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David Stevenson | May, Arise

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United States - North Carolina

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New Age: New Age World: World Beat Moods: Featuring Guitar
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May, Arise

by David Stevenson

Solo, nylon, fingerstyle guitar drawing on a variety of genres without ever standing firmly in any recognizeable style, accompanied by worldbeat percussion from Africa, India, the Middle East and Tibet.
Genre: New Age: New Age
Release Date: 

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  Song Share Time Download
1. Eastern Anthem
2:11 $0.99
2. 11/8
2:29 $0.99
3. Rapid Watching
3:24 $0.99
4. We Work the Black Seam Together
3:18 $0.99
5. Tangent I
3:19 $0.99
6. Tangent Fragment
0:48 $0.99
7. Tangent II
3:02 $0.99
8. Resolution
2:42 $0.99
9. Windscent
3:17 $0.99
10. May, Arise!
2:24 $0.99
11. The Gujarati Arti
6:07 $0.99
12. Dungannon
4:05 $0.99
13. Hope of Ray
4:29 $0.99
14. Sprirals of Delight
2:24 $0.99
15. Common Chords
4:32 $0.99
16. Bulldozing for Zen
3:32 $0.99
Downloads are available as MP3-320 files.


Album Notes
"His intelligent pictorial music portrays Thoreau-esque inner landscapes in shadowy, muted tones. Stevenson's playing is open, but forceful in a quiet way; it's not intentionally showy, but just delivers what each composition requires. His special talent is for creating moods that take you places you probably haven't been before."
Acoustic Guitar Magazine

“ [His] arpeggios gurgle like a thawing spring or volcano in rivulets of double or triple time. MAY ARISE is a tour de force of strong bass, speedy arpeggios and forceful, slashing harmonics.
Daily Courier, Forest City NC

“Stevenson plays a nylon string guitar with a strong right hand, and displays an unusually original compositional bent. He creates his own to good effect.”
Fingerstyle Guitar Magazine

“ A fresh voice - Highly recommended.”
Greenline, Asheville NC (no longer in print)

“Stevenson’s guitar compositions are well-crafted, and played with feeling and style.
. . . . . really impressive, masterful technique.”
Trax Magazine, Kitchener, Ontario

“The clean integrated sound of Stevenson’s guitar is multifold and intriguing.
. . . . .pensive subtlety, tenderly interwoven with rarefied classical sounds.”
Heartsong Review, Eugene, Oregon



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