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Infinity | Perfectionately Yours

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Perfectionately Yours

by Infinity

After Sylvia "crossed-over", she Streamed this entire album to me. This Concept Album takes the Listener through my emotions of losing her. From my complete meltdown, to confusion, to deep sadness, to looking ahead to the future, to the hope of her return
Genre: Rock: Progressive Rock
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  Song Share Time Download
1. Dialog: The Broken Chord
1:50 album only
2. Refractionary Landscape
6:06 $0.99
3. Eyewater: Meltdown
0:10 album only
4. Guided: Aligned
5:59 $0.99
5. Eyewater: Confused
0:10 album only
6. Searchlight
6:28 $0.99
7. Eyewater: Sad
0:10 album only
8. Night of a Thousand Years
7:33 $0.99
9. Eyewater: Planning
0:10 album only
10. Dialog: Inextinguishable
2:29 $0.99
11. Ominous Vectris
6:38 $0.99
12. Float
2:39 $0.99
13. Eyewater: Hopeful
0:10 album only
14. Time Machine
5:06 $0.99
15. Dialog: Mergible Inertia
9:40 $0.99
16. Shining Armor
4:56 $0.99
17. Perfectionately Yours
9:22 $0.99
Downloads are available as MP3-320 files.


Album Notes
Below you'll find:


Infinity is Sylvia and Paul. Playing music together since 1981. We both moved from opposite ends of the United States, at different times, and met in New Mexico in 1980. In 1987 we were married.

After spending 3 horrible weeks in hospice, My Sylvia “crossed-over” on April 9, 2011.

Around 2013, I found the following words, written by Sylvia, which describe our band…
"Infinity -- Electronic music using a blend of psychology, science, metaphysics, artistry and technology to inspire, entertain and waken the deep place where healing is found."

I also discovered an old "Infinity" business card that Sylvia had tucked away in her DayTimer. The byline on the card, which Sylvia wrote, reads: "Teachings for the mind. ..........music for the soul."

Sylvia: Keyboardist, Singer, Composer. Bachelor’s Degree in Music. Sight-reads sheet music and sings. Sylvia can play three keyboards (with her hands), a “foot” keyboard, change instruments, sing, turn sheet music pages and interact with the audience… all at the same time! I’ve seen her do it.
Paul: Drummer, Synthesist (sound designer), Composer. Two years of music training at a junior college (but mostly self-taught). Plus a Semester of private synthesizer lessons on a Studio Moog by Professor William Hoskins, who went to school with Bob Moog.


For this album, the Credits should read:
• Sylvia Rego: Composer
• Paul Rego: Assembler

"Perfectionately Yours" is a "Concept Album". We designed each Track so it would be played "in order" and without any gaps between the songs. The best listening experience is through headphones or good stereo speakers.

Sylvia and I have been Musicians all our lives but "Life" kept getting in the way and our music career was pushed into the background. Several months before Sylvia "crossed", she said it was time for us to change our life and focus everything on making music. While in hospice, we talked about this again. A few months after Sylvia "crossed", she indicated that "it's time for us to start working on OUR songs." (Our "original" songs.)

For many more months, I dragged my feet, not wanting to start this album, because, even now, I still feel that overwhelmingly-crushing emptiness of her not being right here with me… "physically". On some days, it's difficult to function more than I have to.

In 2014, we finally began working on this album. I don't "Channel" Sylvia but I can, somehow, "sense" what she's suggesting. She sends me images, dreams, insights, feelings and more than I could find words for.

Sylvia works on the songs from "her" side of the "Veil". When she's ready to send me that song, I'll "just know". She sent most of these songs to me as pieces... melodic phrases, sound ideas, rhythms, lyrics, etc. It's then my job to "assemble" everything into an actual "song".

I know "I" didn't write these songs. Although I have written a few songs in the past, mine have very basic melodies and almost no harmony. The songs on this album are well-crafted, have interesting melodies, supportive harmonies and insightful lyrics. THAT'S how My Sylvia writes music. So I know these came from her.

The "male" voice on this album, except for the computer-generated voice in "Dialog - Inextinguishable", is me. All my life, I've been a Drummer and Synthesist. Many times I thought I was a "Singer" but after doing this album... I realized I'm NOT a Singer. I told Sylvia I couldn't sing those songs but she said "This is what we have to work with" and she gave me a few singing and breathing lessons (from "the other side"). So we got through it.

