Drye & Drye | Open Letter

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Jazz: Progressive Jazz Blues: Jazzy Blues Moods: Instrumental
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Open Letter

by Drye & Drye

The theme of collaboration weaves a tidy thread through “Open Letter,” the newest release from trombonist Brian Drye and his baritone saxophonist father Howard Drye. Featuring 10 original compositions, each a dedication musical and otherwise.
Genre: Jazz: Progressive Jazz
Release Date: 

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  Song Share Time Download
1. Blues for Jimmy
7:27 album only
2. Yesterday, Today and Tomorrow
6:07 album only
3. Ossification
7:09 album only
4. The Empty Chair
7:16 album only
5. Precious Silver
6:41 album only
6. Elbows
7:06 album only
7. April 1st, 1910
5:28 album only
8. Home Brew
6:24 album only
9. Sidney
5:04 album only
10. Orion
6:37 album only
Downloads are available as MP3-320 files.


Album Notes
The enormous ampersand that dominates the album cover gives way, when opened, to a sparse line drawing of the two Dryes, facing each other, ostensibly deep in communication about the music. The collaborative efforts don't start and end with the artwork; this double CD features ten original compositions, five by the elder Drye and five by the younger, each written to honor an influence from the composer's musical journey.

The Drye's are joined by a bevy of top-flight musicians who provide the alchemy that turns this meeting of the minds and notes into something that is far greater than the sum of its tunes. In addition to the Dryes, “Open Letter” features Jeff Hermanson on trumpet and fluegelhorn, Mike McGinnis (a band-mate of Brian's in the excellent chamber ensemble The Four Bags) on winds, Dan Fabricatore on bass, and Vinnie Sperrazza at the drum kit.

In an age where records and compositions go on forever, this double-disc set feels refreshing in its efficiency, a hearkening back to the era of 45s. All ten songs are well-contained, executed with respect and restraint, but never lacking in intensity. Despite being raised in two different generations of jazz, the two discs meld seamlessly; each Drye utilizes his compositional chops in the service of the overall feel.



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