Crimson | Crimson

Go To Artist Page

More Artists From
United States - Texas

Other Genres You Will Love
Classical: Chamber Music Latin: Tango Moods: Instrumental
Sell your music everywhere
There are no items in your wishlist.

Crimson

by Crimson

Crimson is a duo who specializes in newly-commissioned works for violin and harp and transforms compositions which rarely feature this combination of instruments.
Genre: Classical: Chamber Music
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd-rp in stock order now
Buy 2 or more of this title's physical copies and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
clip
1. Histoire du Tango: Bordel, 1900
3:53 $2.47
clip
2. Histoire du Tango: Cafe, 1930
7:52 $2.97
clip
3. Fantaisie for Violin and Harp, Op. 124
13:18 $5.47
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Piazzolla’s Histoire du Tango (1986) was his only work written for flute and guitar, which were the first instruments linked to the development of the tango in Buenos Aires. Piazzolla (1921-1992) was a talented composer, and originally hid his Argentinian tango roots as he developed his music for traditional performance venues in Europe and America. After winning a composition competition, Piazzolla went to France to study with Nadia Boulanger. When she heard his work, she encouraged him to explore his own voice, and thus he dedicated his lifework this traditional musical genre on the worldwide stage.

The Saint-Saëns Fantaisie (1907) is probably the most -beloved original composition for violin and harp, and was composed when Saint-Saëns (1835-1921) was 82 years old. Especially notable is the balance of virtuosic lines which are passed between the violin and harp. He used nearly the full range of strings on the harp (with the exception of the lowest octave), and balanced the harp’s quick tonal decay with the resonance of the violin. Of course, this composition contains Saint-Saëns hauntingly-beautiful harmonic progressions. The work is clearly composed in five sections, with a return to the opening theme before the final coda.


Read more...

Reviews


to write a review