Most of the time when I'm "Singing", you'll notice that my voice is "up front", a bit louder than the rest of the music. You'll also hear little or no Reverb on my voice. In the Song "Searchlight", Sylvia purposely placed my singing notes at the bottom end of my vocal range. All of these elements add to the pure sadness and hollow feeling that surrounds me.

The "female" voice, representing "Sylvia", is computer software from Yamaha called "Vocaloid - Cyber Diva". Although "she" sings fairly well, she doesn't "talk". In a couple of songs, especially "Dialog - The Broken Chord", I had to program her to talk. She didn't do a very good job of it but her "talking-style" does lend itself to the mysteriousness of working through the "Veil".

Some of the songs Sylvia sent me were very complicated. At least for "me". For example, Sylvia wanted "Night Of A Thousand Years" to be a "Symphonic" piece. As I was exploring possible instrument sounds, from our music gear, I had to remember to stay within her guidelines of using "traditional instruments" played in their "traditional style". In other words, I couldn't use an Analog Synthesizer, to create the sound of a Timpani and I couldn't play that (virtual) instrument higher or lower than a standard Timpani's melodic range. I had to use a real-recorded (sampled) "Timpani" and play it properly.

Probably the most difficult song for me to bring-through from Sylvia AND to actually "play", is "Time Machine". This song has different "Time Signatures" (3/4, 4/4, 5/4), "Styles" (March, Rock, etc.), "Tempos" and many different sounds. It took me quite a while to put that puzzle together. The drum part alone took me 2-weeks to figure out and practice before I could play it all the way through in a single recording.

All of my drums are "electronic". Between my Roland electronic drumset and my Octapad, the Time Machine "drum part" required me to play 20 Pads, which produced 23 sounds. The “hollow wood” sound and “high, bell” sound are “Velocity Switched” from the same Pad (on the Octapad). These “sounds” and “Pads” include the use of 2 Cymbal Pads as well as a Hi-Hat pedal and 2 Bass Drum pedals (on 2 different Bass Drum Pads, which means I had to move my foot between them while playing this song).

Although "Perfectionately Yours" is a "Concept Album"... about me and Sylvia and our journey "together" and "through hospice" and now waiting to be reunited with each other again... the "songs" and "feelings", brought here through our bond across the "Veil", may help others deal with their own portion of "Loss".

Keep in mind that this album will take the Listener through those powerful emotions of losing your "Significant Other"... chaos, confusion, disorientation, anger, sadness, hopefulness, etc.


(We are not compensated for, or even on the radar of, ANY of the following companies. We’re including our “Gear List” because Sylvia and I enjoy reading what other bands use. So we wanted to do the same. Plus, these tools are important to us. They help define “our sound”.
• Korg Krome, 61-key keyboard
• ARP 2600 (synthesizer)
• Novation UltraNova (synthesizer)
• Roland System-1m (synthesizer)
• Roland JP-08 (synthesizer)
• Arturia BeatStep Pro (sequencer)
• Roland TD-6 V-Drums Club Kit (electronic drumset)
• Tama Speed Cobra bass drum pedal
• Roland Octapad SPD-30
• Roland SH-201 polyphonic synthesizer
• Tascam DR-40 portable recorder (Used as a microphone, to record Paul’s vocals directly into GarageBand
• Mac Mini (late 2009)
• Yamaha’s Vocaloid software, using the “Cyber Diva” singing library
• Apple’s GarageBand version 10.1.2
• Roland CM-30 Cube Monitor, used to audition the “general sound” of these songs during the Mixing process.
• AKG k240 Studio Standard headphones, used to audition the “details” of these songs during the Mixing process.
• Audacity, used to speed-up the “reversed” voice (in “Refractionary Landscape) without changing its Pitch.

Sylvia and I would like to encourage all Musicians to “shop local”. It not only keeps most of the money in your area but helps that Music Store to continue. We’ve purchased most of our equipment from our local Guitar Center store. It’s reassuring to know that while they remain in business, we can always stop-in and “kick the tires” / “play with the latest gear” before deciding on which specific item is right for us.


Because of Sylvia’s “crossing”, think of the Rain between some of the songs, called “Eyewater”, as Paul’s “symbolic tears”.

