Burn in Hell | A Comedy of Horrors

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A Comedy of Horrors

by Burn in Hell

This is boneyard music sung by junkyard dogs, carny music for bearded women and two-headed men, the cabaret of the damned and the swamp music of the stranded and abandoned.
Genre: Rock: Rock & Roll
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  Song Share Time Download
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1. Spannish Banana
3:40 $0.99
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2. The Tale of the Broken Bones
3:03 $0.99
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3. Axe Weilders Waltz
4:52 $0.99
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4. The Without The
3:16 $0.99
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5. Soft Machine
4:24 $0.99
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6. Kurva Dobry
4:11 $0.99
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7. Salty Sea Spirits
3:59 $0.99
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8. The Creeping Machine That Ate Itself
4:19 $0.99
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9. False Memories
2:18 $0.99
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10. Insatiable
3:03 $0.99
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11. Wasn't Me (Remix)
7:33 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Burn In Hell wreaked havoc throughout Australia and Europe from 2011 to 2014, sating an abundant appetite for their sensual, grinding rhythms and gravelly vocals.  Pirate music it ain’t, though some timbers are shivered and sails are hoisted, a more apt portrayal may be a stygian primordial belch, the type of music the devil would relish had he a lust for dance, a lyrical ear, a penchant for sardonic wit and a drum beat his minions would weep for. Think swampy cabaret with a gypsy attitude, dirty gutbucket blues and call and respond field hollers. Then think again…  

Burn in Hell are a maelstrom of guitar, piano , banjo and drums with the occasional guest playing saw, toy xylophone, beer keg, didjerreedoo, metal ironing board and anything that makes noise. This is boneyard music sung by junkyard dogs, carny music for bearded women and two-headed men, the cabaret of the damned and the swamp music of the stranded and abandoned. These rollicking barrelhouse rhythms lead you nowhere close to everywhere and somewhere close to nowhere.

“ Looking like a hybrid of landlubber pirates or simply a bunch that counts Australian outlaw Ned Kelly amongst the family tree, the band’s repertoire perfectly matches their visual appearance.
Welcome to gloriously warped tunes performed on piano and organ – both instruments sounding like they haven’t been re-tuned in decades. Guitar, bass and banjolele riffs resemble the speedy shoveling sound of body snatchers, demented percussion beats compliment the pandemonium but above all, it’s the voices… Voices that suggest several sheets of sandpapers were dipped in hardcore liquor first, and then devoured.


Australian band Burn in Hell toured Europe for the first time in 2011 doing a short 13 date tour of France , the success of this tour led to a return tour in 2012 doing 60 shows in 5 countries,Featuring for 3 days at The Binic Folk Blues Festival. “ Burn in Hell are the revelation of the Binic Festival “

Burn in Hell returned to Australia with a new album DR AWKWARD on vinyl and cd again thru BEAST RECORDS ( ‘One of the disc’s of the year by an important group on their way to becoming essential’,Patrick Foulhoux, Dig It, Fanzine), to follow their first album Spiderfightcatwaterhate (CD on CDBABY, Vinyl on BEAST RECORDS ).
Returning to Europe in 2013 for a 69 date tour Featuring again at the Binic Folks Blues Fest ( FR) as well as The Freakshow Festival( FR ) and Donkey Rock (belg.) and heading to Portugal for the first time Burn in Hell have established themselves as a must see Live act , with a collection of addictive releases.

With the long awaited 3rd studio album Monkey Bones ( Beast Records ) completed, Burn in Hell returned to launch a fresh attack on the bars, clubs and Festivals of Europe in Autumn 2014 to promote the new record and their bizarre version of rock n roll dementia .

After a few years hiatus , spent wandering in different directions around the globe, Burn in Hell are currently putting the finishing touches to album number 4 (Beast Records ) and will be heading Back to Europe again in summer 2019 .


Burn in Hell are a maelstrom of guitar, piano and drums with the occasional guest playing saw, toy xylophone, beer keg, didjerreedoo, metal ironing board and anything that makes noise. This is boneyard music sung by junkyard dogs, carny music for bearded women and two-headed men, the cabaret of the damned and the swamp music of the stranded and abandoned. These rollicking barrelhouse rhythms lead you nowhere close to everywhere and somewhere close to nowhere.

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