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DJ Jubilee | Take It to the St Thomas

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United States - Louisiana

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Hip-Hop/Rap: Southern Style Hip-Hop/Rap: Party Rap Moods: Mood: Party Music
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Take It to the St Thomas

by DJ Jubilee

DJ Jubilee first full length album. This CD includes the original song "Back That Thang Up" and was released on Take Fo' Records in April 1998.
Genre: Hip-Hop/Rap: Southern Style
Release Date: 

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  Song Share Time Download
1. Take Fo' Mega Mix
1:19 $0.99
2. It's On
4:41 $0.99
3. Back That Thang Up
7:30 $0.99
4. We're Gettin' Ready
4:47 $0.99
5. Take It to the St Thomas
5:27 $0.99
6. Where You Headed
4:11 $0.99
7. Hot Girlz on Fire (feat. K. C. Redd & Big Ramp)
5:09 $0.99
8. The City
5:11 $0.99
9. What's the Name of Your School
3:38 $0.99
10. Westbank Showdown
4:16 $0.99
11. Dollar Dreams (feat. Big Ramp)
3:48 $0.99
12. Get Ready Ready (Remix)
4:18 $0.99
13. A Westbank Thang
5:20 $0.99
14. Why
3:34 $0.99
Downloads are available as MP3-320 files.


Album Notes
TAKE FO’ Records, an independent bounce record label, established in 1992 in New Orleans, LA was operated by creative duo Earl J. Mackie and Henry F. Holden, until Hurricane Katrina devastated New Orleans in 2005. Prior to creating the record label, the duo teamed up to produce a cable access television program called Positive Black Talk, “due to a need for positive African American leadership in the New Orleans community.” After holding a fundraising concert for the program, Mackie and Holden became intrigued in the music industry, so they decided to put together a girl group called Da’ Sha Ra’. The newly formed group was created to make young people aware of the television program.

TAKE FO’s cornerstone was created one night while promoting the girl group at a high school (Walter L. Cohen) dance, in the uptown section of New Orleans. Mackie and Holden met Eldon Delloyd Anderson and Jerome Temple a.k.a. DJ Jubilee, who was the school’s DJ at that time. Jubilee took the microphone to warm up the crowd and had the whole gym floor line dancing, as if they were on Soul Train. The duo were impressed, took Anderson under their wings and the rest is History. The label continued to expand from its base and broke new ground in the Texas and Arkansas markets thru Terry Wilburn who was intrigued by the growth and popularity of the label.

TAKE FO’ Records emerged and quickly became the center of the New Orleans hip hop movement and became New Orleans' third most popular hip-hop label behind only to Cash Money and No Limit Records. Bounce music was the new sound at that time and TAKE FO’ without the help of the Internet or Social Media, was responsible for introducing this newest dance phenomenon to the nation and became known as “The Bounce Music Capital of The World”.



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