Refractionary Landscape
• Bpm (Beats Per Minute): 81
• Tracks: 8
• Style: Experimental
This piece begins and ends with a very chaotic ARP 2600 Patch (sound). Its keyboard was not used. The Patch was simply created and allowed to run, while it was being recorded for the length of the song.
• Style: Electronic-Experimental
• Mood: Chaotic, random, stressful, Soul-level sadness

• Bpm: 60
• Style: Electronic-Pop
• Mood: Somewhat chaotic but slightly hopeful
• 1 Track with a stereo vocal line… (from Yamaha’s “Cyber Diva” software)
• 1 Track with chordal and melodic sections… (from our Korg Krome keyboard)
• 3 Tracks of random bleeps… (“controlled” / “played” by our Arturia BeatStep Pro sequencer)
• 1 Track with shimmering glass, which bends downward… (from our Roland Octapad SPD-30)
Also… I think Sylvia helped me figure out how to solve Cyber Diva’s “together” word problem. Cyber Diva kept saying “tuh-GEH-ther” instead of “too-GEH-ther”. So I created a 2nd Cyber Diva Track within Vocaloid. I moved that 1st syllable to the very bottom of her Pitch-Range so she sang nothing. (I tried to get her to simply NOT sing it but that didn’t seem possible.)
I then used the 2nd Cyber DivaTrack to have her only sing one word: “two”.
So now she sings: “two-GEH-ther”. If you listen closely, you’ll hear a slight mispronunciation when she sings the middle syllable but it’s better than it was before.

• Bpm: 55
• Style: Folk
• Mood: Sad, low energy
• 55bpm (beats per minute)
• 5-Tracks
• Paul sings this song
• Sylvia and I worked on this song for 32-hours
• The Lyrics Streamed-through from Sylvia in 10-minutes
• The Water Droplets keep the beat.
• The “wowing” sound was created within GarageBand. We decided on a “Clarinet” as the instrument and simply added a Plug-In which uses a Triangle Wave to slightly modulate the filter. When the modulation is faster and then slows down, it’s doing so according to the very straight angle I drew for the Modulation to follow. However, if you listen closely, it doesn’t sound “automatic”. It sounds like someone turning a knob to achieve that effect.
• Sylvia and I wanted to use 1 of the Guitars in our Korg Krome but since I don’t do well with “Chords”, we looked through GarageBand’s instruments for a possible alternative. We discovered 1, 12-String Guitar which will play a Chord from a single, MIDI note. So after recording the Melody from the Krome into GarageBand, I just duplicated that Track and placed that “Chorded-Guitar” on it.

Night Of A Thousand Years
• Bpm: 90
• Style: Orchestral / Symphonic
• Mood: Loneliness. Crying-out against the emptiness
• 17-Tracks
• Paul "sings” and "talks” in this song
• A couple of Tracks "Pan" back-and-forth
• File size: 503MB (megabytes)
• Sylvia and I have spent about 50-hours on this song: Streaming it, selecting the various instrument sounds, learning and recording the parts.
• While working on it, each time I heard the line: “I’ll never let you disappear”, I almost started to cry.

Ominous Vectris
• Duration: Dialog 2:29, Song 6:38
• Bpm: 88, 131
• Tracks: Dialog 8-Tracks, Song 10-Tracks
• Style: Progressive Rock, Heavy Metal
• There's a 3-Bar, Drum Solo after every Verse!
• We worked on this song for 58-hours.
• Although this song really "Rocks", the information Sylvia initially sent me, of it being 262-bpm (beats per minute) and in multiple "Time Signatures" (7/4, 5/4, 3/4), became unraveled shortly after we began working on putting these pieces together.
• This song borders on being a "patchwork" / 'Franken-song" but it does seem to work, because it’s symbolic of the angry and stressful state I’m in at this point in the album. The lyrics are simple but provide some insights.
• For the strange, swirling sound (just before the line “…and the people thought me mad”), Sylvia and I went through many sounds in the UltraNova and Krome… and even modified a few but couldn’t find exactly what we wanted. I knew the ARP 2600, JP-08 and System-1m could produce the right sound but the ARP still has the “Refractionary Landscape” Patch on it (I didn’t want to change it. So we simply decided to use the System-1m. I created a from-scratch Patch. I then used its “Pitch: Push Gate” knob to activate the sound and while it was playing, I simply rotated that knob to the left, lowering the Pitch.

