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Eugene Marlow | Hallelujah: Jazzy & Classical Piano Variations from the Hebraic Songbook (feat. The Heritage Ensemble)

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Hallelujah: Jazzy & Classical Piano Variations from the Hebraic Songbook (feat. The Heritage Ensemble)

by Eugene Marlow

This album is an anthology of arrangements of Hebraic melodies and original compositions in various jazz, Afro-Caribbean, and classical styles by pianist/composer Eugene Marlow .
Genre: Jazz: Crossover Jazz
Release Date: 

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  Song Share Time Download
clip
1. Hatikva (The Hope) [feat. The Heritage Ensemble]
6:41 $0.99
clip
2. Hallelujah (Halleluyah)
4:24 $0.99
clip
3. Yotvata (For Kibbutz Yotvata) [feat. The Heritage Ensemble]
5:30 $0.99
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4. Mah Nishtana Halaylah Haze (The Four Questions)
2:56 $0.99
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5. Bilbililos (Rock from Whose Store We Have Eaten) [feat. The Heritage Ensemble]
6:34 $0.99
clip
6. Zikkaron / Kristallnacht (Remembrance of Kristallnacht) [feat. The Heritage Ensemble]
4:43 $0.99
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7. L'cha Dodi (Beloved, Come to Meet Shabbat) [feat. The Heritage Ensemble]
4:21 $0.99
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8. Maoz Tzur (Rock of Ages)
3:22 $0.99
clip
9. Heiveinu Shalom Aleichem (Peace Unto You) [feat. The Heritage Ensemble]
5:08 $0.99
clip
10. V'taher Lebeinu (Purify Our Hearts) [feat. The Heritage Ensemble]
7:42 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Eugene Marlow, Ph.D.

Eugene Marlow is an award-winning composer/arranger, producer, presenter, performer, author, journalist, and educator who has written 240+ classical and jazz compositions for solo instruments, jazz and classical chamber groups, and jazz big band. Under his indie MEII Enterprises label, he has previously produced 14 CDs of original compositions and arrangements.

He is the founder and leader (piano) of The Heritage Ensemble, a quintet that performs his arrangements and original compositions of Hebraic melodies in various jazz, Afro-Caribbean, Brazilian, and classical styles. The Ensemble’s latest album, “Mosaica,” was released on November 9, 2014, coincident with the 76th Anniversary of Kristallnacht, “The Night of Broken Glass.” This album has received stellar reviews from both domestic and international sources.

Three of Marlow’s big band charts appear on several Grammy-nominated albums. “El Aché de Sanabria” appears on Bobby Sanabria’s Grammy-nominated album “Big Band Urban Folktales” (2007 Jazzheads). His reconstruction and arrangement of “Me Acuerdo De Ti,” originally recorded by Tito Puente and Celia Cruz, appears on the Latin-Grammy nominated “Tito Puente Masterworks Live!” recorded by the Manhattan School of Music Afro-Cuban Jazz Orchestra (Jazzheads 2011). “Broken Heart” appears on the 2012 Grammy-nominated “Multiverse” album, also from Maestro Sanabria (Jazzheads 2012).

“Let There Be Swing” appears on the recently released “Que Viva Harlem” album featuring the Manhattan School of Music Afro-Cuban Jazz Orchestra (Jazzheads 2014). This album received 4 ½ stars from Downbeat.

Marlow is senior co-chair of the Milt Hinton Jazz Perspectives Concert Series at Baruch College (The City University of New York), now in its 23nd season, where he teaches courses in media and culture. Author of 11 books and 400+ articles, he is a 2010 recipient of the James W. Carey award for journalism excellence from the Media Ecology Association for his numerous contributions to www.jazz.com. He has completed a draft of a book on jazz in China entitled Jazz in the Land of the Dragon.

He has been a voting member of The Recording Academy (the Grammys) since 2006.

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