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Cosaquitos en Globo | Asimetricos

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Pop: Synth Pop Electronic: Electro Moods: Mood: Upbeat
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by Cosaquitos en Globo

The twelve songs of this Electropop album are built around strong vocal melodies, synthetic sounds, dance grooves and guitar riffs, keeping an energy often more associated to rock than electronic music.
Genre: Pop: Synth Pop
Release Date: 

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  Song Share Time Download
1. Asimetricos
3:39 $0.99
2. Domino
3:59 $0.99
3. Donde Voy
3:03 $0.99
4. Fuera de Mi
3:00 $0.99
5. Disconnected (feat. Dana Bell)
3:23 $0.99
6. Intermitencia
3:56 $0.99
7. Fuego en Marte (feat. Bruno de Vincenti)
3:41 $0.99
8. Lost in This World (feat. Ernesto Romeo & Carlos Shaw)
4:21 $0.99
9. Tras de Mi
3:08 $0.99
10. Under All
3:12 $0.99
11. 3D
3:11 $0.99
12. Verte Mas (feat. Naila Borensztein)
2:59 $0.99
Downloads are available as MP3-320 files.


Album Notes
ASIMETRICOS (Asymmetrics) is the third full-length album of the Argentine electropop band, COSAQUITOS EN GLOBO.
After 'Voy a Buscarte', their 2011 EP that would open their game to a more Pop approach, ASIMETRICOS expresses and reveals the diverse facets of its members into a clear celebration of differences.
Always supported by the provision of searching and processing sounds, keeping Electro as a common thread, the album consists of twelve solid songs in terms of sound and expressiveness, covering sensations ranging from the dark and danceable 'Domino' and 'Donde Voy', to the melancholy of 'Fuego en Marte', 'Lost in This World' and 'Under All', or the unraveling rage of 'Disconnected' and 'Tras de Mi'.
Moreover, ASIMETRICOS features major collaborations from seminal Argentine electronic scene artists, such as Ernesto Romeo (Klauss) and Bruno De Vincenti in synthesizers, Naila Borensztein (No lo Soporto) on vocals and synthesizers, Carlos Shaw on vocals and Dana Bell (Ut Ut Ut) on bass.
Accompanied by friends and with the conviction and experience product of the path traveled, COSAQUITOS EN GLOBO pave their way into a present that reveals them decidedly ASIMETRICOS (Asymmetrics).



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