Blue Heron | Guillaume Du Fay: Motets, Hymns & Chansons

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Guillaume Du Fay: Motets, Hymns & Chansons

by Blue Heron

Music composed by one of the greatest composers of all time, Guillaume Du Fay (c. 1397-1474), including spectacular ceremonial choral motets as well as intimate French love songs for three soloists. It is Blue Heron's debut release.
Genre: Classical: Early Music
Release Date: 

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  Song Share Time Download
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1. Apostolo glorioso
3:23 $1.99
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2. Ave maris stella
4:46 $0.99
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3. Entre vous, gentils amoureux
3:11 $0.99
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4. Je me complains piteusement
2:06 $0.99
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5. J'atendray tant qu'il vous playra
1:49 $0.99
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6. Mon cuer me fait tous dis penser
5:58 $0.99
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7. Flos florum
3:54 $0.99
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8. Sanctus Ave verum corpus (Sanctus Papale)
10:07 $2.99
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9. Rite majorem Jacobum canamus
4:21 $0.99
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10. Permanent vierge (Johannes Ockeghem)
7:37 $0.99
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11. Aurea luce et decore roseo
3:43 $0.99
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12. Mon doulx espoir (Hugo de Lantins)
5:01 $0.99
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13. Malheureulx cueur, que vieulx tu faire?
5:24 $0.99
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14. Puisque vous estez campieur
2:58 $0.99
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15. Par droit je puis bien complaindre et gemir
4:00 $0.99
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16. Ecclesie militantis
5:29 $1.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
…glorious performances with incandescent singing … perfect blend and balance … a triumph…
Craig Zeichner, Early Music America | Fall 2007

The most attractive aspect of this recital is its feeling of immediacy and freshness.… For me, the high points are the Sanctus Papale, for which it is very welcome to have such a confident and poised rendition; and some of the later songs, for example Malheureux cuer, que veux tu faire, and the cheeky Puisque vous estez campieur… More, please.
Fabrice Fitch, Goldberg | August/September 2007

This debut marks Blue Heron as a leading new actor in the field of early Renaissance music, both for studying the sources and bringing them to life.
Altogether, this is one of the finest Dufay collections to come out in recent years…
J. F. Weber, Fanfare | September/October 2007

…clarity of texture and intonation … interesting and well performed … excellent recording …
Charles E. Brewer, American Record Guide | September/October 2007

The Du Fay discography continues to grow apace ... One of the most impressive of these discs to have come my way lately is a collection by the American ensemble Blue Heron, under Scott Metcalfe, Guillaume Du Fay: Motets, Hymns and Chansons. ... Blue Heron produces a wonderfully clear sound that is nevertheless not lacking in depth, and the highlights of the recording—in that they display these qualities to perfection—are the so-called ‘Sanctus Papale’ (the Sanctus ‘Ave verum corpus’, possibly written for the consecration of Santa Maria dei Fiore in Florence in 1436) and Rite majorem, in honour of St James. The chansons are also beautifully sung, by smaller groups, but again with a pleasingly full sound. An extremely impressive recorded debut.
Ivan Moody, Early Music (UK), August 2008

Blue Heron’s first CD offers an entrancing selection of music by the greatest composer of the 15th century. The program includes three isorhythmic motets (Apostolo glorioso, Rite majorem Jacobum canamus, and Ecclesie militantis), the glorious, large-scale Sanctus “Papale” in its first recording in three decades, two hymns with alternatim plainchant verses, and a generous sampling of secular songs. While the disc is mostly devoted to the music of Du Fay, it also includes a song by Du Fay’s contemporary Hugo de Lantins (Mon doulx espoir), and a marvelous motet-chanson by his friend and colleague of the next generation, Johannes Ockeghem (Permanent vierge). The music was recorded in September 2006 at the Church of the Redeemer in Chestnut Hill, MA and the CD was released in March 2007 on the Blue Heron label as BHCD 1001.

credits
released 01 March 2007
Engineering and mastering: Joel Gordon
Producers: Eric Milnes & Scott Metcalfe
Editing: Eric Milnes & Joel Gordon
Graphic design: Pete Goldlust
Cover image copyright John Grant, Red and white dahlia

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Reviews


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timothybrotherton@hotmail.com


This is an outstanding first recording from this group of scholar-musicians. They rival the Tallis Scholars. The pieces on this album are accessible to the novices ear, yet reveal a depth on further listening that will satisfy the student of renaissance choral music. By the way, the service from CD Baby was excellent.
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