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Eric Schopmeyer | Dream So Loud

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Recommended if You Like
Bang on a Can, Gamelan Fred Frith Marc Ribot/Lounge Lizards

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United States - Oregon

Other Genres You Will Love
Avant Garde: Experimental Rock: Post-Rock/Experimental Moods: Instrumental
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Dream So Loud

by Eric Schopmeyer

Experimental, mostly-acoustic, non-idiomatic instrumentals using a wide variety of sounds including a lot of pitched percussion and guitar somewhere in no-man's land between post-rock and art-music.
Genre: Avant Garde: Experimental
Release Date: 

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  Song Share Time Download
clip
1. Expansion of the Universe
8:19 album only
clip
2. Mourning By The River
5:03 album only
clip
3. A Warm Night in December
4:30 album only
clip
4. The Searching Not The Finding
4:09 album only
clip
5. Sometimes It Sounds Like This...
1:23 album only
clip
6. Golden Age
9:34 album only
clip
7. Dream So Loud
6:35 album only
clip
8. Flight Patterns
3:58 album only
clip
9. ...And Other Times Like This
1:50 album only
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10. Dorian Winter
3:51 album only
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11. Soft Soft Snow
3:22 album only
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12. Trio
6:07 album only
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13. Close Up On Cactus Flower
1:23 album only

ABOUT THIS ALBUM


Album Notes
What is this music?

It’s all instrumental.

It’s all acoustic.
(Except for a little electric guitar, bass and organ on a couple tracks).
I play marimba, vibes, glockenspiel, guitar, piano, drums, percussion, clarinet, accordion and a bunch of other stuff. Plus, my friend Lars Campbell plays trombone on one track.

Sometimes people say it’s “cinematic.”
I do a fair bit of film-composing, mostly for local independent projects so maybe that makes sense.

But what label to put on it?

It’s not jazz…
However, in my mind I can see a link to Andrew Hill, Lounge Lizards, Marc Ribot, Sun Ra, Bobby Hutcherson, Eric Dolphy, Bill Evans and Dave Douglas.

It’s not classical…
But Morton Feldman, Steve Reich, Webern, Shostakovich, Ingram Marshall, Fred Frith and Tom Svoboda are all great guiding lights.

It’s not rock…
Although inspiration comes from Tom Waits, Talk Talk, The Smiths, God Speed You Black Emperor, Bjork, Dirty Three, Radiohead and Flaming Lips.

It’s not post-rock…
I don’t like any of those bands. But I used to play rock and now I do this so, technically…

It’s not educational…
But my day job is teaching music K-8 in Portland Public and I’m well steeped in the pedagogical approach Carl Orff and his “Music for Children.” More importantly, I have a classroom full of Orff-instruments and I like to play them.

It’s made in Portland…
But I’m heavily influenced by non-western forms like Indonesian gamelan music, Burmese hsaing-waing ensembles, Astor Piazzola, Japanese gagaku orchestras and reggae. I also teach Zimbabwean-style marimba to kids.

These influences don’t necessarily directly manifest themselves in the music but they are there in the background, under the surface. It’s like that’s where I’m coming from, but I’m going somewhere else. And it’s not as unfocused as you might think with all these divergent interests. It’s all filtered down through my own very specific creative vision: to compose music that is at once accessible and challenging, beautiful and beguiling, intellectual and emotional, dense but transparent, pushing myself away from conventional forms but replacing them with my own, clear organizational principles. And when I do fall back on conventional structures, they’re tweaked in some way—an odd meter, an unusual instrumentation, etc.

In the end, it’s just a sonic representation of what it feels like to be me.

Thanks for listening.

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