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Chase Baird | Crosscurrent

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Jazz: Progressive Jazz World: Celtic Moods: Featuring Saxophone
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Crosscurrent

by Chase Baird

Frequently noted for his stylistic connection with the late great Michael Brecker, saxophonist Chase Baird's debut release on Junebeat Records features seven originals alongside Burke & Haggart's "What's New?" and Cole Porter's "All Of You."
Genre: Jazz: Progressive Jazz
Release Date: 

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  Song Share Time Download
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1. Fifth Direction
5:18 $0.99
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2. Crosscurrent
6:31 $0.99
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3. Infinite Motion
6:22 $0.99
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4. What's New?
7:16 $0.99
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5. Lunessence
6:47 $0.99
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6. The Traveler
9:05 $0.99
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7. Cascade
6:36 $0.99
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8. Dusk
6:14 $0.99
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9. All of You
9:07 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Crosscurrent is 22 year-old tenor saxophonist/composer Chase Baird's debut as a leader. These are the basic facts, but they fail to convey anything meaningful about the music to be found here. Crosscurrent doesn't sound like a debut album: Baird's sax playing doesn't sound like it comes from a 22 year-old. This is a beautifully assured recording, full of lovely ensemble playing and creative solos from Baird—who attracted the attention and support of Michael Brecker when Baird was aged just 14—and his talented fellow musicians.

There are two covers on Crosscurrent: Bob Haggart and Johnny Burke's "What's New" and Cole Porter's "All of You." "What's New" begins with delicate guitar and percussion from John Storie and James Yoshizawa. Storie's playing is floating, almost dreamlike, and establishes the tune's atmosphere ahead of Baird's delicate, controlled yet emotive sax.

"All of You" opens strongly and seems to be heading towards up-tempo, almost funky, territory. But the entry of Baird's tenor sax heralds a calmer and more reflective arrangement that includes a smooth, thoughtful, solo from Storie. Baird's own playing is evocative, especially in the closing minutes, as he takes the melody line and invests it with a powerful emotional intensity.

Baird's own compositions are impressive in their range and invention. "Fifth Direction" wears its hard bop influences on its sleeve—it grooves from the first beat. Bassist Chris Tordini and drummer Steve Lyman deserve much of the credit for the tune's drive and vivacity while Julian Pollack's piano solo skips and swings delightfully. Pollack's rounded, chunky, left-hand playing is to the fore on "Crosscurrent"—a complex tune that is nonetheless readily accessible.

"Lunessence" starts with some lovely unison playing between Baird and Storie but despite some swinging musicianship the tune lacks dynamics and is somewhat anonymous. "The Traveler" is a little too laid-back and soft for most of its length—it doesn't connect on an affective level until Lyman's hard-hitting, almost aggressive, drum break.

The quality lifts again with "Cascade." From its opening bars this tune is immediately inviting, accessible and, in the best sense of the word, heartwarming. Pollack's synthesizer solo harks back to progressive rock players like Rick Wakeman or Keith Emerson—but it's brief, inventive and fun, avoids the trap of self-indulgence that was the fate of too many prog solos. In contrast to the upbeat "Cascade," "Dusk" is a limpid, mellow tune which is centered on solos from Pollack's beautifully light piano and Baird's own rich and rather mournful sax.

"Cascade" and "Dusk" represent the emotional heart of the album, bringing together the joyousness and quiet reflection within Baird's compositions and playing. Crosscurrents is a positive and beautiful recording from a strong new talent. If any more evidence is needed that the future of jazz is in safe hands—here it is.

--Bruce Lindsey, ALL ABOUT JAZZ

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Chase Baird offers a startlingly brilliant debut album with Crosscurrent. Recorded at age 21, the album corroborates the emerging sentiment that Baird is indeed a creative force to watch. With seven originals as well as clever revamps of Burke & Haggart’s “What’s New?” and Porter’s “All Of You,” Baird clearly establishes himself as both a composer and improviser. The saxophonist’s stylistic connection to Michael Brecker is evident here in both the angular yet accessible nature of his compositions and the sheer virtuosity of his fiery improvisations. In addition, the intriguing (albeit subtle) influence of saxophonist Gato Barbieri pervades. Baird asserts a penchant for a peculiar blend of dissonant lyricism—an aesthetic that surfaces throughout the his improvisations on “Dusk” and “Lunessence. “ The band contains an unlikely mix of musicians—pianist Julian Waterfall Pollack, guitarist John Storie, bassist Christopher Tordini, drummer Steve Lyman and percussionist James Yoshizawa. Recorded to 24-track analog tape, Crosscurrent showcases the intricacies of a progressive-minded jazz group amidst the classic sound of an analog jazz recording—a crosscurrent of the best of the old and the new.

--Junebeat Records

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