Chuck Van Zyl | Cenotaph

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Klaus Schulze Redshift Tangerine Dream

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United States - Pennsylvania

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Electronic: Soundscapes New Age: Space Moods: Mood: Dreamy
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by Chuck Van Zyl

Sequencer Spacemusic from the nexus of technology and thought
Genre: Electronic: Soundscapes
Release Date: 

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  Song Share Time Download
1. Angelos
Chuck Van Zyl
21:31 album only
2. Sentinel
Chuck van Zyl
14:39 album only
3. Visitation
Chuck van Zyl
4:48 album only
4. Charon
Chuck van Zyl
13:05 album only
5. Forever Distant
Chuck van Zyl
16:19 album only
Downloads are available as MP3-320 files.


Album Notes
Over the course of his musical existence Chuck van Zyl has developed a signature exploratory style. By blending the primitive machine beauty of classics like Ricochet with the highly formed values of more recent groups such as Redshift and Arc, his solo studio works are the result of a persistent creativity. With Cenotaph (70'22") Chuck van Zyl has melded the intimate with the epic. Fans will find the results of this release riveting. Its tone veers from synthesized and atmospheric, to the reckless energized pulse of tumbling sequencer patterns, on down to a somber interiority - moving between the three in an impressive aural narrative. With plenty of cool modulated effects, ethereal Mellotron begot harmonies and melodies, and interlinked shifting arpeggios Cenotaph seems timeless in its purity.

Along with an arsenal of electronic instruments, key in producing the hallmark sounds of classic cosmic music, is van Zyl's sense of pacing, arrangement and contour. His lead lines hover wistfully above the throbbing pulse of interlocking, multi-layered sequencer patterns which race ahead then diminish into swirling ether. The compositions are restrained, rendered without any sharp edges, and posses a Berlin School authenticity of both tone and spirit - right down to the yearning of a generation seeking to find its place in the cosmos.

With his solid melodic invention, atmospheric modulations and heroic shifts in tonality, van Zyl masterfully realizes the fascinating patterns, riffs and pulses that dominate the tracks on Cenotaph. As the five pieces form, climb and sustain, listeners are pulled into a highly distinctive mindscape. Tone patterns weave and collide as go-for-broke keyboard lead lines dance above - while synthetic strings draw long lines across a cool digital plane. Chuck van Zyl is at home in this endlessly inventive genre, offering ample muscle for the adventurous, archaic modulations for the experimentalist and dreamy floating space for the cloudwalker.

Layers of mechanistic patterns grow, synchronize then switch direction and color in breathtaking dexterity - mixing, shifting and dividing in a twisting double helix of echoing electronic tones. Progressing through their brawny phase these performances then gently turn ethereal and otherworldly. Moving into the quiet drama and dark imaginings of the misty reality between sleep and wakefulness the delicate blending of sounds and re-circulating structures pulls us into deeper levels of our own mind.

Exercising his capabilities for symbolism, imagination and creativity van Zyl summons a mysterious cosmic energy - emanating from the nexus of technology and thought. Spacemusic fans know of a new way of listening, as the construct of music has dematerialized into a heightened inexpressible experience. But the greatest music reaches past the initiated.

Chuck van Zyl hits on all the major aspects of this genre, his melodies are human, rhythms machine-like, harmonies ethereal and the range of timbres he creates to voice his music are original and extraordinary. This music is a sincere exploration of the mood and mystery of the Spacemusic genre. With a strong core idea and strong execution Cenotaph offers vast sonic riches. Here we find an intelligence extending beyond the cold logic of machines - as well as a significant contribution to a most intriguing musical universe. The man who made this music is in this music - attending to his own inner theater. Chuck van Zyl makes us believe that we have not just listened to his work, but lived it.



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Chuck van Zyl - Cenotaph

Amazing Electronic Music!
When I heard Chuck van Zyl had released a new album entitled "Cenotaph" I scoured the internet trying to find it. I could not find it ANYWHERE. I ended up contacting Chuck directly and was able to purchase a copy from him. However, since this is the official outlet for his CDs, I wanted to let people know what to expect.

I have been listening to Chuck's radio program Star's End for several years and am a fan of the "Berlin-stule" electronic music and Cenotaph seems to fit nicely into this category. I’d been hearing excerpts from Cenotaph on the various radio shows, which I enjoyed, but being able to hear the album in its entirety was simply a delight. I was blown away by Angelos! When those hard synthesizer riffs began (sorry if that’s the wrong terminology) began, I had to stop what I was doing, and immerse myself in the music. Unfortunately I spent so much time enthralled by the first track I had to get back to what I was originally doing and could only listen to the rest in the background. That being said, I still put the playing on repeat and kept listening over the next 3 hours. I really like this music and guarantee it will be getting played much more while wearing headphones to get the full experience!

If you are into good electronic music, you will not be disappointed!!

Rod Scott

Woven Throughout My Life - Electronic Music
From the earliest teenage memories of "Switched on Bach" to the music of Klaus Schulze and the early Steve Roach I've been in love with space music (ambient music, etc.). During the 80's and 90's I heard a lot of the Berlin School music on a nationally syndicated radio program. To my regret, I'd never heard of Star's End Radio until the last couple of years. Chuck's "Cenotaph" is the first of his albums I've enjoyed this past year. I am astonished every time I put this CD on with the breadth and depth of the sonic universe contained within. This album takes me on a spiritual journey to a peaceful place where the rest of the world must remain in amber, fixed and unimportant while my soul takes flight into the beyond. Wondrously, by the end of the album, I am deposited softly upon the Earth to journey onward until the music meets me again. Thanks Chuck for this epic endeavor of yours, and the gift you have shared with us.