Cornell Kinderknecht & Martin McCall | Dreamtime

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Cornell's website Cornell's facebook fan page Martin's website Cornell's Youtube channel

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United States - Texas

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New Age: Ambient World: World Fusion Moods: Instrumental
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by Cornell Kinderknecht & Martin McCall

A place where all things are possible -- peaceful yet energetic blending of flowing winds and reeds with moving world percussion let you escape to that place of freedom where your imagination can run free.
Genre: New Age: Ambient
Release Date: 

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  Song Share Time Download
1. Big Sky
Cornell Kinderknecht & Martin McCall
6:26 $0.99
2. One Summer
Cornell Kinderknecht & Martin McCall
6:34 $0.99
3. Marble Falls
Cornell Kinderknecht & Martin McCall
6:39 $0.99
4. Voyager
Cornell Kinderknecht & Martin McCall
6:14 $0.99
5. Gecko
Cornell Kinderknecht & Martin McCall
5:46 $0.99
6. Solitude
Cornell Kinderknecht
5:00 $0.99
7. Blue Violet
Cornell Kinderknecht & Martin McCall
4:28 $0.99
8. Dragonfly
Cornell Kinderknecht & Martin McCall
6:29 $0.99
9. Opening
Cornell Kinderknecht & Martin McCall
5:52 $0.99
10. Peace Symbol
Cornell Kinderknecht & Martin McCall
5:09 $0.99
11. Orion
Cornell Kinderknecht & Martin McCall
4:24 $0.99
12. Equanimity
Cornell Kinderknecht & Martin McCall
4:55 $0.99
Downloads are available as MP3-320 files.


Album Notes
• Indian Summer Music Awards WINNER: Best Song Native Spirit: "Big Sky" from Dreamtime
• The Independent Music Awards Nominee: "Dreamtime" for New Age Album and "Solitude" for New Age Song
• Best New Age Album of 2013 - Phil Maq, Producer, Host, Blogger - WHFR-FM
• Top Songs of 2013: "Orion" - Phil Maq, Producer, Host, Blogger - WHFR-FM

The flowing melodies and subtle harmonies of Cornell Kinderknecht's flutes, reeds and keyboards blend with the moving rhythms of Martin McCall's drums and percussion to take you to a place where all things are possible -- a place where you can be at peace while feeling energized -- a place of mystique and ceremony -- a place of fantasy where you can play and let your imagination run free . . .

Award-winning world flutes and winds virtuoso Cornell Kinderknecht joins musical forces with Martin McCall, veteran percussionist and winner of the Carmine Appice Drum Contest. Together, they create a collection of instrumental music that is equally poignant as it is bold. It's the perfect music for listening while at the same time, you can zone out and chill with it, get up and move with it, or let it accompany you on a long road trip.

Cornell Kinderknecht is an Indian Summer Music Awards winner, has been a finalist for "Musician of the Year" at the Texas Music Awards in multiple years and a Top 5 Winner in the Instrumental category of the Great American Song Contest. His music has been heard in films, television soundtracks, and advertising. In addition to his solo albums, Cornell’s playing can be heard on the recordings of many other artists, across many genres.



to write a review

Candice Michelle

From Journeyscapes Radio
DREAMTIME is the collaborative effort of world flutist and instrumentalist Cornell Kinderknecht and world percussionist and drummer Martin McCall. The album is an elegant exploration of mostly Native American-inspired melodic soundscapes which convey warmth, contemplation and an innate healing spirit.

McCall's moving yet gentle ethnic percussion beautifully compliments Kinderknect's Native and multicultural flutes and glistening ambient textures throughout. A rejuvenating yet relaxing album, the music of DREAMTIME is perfectly suited for Spa therapies, Yoga practice and other healing arts.

I find this album to be equally listenable in the early morning or evening times. Much of the music seems to emanate like sunrays at dawn as exemplified on the radiant "Big Sky", and at other times gently sparkles like stars in the night sky as on the ethereal "Blue Violet". Other favorites include the rhythmically pulsating "Gecko" and the mysterious, voyage-like "Orion".

I feel DREAMTIME is on par with the stylistically similar works of Scott August, David & Steve Gordon and R. Carlos Nakai, and fans of any of the aforementioned artist are encouraged to take note of this fantastic album.

