Corey Hamm & Nicole Ge Li | P.E.P. - Piano and Erhu Project, Vol. One

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P.E.P. - Piano and Erhu Project, Vol. One

by Corey Hamm & Nicole Ge Li

Formed in 2011, P.E.P. (Piano and Erhu Project) is a Vancouver-based cross-cultural project with Nicole Ge Li, erhu and Corey Hamm, piano performing new music by Canadian, Chinese and other international composers.
Genre: Classical: Contemporary
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  Song Share Time Download
1. A Long the Riverrun
6:17 $0.99
2. Blues n' Grooves
4:31 $0.99
3. Lamentation
5:54 $0.99
4. Captive
8:05 $0.99
5. Verdigris
4:04 $0.99
6. Eternity Gaze: Looking Outward Together
6:10 $0.99
7. Eternity Gaze: Forgetting Time
6:45 $0.99
8. Eternity Gaze: In a Mirror
3:59 $0.99
9. Eternity Gaze: Here, Now
4:08 $0.99
10. Moonless Night
5:44 $0.99
11. All Over the Map
7:37 $0.99
12. Twilight
6:27 $0.99
13. Goldfish
4:59 $0.99
Downloads are available as MP3-320 files.


Album Notes
P.E.P. (Piano and Erhu Project) Vol. 1
Nicole Ge Li, erhu
Corey Hamm, piano

Formed in 2011, PEP is an exciting Vancouver-based cross-cultural project in which Nicole Ge Li and Corey Hamm commission Canadian, Chinese and other international composers to write new works for erhu (Chinese two-stringed fiddle) and piano. While many works already exist for the this instrumental combination, Li and Hamm felt that very few explored the many stylistic paths that have flourished over the past century. The first of three discs, PEP (Piano and Erhu Project) Vol. 1 addresses this paucity, showcasing a number of works by a dizzyingly diverse range of composers: Edward Top’s Lamentation, inspired by the tradition of Taiwanese funeral wailers; Jared Miller’s narrative driven Captive; Laurie Radford’s All Over the Map, drawing parallels with his work in electronics; Jocelyn Morlock’s Verdigris, her tribute to all things that bloom at night; Chen Si Ang’s tradition-steeped Twilight; and Roydon Tse’s Blue n’ Grooves and John Oliver’s Eternity Gaze, both inspired by jazz and blues. The collaborative energy between Li and Hamm is a palpable force and their commitment to this new repertoire is a joy to behold, boding well for Volumes 2 & 3.



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