David Kinsela | Daybreak

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AUSTRALIA - New South Wales

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Classical: Baroque Classical: Organ Moods: Instrumental
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by David Kinsela

Organ works by Dieterich Buxtehude, played on the 2004 Aubertin Organ of Saint-Louis-en-l'Île, Paris by David Kinsela. This album is the first in a series representing the complete works of Buxtehude.
Genre: Classical: Baroque
Release Date: 

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  Song Share Time Download
1. Praeludium in fis, BuxWV 146
8:53 $0.99
2. Canzonetta in G, BuxWV 172
2:44 $0.99
3. Wie schön leuchtet der Morgenstern, BuxWV 223
8:22 $0.99
4. Ach Gott und Herr, BuxWV 177a/177b
3:03 $0.99
5. Te Deum laudamus, BuxWV 218
16:15 $0.99
6. Praeludium in A, BuxWV 151
8:03 $0.99
7. Nun komm, der Heiden Heiland, BuxWV 211
2:37 $0.99
8. Magnificat noni toni, BuxWV 205, 1
1:15 $0.99
9. Magnificat alla Duodecima, BuxWV 205, 2
1:36 $0.99
10. Magnificat primi toni, BuxWV 204, 1
2:43 $0.99
11. Magnificat, BuxWV 204, 2
2:15 $0.99
12. Canzona in G, BuxWV 171
2:26 $0.99
13. Nun bitten wir den Heiligen Geist, BuxWV 209
3:18 $0.99
14. Herr Christ, der einig Gotts Sohn, BuxWV 191
4:29 $0.99
15. Praeludium in C, BuxWV 137
6:01 $0.99
Downloads are available as MP3-320 files.


Album Notes
Organist David Kinsela has presented here a thoughtful program based on the theme "Daybreak - the six days of creation", selecting music by Dieterich Buxtehude. Let There Be Light, The Firmament of Heaven, The Tree Yielding Fruit, The Two Great Lights, Every Living Creature, and Man in Our Image provide the framework upon which the music is arrayed.

The organ by Bernard Aubertin in Saint-Louis-en-l'Île, Paris, is perfect for this music. In the booklet that comes with the CD, Bernard Aubertin describes his method for choosing the design of the organ, including its stops.

"This organ makes it possible to perform a fairly wide range of music from before and after Bach's time, while also leaving scope for the creation of new repertoire.

"This instrument is in no sense a copy of an old organ. It is to be viewed as a creation in a given spirit whose aim is to allow a tradition to live on but not claim (or desire out of nostalgia) the re-creation of any specific period or any kind of supposed past golden age. It should function like our alphabet, which is thousands of years old yet still allows us constantly to create something new in the act of writing."

- Bernard Aubertin,Maître d'Art



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