Bill Binkelman - Wind and Wire

A fantastic blend of wind instruments and drums/percussion
Dreamtime (from wind instrumentalist and keyboard player Cornell Kinderknecht and drummer/percussionist Martin McCall is pleasingly paradoxical. I can’t remember the last time (if ever) that I heard an album that has so much percussion and rhythms (some of them frenetic in tempo) that still managed to be so calming and so soothing to jangled nerves, without revving up the listener and inducing him or her to get up and dance. I've listened to this superb recording at least ten times and I still don’t understand how these two masterful musicians did it. I suppose at this point I should just relax and enjoy the beautiful, serene, ride. And it is a wonderfully relaxing journey into a land of assorted world influences and lovely flowing melodies (the latter quality which Kinderknecht exhibited on his last solo release, Nightfall).

It's important for me to list the array of instruments that each artist plays so you can appreciate each of these performers' virtuosity. Kinderknecht's primary instruments are of the wind variety, and on Dreamtime he plays Native flutes, soprano sax, bansuri flute, English horn, Anasazi flute, and keyboards (and he utilizes his keyboards masterfully!). McCall's list is even longer and includes djembe, shakers, taiko drum, tom-toms, electronic timpani, cymbals, gong, bells, tambourine, methal, drum head, udu, bass drums, and doumbek. Phew! I wonder what his studio looks like!

Eight of the twelve tracks feature Kinderknecht playing Native flute, so it's obvious that many of the album's songs have a Native influence present, but there is no way I would describe this as strictly a Native flute fusion release. It’s not just because Kinderknecht doesn't fall back solely on Native elements in these songs, but it's also about how McCall uses non-Native instruments in laying down his rhythms and beats. One could (and perhaps should) label this music as cross-cultural, since the wind instruments and the percussion/drums are not always geographically aligned.

Two things struck me as I delved into the music on Dreamtime. One was how adeptly Kinderknecht incorporates his keyboard textures and embellishments. It's textbook in how he fleshes out the overall sound of the songs (all but one track features some keyboards). The artist knows just how to balance these soundscape colorings into the mix so that they are heard but never dominate. That's a true artisan skill. The other, and stronger, sonic element is the ultra-deft approach to mixing so that McCall's vast assortment of percussion and drums never overpower the overall meditative/serene mood of the music. It's almost uncanny and I don’t know if I have ever heard anything like it in all my years of reviewing.

I'm not sure trying to describe individual tracks would adequately convey how special Dreamtime is, but I can at least attempt to paint a written picture. "Big Sky" features a pensive Native flute line buoyed by swirling synthesizer shadings and propelled by a rapid tempo drum beat on dejembe. "One Summer" has the drum beats played on doumbek in a sedate, almost mournful tempo, while the lead flute is held by an Indian bansuri, which lends the song an overall air of mystery and the exotic. On "Marble Falls," McCall flexes his musical muscles and incorporates an assemblage of taiko drums, tom-toms, electronic timpani, cymbals and gongs, while Kinderknecht returns to the Native flute and layers in even more pronouncedly swirling ambient-ish keyboards. At this point in the recording, adroit listeners will clue in to how these two artists have meshed their talents to yield a truly symbiotic listening experience in how the melody lines intertwine with the layers of rhythms and beats. The album takes a celestial turn on "Voyager" as Kinderknecht's soprano sax floats above layers of spacy synthesizer soundsculptures and shimmering textures with McCall's subdued taiko drums pounding out a subtle slow-tempo beat. Kinderknecht goes solo on "Solitude" playing both Native flute and English horn with piano accompaniment as well as orchestral string embellishments. "Dragonfly" hints at Indian motifs with bansuri flute and tamboura drones while ethnic rhythms beat out a sensual undertone.

Dreamtime is a special recording - a true original in how it marries assorted ethnic percussion with wind instruments and synthesizers to craft an album that manages to calm the disquiet mind with a unique blend of melody and rhythm. Kinderknecht and McCall exhibit an uncommon symmetry in their shared musical vision and the result is an album that would be ideal for massage, relaxation, yoga, or even just…well, waking dreaming.