, and, in his bar band days: John Lee Hooker, Chubby Checker, Sha Na Na, Lighthouse and The Stampeders.

Nota Bene

2nd Grand Prize Overall 2002 USA Songwriting Competion; 5th Place Gospel/Inspirational Category John Lennon Songwriting Contest

In May of 2003 Bill showcased in New York City at The Red Lion in Greenwich Village and in Nashville at the world famous Bluebird Café

Bill's song "The Emperor's New Clothes" from his soon-to-be-released sophomore CD "Waiting For Simon" was chosen as a finalist in the 2003 Mountain Stage NewSong Festival.

Bill's song "The Other Woman" was used in the film Landslide starring Anthony Edwards and Joanna Cassidy and was also recorded by Liz Tansey for her debut CD "What I Want".

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Reviews


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jenny munro

Smart, soulful songs deliver the goods.
Waiting for Simon should appeal to fans of Dylan, Springsteen and Steve Earle. Nice guitar work by Cam McInnes, pared-down arrangements, lyrics that hit the mark. Songs like Lebanon Pike, It Still Comes Down to You and I Don't Know a Soul in Toronto Tonight rank with the best folk/rock out there.
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Toronto Star

an important and committed new talent on the Canadian independent music scene.
Toronto actor-turned-award-winning singer/songwriter Bill Colgate's impressive roots rock debut a couple of years ago - songs from when dinosaurs ruled the earth won top prizes in the prestigious USA Songwriting Competition and The John Lennon Songwriting Contest and led to showcase appearances in New York and Nashville - served notice of the arrival of an important and committed new talent on the Canadian independent music scene.
Colgate's sophomore effort is a mature set of largely acoustic, folk based story songs marked by a literate wit (the comically sardonic "The Emperor's New Clothes" was a finalist in last year's Mountain Stage NewSong Festival in the U.S.), whimsy and more than a touch of melancholy. Co-produced by multi-instrumentalist Cam MacInnes and Bob Cobban and featuring drummer David Norris, primo bassist David Woodhead and a bevy of local specialists (singers Kim Cole and Liz Tansey, accordionist and string arranger David Matheson, Steve Goldberger and Joe Ingrao on Hammond B3) Waiting For Simon benefits from the sense of drama inherent in Colgate's compelling and distinctive vocal style, and from several remarkably well crafted songs, among which "The Grace Of You", "I Don't Know A Soul In Toronto Tonight" and "Not Another Song About The Rain" are spectacular standouts.
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