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Dapper's Delight | Disguisings

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Netherlands

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Classical: Renaissance Folk: British Folk Moods: Mood: Virtuoso
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Disguisings

by Dapper's Delight

Dapper’s Delight examine, exploit and celebrate the multifarious ties between folk and early music. Their personal approach delivers a virtuosic and soulful exploration of music that once entertained both princes and peasants alike.
Genre: Classical: Renaissance
Release Date: 

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  Song Share Time Download
clip
1. Castleton Garland Dance or Long Morris / No-Body's Jigg
3:04 album only
clip
2. Robin Hood / Staines Morris
4:15 album only
clip
3. Now Is the Month of Maying / Month of May
3:25 album only
clip
4. Thantik / The Anticke / Les Buffons / Shepherds' Hey (Signposts) / Pantalone / Pickelharing
8:54 album only
clip
5. Tobacco's but an Indian Weed
2:55 album only
clip
6. The Antic Dance / Buffoons / The Antic Dance / The Buffoon Dance / John Come Kiss Me Now
5:16 album only
clip
7. Once I Loved a Maiden Fair / Lumps of Pudding
6:24 album only
clip
8. Dance Suite from Apollo's Banquet: A New Aire / Papse / Bore / Minuet / An Italian Ground
6:03 album only
clip
9. Bathalia De Sexto Tom
5:51 album only
clip
10. The Female Souldier, Or the Virgin Volunteer
4:48 album only
clip
11. The Queenes Almayne: Teutscher Dantz / Almande Nonette
3:39 album only
clip
12. No Man's Jig (Sleight Sword Dance)
1:41 album only
clip
13. A Great Big Shame
4:55 album only
clip
14. There Ain't Half Been Some Clever Bastards
2:44 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The duo Dapper’s Delight, explores the rich repertoire of English popular music from the period 1550-1900, which once straddled the modern classifications of “folk” and “early music” and forms an important part of the texture of our music history. It is precisely the ambiguous nature of this music that Dapper’s Delight exploit, juxtaposing the striking combination of the anglo concertina, which has a long association with folk music, and the recorder, a popular and highly adaptable, classical instrument prior to the mid-eighteenth century. The reduced nature of this instrumentation, and the novelty of natural voices singing ʻseriousʼ music, highlights the vitality of this repertoire and gives a freshness to some well loved classics.

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