Bjorn Wennas | Static

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United States - Mass. - Boston

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Jazz: Traditional Jazz Combo Jazz: Weird Jazz Moods: Featuring Guitar
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by Bjorn Wennas

Contemporary improvised music played with great imagination, humor and insight, weaving lines together to create a beutiful fabric.
Genre: Jazz: Traditional Jazz Combo
Release Date: 

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  Song Share Time Download
1. Song 2
5:32 album only
2. Static
6:51 album only
3. L'uomo E La Montagna
8:36 album only
4. Nardis
6:39 album only
5. Ruby My Dear
5:19 album only
6. Lonnies Lament
6:21 album only
7. J.d.
5:52 album only
8. P.i.n.y.
5:29 album only


Album Notes
"His beautiful tone, which lends itself to his beautiful melodies, as well as his talent, warm personality and skills as a guitarist and composer are wonderful assets to be shared with the world."

...his dark-toned, electric lines surge forward with capacious voicings and probing chord progressions. ...Wennas conveys a mature vision during the preponderance of these craftily arranged works, awash with subtle surprises and the soloists hearty sojourns.

"..what makes Static a success is Wennas' own way of subsuming his influences into an approach all his own. He rephrases the familiar theme on Miles Davis' "Nardis" in a fresh way that leads into a surprising 4/4 swing and a solo that, like all his work on Static, is defined by economy, a refreshing avoidance of pyrotechnics, and a clear eye on the meaning of every note and phrase."

Bjorn Wennas has the chops you'd expect of someone who emigrated from Sweden to study at Berklee with guitar gurus Mick Goodrick and Jon Damian. But the emphasis on his second CD is composition and ensemble interplay. The lead-off track, "Song 2," begins with bassist Bruno Raberg belting out a phlegmy ostinato with his bow; he's soon joined by drummer Ziv Ravitz's funky backbeat and a zig-zagging boppish unison line voiced by Wennas, trumpeter Phil Grenadier, and singer Carmen Marsico. On the title track, a wandering melody unwinds over a ballad tempo, with Wennas and Grenadier trading background and foreground lines, giving way for a Raberg solo, and then fading on Wennas's soft-voiced chords. Wennas can also play a slow solo and sustain it, as he does on "L'uomo e la montagna," a sextet number with Michael Reis on piano. Marsico's vocals don't even enter until a good six minutes into the eight-and-a-half-minute piece... Wennas's arrangements are never predictable, and that includes the familiar "Ruby My Dear" (a duo for voice and guitar) and "Lonnie's Lament." The trio "Nardis" even gets a good walking-four groove going with some dirty rock-guitar tone.

Swedish composer and guitarist Bjorn Wennas is an active musician in Boston and it's surroundings. He currently leads his own quintet featuring his original compositions drawing inspiration from both rock and jazz tradition as well as from contemporary music.

Bjorn made his debut on stage at the age of 12 with the Flamenco group Los Dos Jovenes led by acclaimed guitarist and educator Miroslav Simic. Bjorn eventually developed an interest in jazz and went on to play guitar in several big bands and smaller ensembles. Most notably performing with big bands under the direction of Johnny Olsson at Berns and Mosebacke in Stockholm. Bjorn has performed in some of most distinguished jazz clubs in Sweden such as Fashing in Stockholm and Katalin in Uppsala.

Bjorn received a Bachelor's Degree from Uppsala University in Musicology and Anthropology, writing his final paper discussing jazz improvisation from an anthropological perspective. In 1999 he moved to Boston to attend Berklee College of Music on a scholarship. While at Berklee, Bjorn studied with Mick Goodrick, Hal Crook, Jon Damian, Ed Tomassi, Dave Santoro, Greg Hopkins and Tim Miller. He was nominated in 2004 for the Just Plain Folk's Award for best jazz vocal composition (Love Song) along with the likes of Judi Silvano. His quintet was also selected to perform at the first annual New Music Festival in Boston, celebrating composers that are pushing the edge.

Bjorn has played in venues such as Berklee Performance Center, The Zeitgeist Gallery, House of Blues, Ryles Jazz Club in Boston and The Bitter End and The Triad in New York City.

Bjorn has performed and collaborated with several notable musicians including Bruno Raberg, Phil Grenadier (Kenny Baron, Chris Potter, Kurt Rosenwinkel, Larry Goldings) Mark Shilansky (Luciana Souza, Kenny Wheeler, Clark Terry) Mads Tolling (Turtle Island String Quartet, Stanley Clarke) and Vadim Neselovskyi (Gary Burton).

Currently involved in several different projects he recently introduced his new band on his latest CD Static featuring Bruno Raberg on bass, Phil Grenadier on trumpet, Ziv Ravitz on drums, Carmen Marsico on vocals and Michel Reis on piano.



to write a review

jonathan major

new talent
I went to see Bjorn live a while ago (his CD release concert). After hearing him live and listening to his CD I must say that I am impressed by his talents. He is an awesome player and an inspiring and talented composer and bandleader. The CD is great, I love it and the band is great. Bjorn's take on the standards is really refreshing. I especially love the duet on Monks' Ruby my Dear. Carmen, what a vocalist!!!
Jonathan Major

tucker rountree

Creative and fresh, I look to sitting down and
hearing your whole album ! I like everything Ive heard.

Oscar Utterstrom

Great creativity and interaction!!
This album has two elements that are missing in many of today's jazz recordings: interaction and creativity. Every track comes through your speakers with a new soundscape amd a new approach to tell the story without losing the coherence. Forget the usual head, solo, head! Wennas successfully uses vocalist Carmen Marsico and trumpeter Phil Grenadier in unusual roles (just listen to Grenadier's rhythmic accompaniment on "Static"). The interaction between the members of the group makes the listener pay attention to what they have to say. It is not just Wennas who is telling the stories here. Even though the majority of the songs are beautifully written by him, it is a wonderful group effort!

This is a great album from Wennas that keeps the listener wondering what is going to happen next. Looking forward to the next one!

Pelle Nilsson

Great player, great CD!
This is a great CD! The group sounds really fine together, with each individual player adding to a beautiful whole. Wennas compositions are full of great lines and melodies, combined with inspired rythms.
Wennas has a beautiful tone and approach both soloing and comping, interacting superbly with his rythm section.
This is a CD that everybody interested in music pushing the bondaries need in their collection!


Fantastic compositions, great interplay
Fantastic compositons, he'll take you on a journey with surprises behind every corner. The band is so responsive and dynamic. Great interplay!