• Bpm: 130
• Tracks: 7 (including 5, duplicated female Vocal Tracks)
• Style: Children’s Pop
• This song is a modified version of a very old, Public Domain, children’s song, “Row, Row, Row Your Boat”.
• Mood: Childlike. Innocent. Playful.
• 115 Measures
• Sylvia and I spent 11.5-hours on this song (I kept track)
• Instruments Used: Cyber Diva, Korg Krome (Program, Bank 2, E27 Puffle Bells) and (Program, SFX, G(4)123 Stream)
• Initially, I knew this song would be a “Round”. When we began assembling it, I didn’t know how many “echoing Tracks” Sylvia wanted me to create. After I placed the 2nd Track, I felt her say: “Again.” This happened each time until I had placed 5-Tracks. Then it hit me: “Of course. 5 is your favorite number”. However, I don’t think she picked that number for that reason. If you listen carefully to those “echoes”, there’s a bell-like quality to certain parts of it and, somehow, those 5-Tracks are just enough to reinforce each other in order to manifest this hidden acoustic aspect.

Time Machine
• Bpm: 134, 67
• Tracks: 15
• Style: Progressive-Rock
• Mood: Stressful-hopeful. Searching for a way back to togetherness
• Sylvia and I have spent about 70-hours on this song.
• Paul and “Cyber Diva” sing in this song
• The Timings: 4/4 triplets, 4/4 134bpm, 4/4 67bpm, 4/4 134bpm, 3/4 67bpm, 4/4 134bpm, 5/4 134bpm March, 4/4 134bpm Rock
• Drum Track: Between my Roland drumset and the Octapad, I used 20 different electronic Drum Pads and 23 sounds. (The “hollow wood” sound and “high, bell” sound are “Velocity Switched” from the same Pad [on the Octapad]. These “sounds” and “Pads” include the use of 2 Cymbal Pads as well as an electronic Hi-Hat pedal and 2 Bass Drum pedals (on 2 different electronic Bass Drum Pads, which means I had to move my foot between them during this song).
• It took me about 2-weeks, to figure out and learn the Drum Part before I could play that entire Part in a single recording.
• The main melodic instrument is actually 3 synthesizers sounding at the same time. Our “Roland JP-08” (Patch 64) produces “mostly” the Attach (beginning) of each note. Our “Novation UltraNova” produces “mostly” the Sustain (middle) of each note. This synth also is the keyboard for all 3 synths. Our “Roland System-1m” (Bank 7, Patch 3) produces “mostly” the Decay (ending) of each note.
• The upward-sweeping, “alert” sound, in the 5/4 (March) section was made with the JP-08. I set one Envelope Generator to up-sweep the Oscillators, each time I pressed a key on the UltraNova keyboard. I simply had to press that key in Tempo.
• This was the most difficult song on this album to assemble, because there are so many “Sound”, “Tempo” and “Rhythm” changes. My 3D-mind didn’t understand the various pieces to this puzzle, when Sylvia sent them to me through our “Streaming” process. So it took a while just to place these pieces in the correct order and select the instrumentation Sylvia had in-mind.
• This is the song Sylvia and I were working on when she had us stop working on this album, in order to create our “Calling All Humans” song.

Dialog - Mergible Inertia
• Bpm: 55
• Style: Experimental, Forest Dialog
• Mood: Confused
• 55bpm
• Sylvia and I spent 19-hours on this song.
• Number of Tracks: 12 different sounds
• Instrumentation: All of the sounds come from the Korg Krome or GarageBand’s “Loops”.
• Notes: This Song is symbolic of “me” wandering from the “industrial” / “machinery” / “technology” of building my time Machine through a cave of bridged emotions (represented by me remembering the Songs on this album) and into a calming forest landscape. With just me, Sylvia and Nature, I’m able to mentally work-out what Sylvia and I are now facing. In the middle of the forest, I find an old clay flute-like instrument in the leaves. The “clay” is “of the Earth”, which is helping me at this time. The “breathiness” of playing this flute is “Spirit” energies, which I am now focused on. The melodic notes represent the “feminine” aspect in all things. (If the instrument I found was a “drum”, it would have represented the “male” aspect in all things.) In this Song, since I don’t know how to play this clay flute, the notes are not in-tune. This represents my sadness and emotional energies.

