Gianandrea Pauletta | J.S. Bach: Orgel-Büchlein

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J.S. Bach: Orgel-Büchlein

by Gianandrea Pauletta

The great organ music of Bach played on a prestigious organ. Direct recording with a clear and clean acoustic and no studio effects.
Genre: Classical: Bach
Release Date: 

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  Song Share Time Download
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1. Nun komm, der Heiden Heiland, BWV 599
1:48 $0.99
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2. Gott, durch deine Güte / Gottes Sohn ist kommen, BWV 600
1:02 $0.99
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3. Herr Christ, der ein'ge Gottessohn / Herr Gott, nun sei gepreiset, BWV 601
1:29 $0.99
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4. Lob sei dem allmächtigen Gott, BWV 602
0:47 $0.99
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5. Puer natus in Bethlehem, BWV 603
1:03 $0.99
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6. Gelobet seist du, Jesu Christ, BWV 604
1:40 $0.99
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7. Der Tag, der ist so freudenreich, BWV 605
1:42 $0.99
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8. Von Himmel hoch, da komm ich herr, BWV 606
0:39 $0.99
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9. Von Himmel kam der Engel Schar, BWV 607
1:06 $0.99
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10. In dulci jubilo, BWV 608
1:22 $0.99
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11. Lobt Gott, ihr Christen, allzugleich, BWV 609
1:18 $0.99
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12. Jesu, meine Freude, BWV 610
2:37 $0.99
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13. Christum wir sollen loben schon, BWV 611
2:02 $0.99
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14. Wir Christenleut, BWV 612
1:24 $0.99
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15. Helft mir Gotts Güte preisen, BWV 613
1:35 $0.99
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16. Das alte Jahr vergangen ist, BWV 614
2:33 $0.99
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17. In dir ist Freude, BWV 615
2:42 $0.99
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18. Mit Fried und Freud ich fahr dahin, BWV 616
2:26 $0.99
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19. Herr Gott, nun schleuß den Himmel auf, BWV 617
3:02 $0.99
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20. O Lamm Gottes, unschuldig, BWV 618
3:02 $0.99
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21. Christe, du Lamm Gottes, BWV 619
0:54 $0.99
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22. Christus, der uns selig macht, BWV 620
2:16 $0.99
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23. Da Jesus an dem Kreuze stund, BWV 621
1:33 $0.99
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24. O Mensch, bewein dein Sünde groß, BWV 622
4:50 $0.99
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25. Wir danken dir, Herr Jesu Christ, BWV 623
0:51 $0.99
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26. Hilf, Gott, daß mir's gelinge, BWV 624
1:29 $0.99
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27. Christ lag in Todesbanden, BWV 625
1:12 $0.99
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28. Jesus Christus, unser Heiland, der den Tod überwand, BWV 626
1:08 $0.99
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29. Christ ist erstanden, BWV 627
3:27 $0.99
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30. Erstanden ist der heilge Christ, BWV 628
0:40 $0.99
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31. Erschienen ist der herrliche Tag, BWV 629
0:52 $0.99
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32. Heut triumphieret Gottes Sohn, BWV 630
1:12 $0.99
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33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631
0:47 $0.99
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34. Herr Jesu Christ, dich zu uns wend, BWV 632
1:06 $0.99
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35. Liebster Jesu, wir sind hier, BWV 633
3:40 $0.99
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36. Dies sind die heilgen zehn Gebot, BWV 635
1:10 $0.99
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37. Vater unser im Himmelreich, BWV 636
1:46 $0.99
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38. Durch Adams Fall ist ganz verderbt, BWV 637
2:26 $0.99
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39. Es ist das Heil uns kommen her, BWV 638
0:50 $0.99
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40. Ich ruf zu dir, Herr Jesu Christ, BWV 639
2:05 $0.99
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41. In dich hab ich gehoffet, Herr, BWV 640
1:16 $0.99
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42. Wenn wir in höchsten Nöten sein, BWV 641
2:20 $0.99
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43. Wer nur den lieben Gott läßt walten, BWV 642
1:37 $0.99
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44. Alle Menschen müssen sterben, BWV 643
1:46 $0.99
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45. Ach wie nichtig, ach wie flüchtig, BWV 644
1:14 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The Orgelbüchlein ("Little Organ Book") BWV 599−644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach.
The collection was originally planned as a set of 164 chorale preludes spanning the whole liturgical year.
The chorale preludes form the first of Bach's masterpieces for organ with a mature compositional style in marked contrast to his previous compositions for the instrument.
Although each of them takes a known Lutheran chorale and adds a motivic accompaniment, Bach explored a wide diversity of forms in the Orgelbüchlein.
Many of the chorale preludes are short and in four parts, requiring only a single keyboard and pedal, with an unadorned cantus firmus. Others involve two keyboards and pedal: these include several canons, four ornamental four-part preludes, with elaborately decorated chorale lines, and a single chorale prelude in trio sonata form.
The Orgelbüchlein is at the same time a collection of organ music for church services, a treatise on composition, a religious statement and a pedagogical manual.
“Here Bach has realised the ideal of the chorale prelude. The method is the most simple imaginable and at the same time the most perfect. Nowhere is the Dürer-like character of his musical style so evident as in these small chorale preludes. Simply by the precision and the characteristic quality of each line of the contrapuntal motive he expresses all that has to be said, and so makes clear the relation of the music to the text whose title it bears.” (A.Schweitzer).
“A further step towards perfecting this form was taken by Bach when he made the contrapuntal elements in his music a means of reflecting certain emotional aspects of the words. Pachelbel had not attempted this; he lacked the fervid feeling which would have enabled him thus to enter into his subject. And it is entering into it, and not a mere depicting of it. For, once more be it said, in every vital movement of the world external to us we behold the image of a movement within us; and every such image must react upon us to produce the corresponding emotion in that inner world of feeling.” (Philipp Spitta).

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