G. S. Sachdev | Master of the Bamboo Flute II

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World: World Traditions New Age: New Age Moods: Instrumental
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Master of the Bamboo Flute II

by G. S. Sachdev

Eastern Indian Traditional Bamboo Flute Music by the Masters
Genre: World: World Traditions
Release Date: 

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  Song Share Time Download
1. Raga Hindole
26:42 album only
2. Raga Bageshri
25:57 album only
Downloads are available as MP3-320 files.


Album Notes
Features Zakir Hussain on Tablas and G. S. Sucdev on Bamboo Flute

Raga Hindole Early morning raga

A celebration of spring. There are no 2nd or 5th notes. The 7th is used in a roundabout way (vakra). The 4th is sharp. The raga proceeds in three steps: the alap which unfolds the beauty of the raga, second is medium-slow ektal of 12 beats, and the lively third movement is in teental of 16 beats and expresses the joyfulness of springtime. The raga is played more in the upper octaves due to its heroic mood. The 7th note is used with great caution generally in a quick and subtle slide.

Raga Bageshri Late night raga

The 3rd and 7th notes are flat. There is occasional use of the 5th which beautifies the raga. The mood is graceful, deep and serious. The opening alap establishes the structure and the mood of the raga. The slow composition in ektal explores the depth of the raga and the mood lightens during the fast teental. The voice of the flute in both ragas reflects the singing style with its many nuances.

Sachdev performs the classical music of India, a culture with a two thousand year musical tradition. Western listeners accustomed to harmony initially may be deceived by the apparent simplicity of this melodic music. The complexities lie in the subtle variations on the theme, ornamentation of notes, modal coloring, and in the interplay between flute and drums. Since each note stands alone, special care is given to the purity of intonation.

The basis of North Indian music is raga, the melodic form, and tala, the time measure. Thousands of ragas exist, each based on one of ten parent scales. Various ragas are associated with morning, afternoon, and evening, as well as with difference seasons. Beyond the melodic form, each raga encompasses a particular mood and synthesis of emotions which a skillful musician like Sachdev evokes. Improvisation plays an essential part, but always within the established framework of the ragawhich is being expressed.

Indian music has a highly developed rhythmic system known as tala. Tala denotes an organized rhythmic cycle, composed of various rhythmic units, ranging from three to one hundred and eight beats. All Indian classical music is rooted in the vocal tradition, and the flute is regarded as being especially close to the voice, capable of the many subtle nuances of the vocal style.

Bansuri (bans-bamboo, swar-musical note) is a bass flute made of bamboo with seven open fingerholes. There are no keys to produce sharps and flats, but all the half and quarter tones are produced by carefully opening a small portion of the hole with the finger. The flute is one of the oldest instruments in existence. The bansuri has a three-octave range.

Tabla is a two piece drum set. The shell of the treble drum is made of wood, and the larger bass drum is made of metal, both with goatskin heads.

The tanpura is a fretless, long necked gourd, an the swar peti is a small box with brass reeds and bellows. The drones create atmosphere and register the tonic in the minds of the listener and the performer.

Sachdev devotes most of his time to performing. his frequent European, Asian and American concert tours and numerous recordsing ahve brought him into international prominence as an outstanding classical musician.

He holds a degree in music and is an articulate spokesman for the music of India, conducting master classes, workshops and lecture-demonstrations at the university level. His teaching, radio broadcasts and programs through Young Audiences of the Bay Area have made a large contribution to the growing awareness in the West of classical Indian music.

Forty years endeavor has resulted in both purity of tone and subtleties of rhythm. He brings to the ancient, classical form his own creative improvisations. There is a depth and structure in his music that is indefinable but which reaches to the heart.

Sachdev is on the Roster of Western Arts Foundation Performamce Tours Grant of 13 Western States and the California Arts Council Touring Program. He is also a Recipient of Billboard Magazine's Top Ten & Music Awards Album of the Year. Originally from Chandigarh, India, Sachdev currently makes his home in California.

"...haunting performance...the sound of his flute rings with an indescribable purity" The New York Times

"...Sachdev is one of those great artists you don't know how to describe because there are hardly any words. 'Marvelous' won't quite do. His playing defines what simplicity and beauty are." San Francisco Chronicle

"...a model of imagination that never seemed forced." El Pais, Madrid

"...an instinct for perfection." Times of India

"The music of G.S. Sachdev separates people into the privacy of their own spirits." Oregon Daily Emerald

"We are fortunate to have such a fine musician as Sachdev in our presence." George Harrison

"I feel happy to see him blossom into a wonderful flutist. I admire his ability to touch the spirit of the raga he performs and also to move the listeners emotionally with his pure and classical approach." Ravi Shankar



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