Galahad | When Worlds Collide

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Rock: Progressive Rock Rock: Modern Rock Moods: Type: Vocal
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When Worlds Collide

by Galahad

A modern sounding 'Progressive' rock album incorporating many influences including heavy rock/metal, electronica, ambient, classical, jazz, folk etc.
Genre: Rock: Progressive Rock
Release Date: 

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  Song Share Time Download
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1. Lady Messiah
10:32 $0.99
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2. The Chase
7:49 $0.99
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3. City of Freedom
8:42 $0.99
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4. Chamber of Horrors
5:38 $0.99
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5. Dreaming from the Inside
6:03 $0.99
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6. Room 801
10:54 $0.99
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7. Ocean Blue
7:02 $0.99
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8. Don't Lose Control
5:40 $0.99
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9. Karma for One
7:30 $0.99
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10. Exorcising Demons
9:43 $0.99
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11. Empires Never Last
9:06 $0.99
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12. Sleepers
14:08 $0.99
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13. Richelieu's Prayer
8:40 $0.99
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14. 21st Century Painted Lady
4:31 $0.99
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15. Bug Eye
8:54 $0.99
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16. Singularity
7:30 $0.99
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17. Guardian Angel
10:32 $0.99
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18. Seize the Day
4:03 $0.99
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19. This Life Could Be My Last
9:21 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
In order to celebrate the band’s 30th anniversary Galahad will be releasing a historical double CD retrospective with a twist, the twist being that ten of the tracks included are brand new re-recorded versions of old Galahad songs, some dating back to 1985, the year the band formed, including one thirty year old track (City of Freedom) which has never been recorded properly before!

In some cases the new versions are similar to the originals but in other cases the songs have been re-worked and re-arranged considerably, either way we have tried our best to be sympathetic to the spirit of the originals whilst trying to bring them up to date in terms of their sonic quality and also so that they compare favourably, hopefully, with the Galahad sound of 2015!

As this is a rather special album, we have also included a few strategically placed ‘tributes’ to a few of our original influences within some of the newly recorded ‘old’ tracks, so it’ll be interesting to see if they’ll get spotted!

Hopefully, this collection is a fair representation of the Galahad cannon and will appeal to existing fans of the band and will also, perhaps, act as a taster to those yet to dip their toes in the world of Galahad music.

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