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David Rothenberg & Jeffrey Goldberg | Red Mountain, Gold Mountain

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Classical: Impressionism Jazz: Third Stream Moods: Type: Improvisational
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Red Mountain, Gold Mountain

by David Rothenberg & Jeffrey Goldberg

Subtle, duo improvisation in between the ethereal and the classical. The echoes of more than thirty-five years of collaborative thought.
Genre: Classical: Impressionism
Release Date: 

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  Song Share Time Download
1. Earth, Invisible
David Rothenberg & Jeffrey Goldberg
7:11 $0.99
2. Is It Really?
David Rothenberg & Jeffrey Goldberg
7:18 $0.99
3. Patterned Ground
David Rothenberg & Jeffrey Goldberg
6:21 $0.99
4. Breeze Arc
David Rothenberg & Jeffrey Goldberg
2:56 $0.99
5. Whale Poem
David Rothenberg & Jeffrey Goldberg
9:52 $0.99
6. Mountainscape
David Rothenberg & Jeffrey Goldberg
11:16 $0.99
7. Iridescence
David Rothenberg & Jeffrey Goldberg
5:38 $0.99
8. Anton We Hardly Knew You
David Rothenberg & Jeffrey Goldberg
0:50 $0.99
9. Dawn Stirs
David Rothenberg & Jeffrey Goldberg
2:24 $0.99
10. Sunset Hush
David Rothenberg & Jeffrey Goldberg
4:39 $0.99
11. Flame Sway
David Rothenberg & Jeffrey Goldberg
5:53 $0.99
12. Red Gold Blues
David Rothenberg & Jeffrey Goldberg
9:50 $0.99
Downloads are available as MP3-320 files.


Album Notes
David never ceases to surprise me, both in our spontaneous musical journeys
and in his periodic asking of me why I, a classically-trained musician, find
improvisation to be so important... For me, improvisation is the life-blood and
motivating force of all music. To truly speak the musical languages of the past
as living presence, to "say the unsayable" (Rilke), we need to be in the moment...
vessels for that which is larger than ourselves. We join the soundscape in stillness,
co-creation, trust, surrender and joy.  Improvisation takes us to otherwise unreachable
places in the vast cosmos of our inner and outer worlds beyond words.
It is a prime vehicle for living collaboration; respect and partnership in continual
transformation, evolution and renewal.


Jeff is the most consummate musician I know, he can do everything:
conduct, compose, perform fluently from any score. When he improvises,
he comes not from the American jazz or European free tradition, but from
his own unique place built on years of deep immersion in the whole history
of music. I hear this groundedness in every tone he chooses to explore.
Even when we disagree I sense he’s probably right. I said “take out the whale,”
he said, “no, we must keep the whale.” Thus you have the whale. And Jeffrey
sings with the whale, that’s right, he really sings. And shows us a whole lot more.
“Earth, invisible,” sang Rilke. If you can’t see it, you are sure going to hear it.




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