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Gabriele Nani, New Opera Philharmonic Orchestra & Valerio Baggio | Un Vulcano La Mia Mente

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Un Vulcano La Mia Mente

by Gabriele Nani, New Opera Philharmonic Orchestra & Valerio Baggio

MY MIND A VOLCANO is a voyage in time among the greatest operatic figures of the nineteenth century, a portrait gallery where the spirit of Italian musical romanticism lives on.
Genre: Classical: Arias
Release Date: 

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  Song Share Time Download
1. Il Barbiere di Siviglia, Act. I: "Largo al factotum"
4:31 $0.99
2. Il Pirata, Act. II: "Sì, vincemmo, e il pregio io sento"
4:14 $0.99
3. Guillaume Tell, Act. III: "Sois immobile"
3:09 $0.99
4. I Puritani, Act. I: "Ah, Per sempre io ti perdei"
3:35 $0.99
5. Don Pasquale, Act. I "Bella siccome un angelo"
2:51 $0.99
6. Dom Sebastien, Act. III: "O Lisbonne, ô ma patrie!"
5:25 $0.99
7. Rigoletto, Act. II: "Cortigiani, vil razza dannata"
4:56 $0.99
8. Don Carlos, Act. IV "Carlos écoute... Ah! Je meurs"
3:47 $0.99
9. Edgar, Act. I: "Questo amor, vergogna mia"
3:19 $0.99
10. Werther, Act. III: "Pourquoi me réveiller" (Baritone Version)
2:59 $0.99
11. Falstaff, Act. II: "È sogno? O realtà?..."
4:30 $0.99
12. La Bohème, Act. IV: "Scuoti, o vento, fra i sibili"
4:51 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
MY MIND A VOLCANO is a voyage in time among the greatest operatic figures of the nineteenth century, a portrait gallery where the spirit of Italian musical romanticism lives on.
 
Gabriele Nani presents here a selection inspired by the evolution of "belcanto", an Italian term that defines the style and technique of virtuoso singing, the human voice perceived as a musical instrument. The strictly technical rigours still central to Rossini contrast sharply with demands for the voice to be increasingly tense, robust, dramatic and heart-rending, as required by Bellini, Donizetti and Verdi, up to the realists, Puccini and Leoncavallo, where the voice is used to pure expressive effect, with the technical aspect taking second place.


UN VULCANO LA MIA MENTE è un viaggio temporale tra i massimi Operisti dell'Ottocento, una galleria di ritratti in cui rivive lo spirito del romanticismo musicale italiano.
 
La selezione che Gabriele Nani propone in questo disco si ispira all'evoluzione del "Belcanto", termine musicale di origine italiana che definisce lo stile e la tecnica del canto virtuosistico ovvero la concezione della voce umana come strumento. Dal puro rigore tecnico del suono ancora centrale in Rossini si oppone l'esigenza di una voce più tesa, struggente, drammatica e robusta richiesta passo dopo passo da Bellini, Donizetti, Verdi fino ai veristi Puccini e Leoncavallo, dove l'uso della voce si piega a pura potenza espressiva, ponendo in secondo piano l'aspetto tecnico.


www.gabrielenani.com


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