Shining Armor
• Bpm: 55
• Tracks: 5
• Style: Easy Listening
• 4/4 Time Signature
• 68 Measures
• Sylvia and I spent 23-hours, 30-minutes on this song.
• Instruments Used:
>> Cyber Diva
>> Korg Krome for Chords
>> GarageBand’s “Vibraphone”. This MIDI Track was created by exporting the Cyber Diva notes from within Cubase as a MIDI file. (Cyber Diva’s notes have to be entered into Steinberg’s Cubase software.) I then brought this file into GarageBand and, because these notes are exactly the same “length” and “rhythm” as the notes sung by Cyber Diva, the Vibraphone punctuates the Attack of each of those notes and enhances their melodic quality.
• This song still makes me cry. The Title and the line: “My knight in shining armor” comes from Sylvia… A few years after we met, she began re-telling the story of how I rode into town on a “white horse” (my white, “Ford Pinto” at the time) and saved her.

Perfectionately Yours
• Bpm: 50
• Tracks: 7
• Style: Easy Listening
• Mood: This is a simple song… remembering that we fell in Love with each other before time began. Our Love for each other is so comfortable, undeniable and powerful that we are “perfectionately” in Love with each other… even through the “Veil”. However, because we are currently “physically” not with each other, this “looking ahead with Hope” is bitter-sweet. This Song is symbolic of that with its cold, empty feel and basic melody, which seems to take forever for each note in the phrases to be heard — as if I’m hanging on to each facet of Sylvia… as if I now realize it’s extrermely painful to exist in this chapter of our Life without being by each other’s side. Even my lack of singing ability lends itself to the hopeful but frail outlook of this Song.
• It took Sylvia and I 32-hours to create this song.
• When Sylvia initially sent me this song, all I had was the line: “Perfectionately Yours”, along with the sound of 2 “clicks”. Because this song is very simple, instrumentally, we couldn’t justify a standard “Drum” hit in the Chorus. We thought it should be a bit “quirky”. So we listened to LOTS of GarageBand sounds. Then, while listening to an “evening forest” loop, I told Sylvia I could extract those 2 “crack” sounds, which were generated by the crackling of wood in a fire. So that’s what we used.



• Dialog - The Broken Chord
(Sylvia) “It’s time for us to start working on our songs.”

(Paul) “This is NOT fair! We should be together… “physically”, when we work on OUR songs.”

(Sylvia) “This is where we are now. Things will change very soon but we need to begin creating our music.”

(Paul) “We are NEVER supposed to be separated from each other! I HATE this Chapter of our LIFE!”

(Sylvia) “You can do this.”

(Paul) “I CAN’T do this… I’m a Drummer!… and not a very good one.”

(Sylvia) “You’re MY Drummer and you’re the best I’ve ever heard.”

(Paul) “I’m not a Keyboard player. There’s no way “I” can ever begin to play your 10-finger Chords. I’m not sure of the sounds you want to use… and this is a new Keyboard… I haven’t figured it out yet. This is all so overwhelming and…”

(Sylvia) “…I will help you. We’ll work together on this. I will work through you. “WE” can do this.”

(Paul) “Alright. Let’s do this.”

/ / / / /

• Refractionary Landscape
(Sylvia) We can do this. We will remain linked to each other across the Veil.
Remember, “All things ARE possible, IN-finity”.

(Paul) I don’t know. I just don’t know!

(Sylvia) smeeS tI tahW sI gnihtoN (Nothing is what it seems)
maebratS eht stcelfer rorrim ehT (The mirror reflects the Starbeam)
(We are linked across the Veil)
(Our Love will never fail)

(Paul) Everything is so surreal. My world is now fractured. Everywhere I look… the landscape is refractionary.

(Sylvia) “Nothing is what it seems”

I am holding you.
I will always be with you.
I will guide you.

You and I make “US”.
We are “One”.
We are “timeless”.

Our Love… can find a way
...to cross the boundaries
...that stand in our way.

Our Light… can guide us through
along the Mobius
you know I’ll guide you.

We found each other once
Our Love is linked across the Veil

Our Love, my Love
...will find a way.
I’m here with you always.

Don’t focus on the echoes.
That’s where our Love grows.

