Guymon Ensley | Meditative Grooves

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New Age: Meditation Jazz: Avant-Garde Jazz Moods: Type: Instrumental
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Meditative Grooves

by Guymon Ensley

The Opening selection, which sets the tone of this work, has a contrasting sentiment that is immediately clear at the onset of the trumpet solo. As the solo bursts harshly, it strikes back chords and harmonies with the piano and orchestra. Later the solo softens and supplies an accompaniment with the strings. Simply, a mellifluous piece of work. The following selections joyously toys with the listener’s ability to enjoy different theme renderings and relaxes briefly during lyrical moments. There are different approaches to rhythms and arpeggios of which may not depict musical agreement but it stands on its’ own robustness and pleasantly carries the listener along the journey. The journey culminates in a peaceful unification of horn and orchestra perceptibly that ends evoking sounds of busy surrounded by tranquility. This is an outstanding work of which composer sought for musical resolution and achieved it.
Genre: New Age: Meditation
Release Date: 

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  Song Share Time Download
clip
1. I Waited for You
5:24 $0.99
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2. Is That Me
3:19 $0.99
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3. I Just Wonder
3:21 $0.99
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4. Going Away Happy
8:21 $0.99
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5. Not This Time
4:52 $0.99
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6. Renowned
6:31 $0.99
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7. Something's Over There
4:51 $0.99
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8. Splash
10:08 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
TRACK DESCRIPTION

MEDITATIVE Grooves is New-age music coveted with jazz and R&B influences . . . harmonies, melodies and rhythms intended to create artistic inspiration and relaxation . . . a sit down to "hear and absorb it” collection of songs.

I WAITED FOR YOU goes from a baroque mood to a continuously, rhythmic jazzy feel. It weds orchestra and rhythm seamlessly, climaxing at points where it can resolve gracefully as with the flugelhorn soliloquy, in expressing an immanent ending.

IS THAT ME depicts a challenge of two trumpets . . . a portrayal of a lover’s quarrel perhaps. The end is seemingly an unresolved conclusion that remains open for continued debate. It makes a statement that pronounces 'OK . . . I give in, for now.

I JUST WONDER expands your mind to imagine a butterfly liberally taking flight in, around and through a summer breeze. However, when the mood changes to a darker, harsher sound, the butterfly somehow is faced with a challenge, perhaps a diminishing adventure that may be an ending to the sweetness.

GOING AWAY HAPPY is lush, lovely and bright. You’ll hear words where there are none. The mood of the piece, metamorphoses into a whispering groove . . . engulfing muted trumpet styling that expresses softly ending in a textured third mood, finally cascading the listener inwardly toward a solemn jazz resolution.

NOT THIS TIME, using a majestic, baroque style, takes you through a maze of trumpet solos which morph into sonata form. Violins gently cocoon the piano, ending by softly landing you in a bed of quiet.

RENOWNED is mysterious, mystifying and conjuring. It takes you past a point of settling for present sounds, towards a point of anticipating what’s next. It can be described as ‘Interruption’s continuation’ . . . What did I just hear?

SOMETHING'S OVER THERE may lead you to or prepare you for meditation. It starts with an intro of whispers, solo violin, low brass and piano exploring through verses where it exposes a flugelhorn solo that soulfully assembles violins and brass to the theme . . . finally perching atop a bed of resound.

SPLASH transforms and lands you into a mystic surrounding, introducing a sense of being immersed into a large body of water, where the sounds that you hear are the sounds that your mind creates.

The album will take you back and forth through hints of several music genres. You’ll hear jazz chords and progressions, R&B rhythms, baroque melodies and other classical harmonies. The tracks will settle you down, perk you up . . . or allow you to wonder or LEAD YOU TO MEDITATION.

CREDITS

All songs produced, composed and sequenced by Guymon Ensley

All songs performed by Guymon Ensley: keyboard and digital programing – electric and digital bass – drums and percussion - string and horn arrangements - trumpet, flugelhorn, french horn, bass trumpet

Recorded at: GEQ Jazz Sound Production Lab, Detroit, MI
Session Engineer: Guymon Ensley

Mixing Engineers:
Greg Reilley - The Disc Ltd., Eastpoint, MI
Johnny Hogue - J5 Studio, Detroit, MI

Mastering Engineers:
Eric Morgeson, Studio A, Livonia, MI
Greg Reilley - The Disc Ltd., Eastpoint, MI

Cover Concept and Packaging Design: Tulani Hoggatt
Liner Notes: Stewart Bates
Technical Advisor: Dwayne Collins

Special thanks to: Kermit Hoggatt
Kevin “KT” Tunstull
Clara Dawkins
The Enterprise Crew
The Smith Sisters & Al



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