Ddygg | Live at Joan's

Go To Artist Page

Recommended if You Like
Dave Douglass John Zorn Tim Berne

Album Links
DDYGG PayPlay Apple iTunes Emusic GreatIndieMusic Nexhit PassAlong Tradebit Audio Lunchbox Chondo MusicIsHere MusicIsHere

More Artists From
United States - NY - New York City

Other Genres You Will Love
Jazz: Free Jazz Jazz: Bebop Moods: Type: Improvisational
Sell your music everywhere
There are no items in your wishlist.

Live at Joan's

by Ddygg

Improv crossed with deep composition, beauty crossed with assault, live energy crossed with studio sound, DDYGG finds its balance
Genre: Jazz: Free Jazz
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
available for download only
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
clip
1. Preyland
DDYGG
7:27 $0.99
clip
2. Rhound Things III
DDYGG
3:34 $0.99
clip
3. The Shepard and
DDYGG
5:16 $0.99
clip
4. The Princess
DDYGG
7:07 $0.99
clip
5. 63 Million Light Years is a Long Way
DDYGG
7:47 $0.99
clip
6. Thanks James
DDYGG
3:32 $0.99
clip
7. Dodge's Drye Young Glass of Ginnis
DDYGG
10:43 $0.99
clip
8. Good Guys, Bad Guys
DDYGG
10:10 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
NCM East Records is pleased to announce the release of an adventurous new album, Live at Joan's, from a collective of active NYC improvisers called DDYGG. The group blends dense and romantic, highly arranged harmony with stretches of seething rage. Recorded in a giant industrial space in Brooklyn, Live at Joan's pulses with the energy of its live audience prodded by the drums, the bouncing trombone and clarinet, flowing guitar lines and booming contra-alto clarinet. Improv crossed with deep composition, beauty crossed with assault, live energy crossed with studio sound, DDYGG finds its balance.

To complement the unconventional instrumentation and recording, the cd package features some unexpected and provoking artwork from a talented eight-year-old collaborator.
About DDYGG: Featuring Khabu Doug Young (guitar), Mark Dodge (drums), Michael McGinnis (clarinet, soprano and tenor saxophone, pennywhistle), Brian Drye (trombone) and Matt Glassmeyer (amplified contra-alto clarinet and misc. sounds), DDYGG's formation was far from arbitrary. Loosely, over a two-year period, these players found themselves continuously revisiting their collective chemistry in New York venues for improvisation and new music. Whether called a band, an ensemble, an event or an experiment, DDYGG rests on an anything-goes aesthetic that aims to eloquently blend their highly personal sounds.

Read more...

Reviews


to write a review

All About Jazz

Strong players with rich ideas and 21st century sounds!
The recording offers several first rate songs, and the various styles reflect the group’s wide range. “Rhound Things III” starts off with subdued solo guitar work by the excellent Khabu Doug Young, and then bursts into a buoyant melody reminiscent of Weather Report. On “The princess” the group reveals their straight ahead chops. The front line—Michael McGinnis on clarinet and saxes, Brian Drye on trombone, and Matt Glassmeyer on the unusual amplified contra-alto clarinet—repeat the melody line, with Young deftly weaving his guitar around them. Then McGinnis takes a long, joyful solo, followed by drummer Mark Dodge, who plays with power and incision. The song wraps up with the melody, and altogether it’s a lovely piece. “Thanks, James” is a wild blowfest where McGinnis cuts loose and goes completely out, showing that the musicians are just as comfortable in the realm of free.

And then there’s the very interesting “Good Guys, Bad Guys,” a ten-minute song that wraps up the CD. The song begins with the musicians slowly building into an urgent, chaotic energy. Then they fade back from what they’ve created, and the song dissolves into silence. The music eventually returns, along with a remix of background voices. The song’s construction is highly evolved and very original, and the mix of voices at the end is in the spirit of Beatle songs such as “I Am the Walrus.” In fact the entire CD is a tribute to the way a creative mix—in this case, by Zeke Zima—can take already excellent music to a higher ground.

Watch them if you want to see where jazz—and indeed, music—is heading.
Read more...