Bohemian Caverns Jazz Orchestra | Bohemiana: The Compositions and Arrangements of Dan Roberts, Vol. 1

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Bohemiana: The Compositions and Arrangements of Dan Roberts, Vol. 1

by Bohemian Caverns Jazz Orchestra

Washington DC big band founded at the historic club and continuing to perform in the District.
Genre: Jazz: Big Band
Release Date: 

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  Song Share Time Download
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1. Written in the Stars
6:53 $0.99
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2. Trailer Park Ghost
7:45 $0.99
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3. Gallop's Gallop
5:27 $0.99
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4. Autumn Nocturne
7:16 $0.99
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5. 2300 Skiddoo
7:37 $0.99
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6. Bohemiana 1
4:34 $0.99
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7. Bohemiana 2
5:36 $0.99
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8. Bohemiana 3
8:41 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
alto saxophone: Marty Nau, Jason Hammers
tenor saxophone: Xavier Perez, Leigh Pilzer, Billy Wolfe
baritone saxophone: Brad Linde
trumpet: Bags Davis, Griffith Kazmercziak, Leo Maxey, Joe Herrera, Brent Madsen
trombone: Ben Ford, Steve Shaw, Shannon Gunn
bass trombone: Chris Buckley
piano: Dan Roberts
guitar: Josh Walker
bass: Eliot Seppa
drums: Kevin McDonald

Written in the Stars

In addition to being a phenomenally talented vocalist, Lena Seikaly is a phenomenally talented songwriter. I’ve had the good fortune to perform this song with her several times, and it never fails to impress me with its beautiful lyricism and judicious construction. This chart is among the first I attempted to write for big band, so it may score higher marks for enthusiasm than competency, but I can only hope that I managed to do the tune justice.

Trailer Park Ghost

I’ve always loved this tune since Brad Mehldau recorded it on his Elegiac Cycle album in 1999. The idea of recasting something that had only ever been conceived of as a solo piano piece into a big band arrangement was an appealing challenge to me. I clearly heard in my head the opening melody in unison saxes over drums and just went from there. BTW, shout out to Chamblin’s Uptown in Jacksonville FL, where I spent hours writing this thing.

Gallop’s Gallop

I wrote this as a feature for the sax lineup of the BCJO, which has changed several times since I wrote it, but has always always remained strong. Once I had the idea to give this great little melody to the sax section, the chart pretty much wrote itself.

Autumn Nocturne

Mike “Bags” Davis heard me playing this tune on the piano and requested that I write a feature for him on it, to which I gladly agreed. In addition to showcasing his beautiful melodic sensitivity and flugel chops, it’s a remarkable feat of endurance, given that I didn’t really give him a chance to rest (sorry Bags)!

2300 Skiddoo

While I love Herbie Nichols and his many brilliantly idiosyncratic compositions, the inspiration for this chart mainly came from Paul Motian’s Electric Bebop Band, specifically their cover of this song on their 2000 album “Europe.” May Paul’s mischievous spirit live forever.

Bohemiana 123

In writing this, I tried as best as I was able to capture the overall vibe of the BCJO. The crazy fake stalactites, the gonzo attack of extremely difficult music with absolutely no rehearsal, the substitute bass player struggling with an unfamiliar 13 page chart with one rickety music stand and inadequate lighting, the piano mic that worked 7% of the time, the gallows humor, the snark, the camaraderie, the sudden unexpected appearance of the sublime, the audiences that were into it, the audiences that talked, some audience members that were a little too into it, the times it was packed, the times it was empty, the agony and the ecstacy: I tried to get it all in there.

Part 1 starts with some intricate interlocking rhythms designed to grab your attention, in the spirit of early big bands from the 20’s and 30’s. It’s no accident that the first solo spot goes to one of my favorite musicians associated with the band, the great Eliot Seppa on bass.
Part 2 was conceived as a lullaby for my then infant daughter (she’s now 6!), and it shares some musical DNA with the first movement of Brahms’ 2nd Symphony, which I was listening to a lot at the time I was writing it.
Part 3 is a down and dirty Ellington shuffle in the spirit of “Loco Madi.” I snuck in some quotes from the first two movements to reward close listening!

- Dan Roberts, January 2018

Beginning in April 2010, the BCJO (founded and directed by Brad Linde and Joe Herrera) played each Monday night at the historic club on U Street until the end of March 2016. Many thanks to the musicians, audience members, press, friends, family, bartenders and waitstaff that made each week a success. Our heartfelt gratitude goes to Omrao Brown for giving us the space to become a band and for always putting the music first. We are honored to be a part of that legacy and Bohemian Caverns is truly missed.

But even without a steady base of operations, the band continues to thrive and we will soon celebrate 8 years together in April 2018. You can now find us in new spaces including the Milkboy Arthouse in College Park, MD and at the Levine Music campuses, as well as special performances at the Atlas Performing Arts Center, the John F. Kennedy Center for the Performing Arts, Strathmore, and many more.

These volumes are dedicated with love and appreciation to Jehangir Dalal, our friend and biggest fan.

Engineered, mixed and mastered by Charlie Pilzer at Airshow Mastering, Takoma Park, MD
Recorded April 18 and May 23 2016 at Allyworld, Takoma Par, MD
Artwork and design by Matt Rippetoe at Sideman Creative, LLC.

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