Ian Narcisi | Phone Call To Infinity

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United States - Illinois

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Rock: Progressive Rock Rock: Post-Rock/Experimental Moods: Type: Lyrical
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Phone Call To Infinity

by Ian Narcisi

Progressive/Alternative music from a Chicago artist who wants to help the world awaken.
Genre: Rock: Progressive Rock
Release Date: 

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  Song Share Time Download
clip
1. Absent Today
3:33 $0.99
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2. Five Below Nothing
3:55 $0.99
clip
3. Behind The Dawn
4:12 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Ian Narcisi has always understood one simple truth: If you have a dream, make it happen.


Ian's dream is to change the world through his music. With a spiritual-humanist philosophy and a penchant for complex synth -based melodic progressive rock, Ian believes in the power of the human race to become their dreams. He seeks to build a better world through music, prodding all who will listen to become the selves they have envisioned.


Ian has wanted to make music since a young age. His first steps were piano lessons at the age of ten, but piano just didn't appeal to his then pre-adolescent mind. What did register was the wild abandon of drumming. Inspired by a friend of his brother's, Ian began taking drum lessons in 1983. Eight years later, he auditioned and was accepted into The American Conservatory of Music. Ian studied Jazz drumming and composition while at ACM, but eventually left to pursue his other passion, meteorology.


Chasing storms and interning under Tom Skilling at Chicago's WGN were exciting for Ian, but all the while he was continuing to play with various bands around the Chicago area. Ian began studying voice with opera singer Janice Pantazelos in 1998, going on to perform accapella at various venues around Chicago. Around the same time, Ian returned to his roots on the piano, and began writing songs from his heart. In 2000, Ian met Scottish McMillan, with whom he would play with for close to a decade
while continuing to develop and enhance his skills as a performer.


What has happened since then could only be categorized as a slow-moving musical reaction. Ian has continued to develop artistically and as a human being. The latter has been a matter of spiritual, if not religious, inspiration. The former has been a continued progressive rock exploration that varies in synthesis from the classical-inspired compositional style of Muse to the heavy progressive magic of Porcupine Tree. Ian is relentless in his pursuit of the muse, delving deep into his own emotional and
rational understanding of the world and sharing in song.


Ian began documenting his songwriting and performance style with 2005's Off Purpose, a collection of seven piano/vocal originals. This album grew out of a chance meeting with an old friend, Tim Sandusky, owner of Studio Ballistico in Chicago. Sandusky not only provided the studio space, but also engineered and co-produced the album. The process was like the loosening of a dam, and songs began to spring forth unbidden. Off Purpose (2006) was Ian's first full-band EP; this, an important step developmentally. By 2007, Ian was no longer playing out, focusing his time on writing and recording his third EP, Niche In Time.


This new focus brought a greater depth of songwriting; a depth that showed more fully on Ian's first full-length album, Weight Of The Words, which featured re-masters of the EPs Off Purpose and Niche In Time in addition to six new songs. This dreamy synth-based progressive rock collection shows off a distinct musicality and vision that expands on traditional rock compositional styles in a Muse-meets-King Crimson ménage. Highlights include "Burning" and "Forever Today". Ian's songwriting takes on a
bit more edge on his 2009 EP Feel No Evil. With songs such as "Sparkle And Shine" and "Little Bit", Ian shows a developing sense of musical drama.


Ian's latest EP, Phone Call To Infinity, is his most defining work to date. The edge noted on Feel No Evil is still here, but Ian has polished the rough edges to a fine musical sheen. The song "Behind The Dawn" shows an expansive sound that's part Queen, part Muse and part Pink Floyd. Similar musical colors dance through "Five Below Nothing" and "Absent Today". At some point in the recording of this EP, Ian has transcended mere creation into art; at the same time elevating his messages about becoming the best possible you to pure poetry.


This development; this becoming, is all the more exciting when you consider that Ian returns to the studio this fall. It's difficult to imagine where Ian might go next, but imagine you will. Ian's music evokes the dreams you never consciously suspected but always understood on some deep, quiet level. This is transcendence. This is art. This is Ian Narcisi.

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Reviews


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Music Street Journal

Progressive rock blends perfectly with pop
Here is a three song EP from progressive rock artist Ian Narcisi. It shows three completely different sides to his music. The thing is, there is not a weak song in the bunch. Narcisi has the kind of songwriting and musical skills that truly seasoned artists generally show off. He should have a great career in progressive rock ahead of him.
Track by Track Review
Absent Today

There’s a real pop oriented element to this, but yet the killer layers of sound that weave in and out bring it into progressive rock territory. This is complex, but deceptively so. It’s also very catchy and very tasty.
Five Below Nothing
Intricate piano weaves a complex and pretty trail on the opening section of this piece. It’s accompanied by other keyboards. Eventually it works out to an almost funky jam. This one is less progressive rock oriented than the opener, but still has enough modern prog to keep it well situated in the genre. It’s a cool tune that rocks out pretty well. There are layers of keyboards over sections of the piece and the vocal arrangement is quite interesting.
Behind The Dawn
Opening with a gentle, acoustic guitar driven motif, this builds out in a great melodic prog ballad approach. Comparisons to Marillion, Genesis and Yes are all valid. It works out later into a jam that is harder rocking with bits of Pink Floyd and perhaps Dream Theater built into it. This is, without question, the strongest piece on this EP. It is dramatic, mysterious and very powerful. A cool bouncing, keyboard dominated bit leads to the quick outro.
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