Gene Ess | Sandbox and Sanctum - Song Cycle for Quartet

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Jazz: Traditional Jazz Combo Jazz: Jazz Fusion Moods: Type: Improvisational
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Sandbox and Sanctum - Song Cycle for Quartet

by Gene Ess

Electrifying jazz played with solid technique and soul featuring Harvie S, Donny McCaslin, Gene Jackson, and Gene Ess.
Genre: Jazz: Traditional Jazz Combo
Release Date: 

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  Song Share Time Download
1. Free 2 Fast
11:46 $0.99
2. Ryo
7:23 $0.99
3. Baptisma Pyros
11:07 $0.99
4. Ballad for a Swordsman
8:08 $0.99
5. Ask the Guru
6:47 $0.99
6. Noh Country
8:45 $0.99
7. Sun Matsuri
7:31 $0.99
8. Kerama Processional
5:10 $0.99
Downloads are available as MP3-320 files.


Album Notes
Guitarist Gene Ess brings his award-winning musicianship from a very diverse background. He grew up playing the classical piano and his early years were filled with the classical sounds of Beethoven and Chopin. Simultaneously, Gene was receiving a mix of influences: he was exposed to the indigenous music of the island, and - growing up on a US Air Force Base- to the pop and jazz music coming out of the clubs for the American soldiers. All this amounted for an early obsession with music.

Gene performed in clubs and festivals all around Okinawa at the age of 14, and was considered a child prodigy by musicians and by his music instructors. Not satisfied, Gene left for George Mason University, where he pursued classical music studies after high school graduation. There he studied with Larry Snitzler, a prominent concert guitarist who was once Andres Segovia's disciple. Gene also began studying orchestral composition under Dr. Glenn Smith.

Downbeat magazine presented Gene's performance of Lennox Berkeley's 'Theme and Variations' with the 'Outstanding Performance Award' in 1983. Consequently, Gene received a scholarship to attend the prestigious Berklee College of Music in Boston, where he continued his musical quest and was heavily influenced by the music of John Coltrane. During those years, Gene continued performing and started leading his own bands that included, among others, pianist Danilo Perez. The Guitar Player Magazine described the performance of Gene's composition by his group as "electrifying fusion, played with solid technique and soul". After studies with Jerry Bergonzi and Charlie Banacos, Gene graduated from Berklee with honors in 1989 and moved to New York in 1991.

Moving to New York proved fruitful. Gene's first 'gig' in New York was at Condon's with Rashied Ali Quintet. In the band along with Rashied were Reggie Workman and Eddie Henderson. Gene's collaboration with Rashied Ali has continued to this day. Checkout Rashied's guest spot on Gene's acclaimed "Sunrise Falling" album.

"Sandbox and Sanctum" is Gene's latest work. It is a series of 8 original compositions tied together into a song cycle for quartet. The music takes us through an audio journey of all things innocently joyful and sacred in our lives. The performance on this album is filled with individual fire and collective coherence. The album features the great Harvie S on bass along with Donny McCaslin and Gene Jackson. Both Donny and Gene Jackson add their prodigious talents throughout. Checkout Donny's solo on the first track "Free 2 Fast" and Gene Jackson's comping behind it! Gene Ess burns throughout the album with a deep woody tone creating lines lyrical and anapestic.

Gene has performed his music in Europe, Asia, and the United States, both as leader of his own group and as a sideman. Gene lists Arthur Schopenhauer and Charlie Banacos as major influences in his art/music.

To this day, it is impossible to list all the outstanding musicians that Gene has worked with. Some of them are: Al Foster, Rashied Ali, Ravi Coltrane, Danilo Perez, Harvie S, Santi Debriano, Gene Jackson, Donny McCaslin, Mika Pohjola, Reggie Workman, Slide Hampton, Cindy Blackman, Archie Shepp, Eddie Henderson, Greg Tardy, David Binney, Yamashita Yosuke, and Carlos Santana.



to write a review

Wayne Zade

Sandbox and Sanctum
While a listener might think of Pat Metheny or John Abercrombie or even Grant Green now and then, Ess here really sounds like no one else on guitar: he is his own man. In his solos, his front line playing with the very fine tenor and soprano saxophonist Donny McCaslin (next time: more soprano!), and his comping, Ess is a full-fledged master of taste and touch. His solos are model essays of eloquence and compression. His very special moments occur on acoustic guitar on “Ballad for a Swordsman” and a very electric rock-ish “Sun Matsuri.”

Just as John Coltrane thrived on a dynamic collaboration with drummer Elvin Jones (as well as Rashied Ali), Ess and drummer Gene Jackson share an intense chemistry on this album. Check out “Baptisma Pyros” and “Ask the Guru” for evidence of their bond. Jackson manages some fine calypso rhythms in the album’s closer, “Kerama Processional” as well.

Gene Ess was personally involved in every production detail for Sandbox and Sanctum, and the labor of the love behind the album truly shows. Along with bassist Harvie S (this “S” stands for solid and supple), these musicians play like they’ve been together as a band for a long time. May they continue to play together for a good long time.

Scott Yanow

Gene Ess Review
Guitarist Gene Ess' Sandbox and Sanctum features eight of his complex originals performed by a top-notch quartet. It is post-bop jazz influenced but not derivative of John Coltrane. Ess, who recalls John Abercrombie in spots, is a fine player.

H. Allen Williams

Sandbox and Sanctum Review
Throughout Sandbox and Sanctum, Ess displays a unique approach to the guitar. Ess's use of thoughtful voicings and eloquently chromatic lines definitely grow out of the rich soil of the likes of John Coltrane and the post be-bop era. Ess is a highly recommended guitarist to keep an eye and ear on for the future of jazz guitar.

Cindy McLeod

Gene Ess - Sandbox and Sanctum
From beginning to end this recording is filled with delightful surprises in context, substance, and passionate expressiveness. There isn’t a single moment when one isn’t completely enthralled with the musical virtuosity, superb composition, and stunning production values, the whole of which transcends the music and takes the listener to another graceful dimension.

Understated and exquisite, Ess has brought these four masters together to fuse their individual voices into one glorious masterpiece. Highly recommended.