Our Life… together as one
...linked across the Veil
...we’ve only just begun!

smeeS tI tahW sI gnihtoN (Nothing is what it seems)
maebratS eht stcelfer rorrim ehT (The mirror reflects the Starbeam)
(We are linked across the Veil)
(Our Love will never fail)

/ / / / /

• Guided-Aligned
Guided… aligned
Each, on one side of the Veil

Guided… aligned

I am here
You are there
but we a linked
...across this Veil

Guided… aligned

No words
can describe
the Love we share

Guided… aligned

I am with you always
be aware (of that)

Guided… aligned

We. Are. One
…in our Love together

Guided… aligned

As we walk through
...our Life forever
Our journey will bring
...us home
…to each other’s arms.

This illusion…
This artificial reality…
...Is soon to be dissolved.

/ / / / /

• SearchLight
We’re never taught
...how to grieve.
Our emotions
...on our sleeve.
Knowing the Love
...we share…
This separation
...is too MUCH too bear!

I look for your SearchLight
...every day.
I check for cracks in the Veil
...in every way.

I hold our Love sacred.
I hold our Life dear.
This reality has restrained me
...tied up with fear.
Society says
...I’ll never see you, again.
...but I know
I know there’s more to us.
…and I know
…I just know
Thanks to your Visions
…I keep holding on…

So… I…
Look for your SearchLight
…every day.
I check for cracks in the Veil
…in every way.
I know that your SearchLight
…is Guiding me.
The cracks in this Veil
…will bring us
……to our True, Reality.

I know that your SearchLight
…is waiting there.
I search for your SearchLight
…carefully aware!

I know our Love
……pierces this Veil
…but this illusion
……tries to restrain me…
………tied me up with fear.
Society says
…I’ll never see you, again.
……but I know our Love
………is piercing this Veil.
…and I know
… I just know
Thanks to your Visions
…I keep holding on.

So… I…
Look for your SearchLight
…every day.
I check for cracks in the Veil
…in every way.
I know that your SearchLight
…is Guiding me.

So… I…
Look for your SearchLight
…every day.

/ / / / /

• Night Of A Thousand Years
You’re the light of my life
…my wife…
…my every-thing
Together we walk our Path… as One.

You’re the spark of my world
…my girl…
…my every-thing
Together through our life …we fly.

Each n-i-g-h-t…
A night of a thousand years

Memories fill my mind
Our love, now sees my tears
I just want to roll back the time
and walk away from this night of a thousand years!

Tomorrow’s… just another day for me
Each day’s the same
…I’m stuck in this illusion’s g-a-m-e-!

I count the days, since you’ve been gone
but the weeks… the weeks are adding up
…I…know… I’ve… had enough

We pledged our lives
…those oh-so many… years… ago
We said our love will last f-o-r-e-v-e-r
You… know… I’ll… never… let… you go!

Those nights. Those horrible nights
…without you.
You know I’ve had enough
These weeks are adding up

Each n-i-g-h-t…
A night of a thousand years
Memories fill my mind
Our love, now sees my tears
I just want to roll back the time
and walk away from this night of a thousand years!
When you’re near my Heart soars
…it s-o-a-r-s…
…oh how it soars
…way beyond…
…these mem-or-ies

Together our Love…
…can reach the stars
Our Love ignites the Sun
We have only just begun
Singing songs as yet unsung

Each n-i-g-h-t…
A night of a thousand years
…a broken life
and shattered tears

Each n-i-g-h-t…
A night of a thousand years
I’ll never let you disappear
I'm left with broken dreams and no atmosphere

> Catching my breath
> Catching my breath
> The pain has broken my Heart
> and pierced my S-o-u-l

Each n-i-g-h-t…
A night of a thousand years
I miss you!

Each n-i-g-h-t…
A night of a thousand years
One day I’ll find you!

Each n-i-g-h-t…
> Catching… MY breath
Each n-i-g-h-t…
> Catching my breath
> Catching my breath
A night of a thousand years

Each n-i-g-h-t…

/ / / / /

• Ominous Vectris - dialog
(Cabal) You should not touch things which don’t belong to you.

(Paul) Who are you?

(Cabal) I am the Controller of all things.

(Paul) What?… Wait a minute… Even as a cowardly Hologram, I recognize who you are… You’re the Cabal. You’ve kept us mindless, asleep and trapped here for eons.

(Cabal) I control everything you do.

(Paul) I’m not part of your Mind Games any more… and there are LOTS of us who have now awakened.

(Cabal) Hey!… That Veil is dangerous. You should move away from there before you’re hurt.

(Paul) Since when did YOU ever care about ME?… No! I think you don’t want me inching through this Veil because you’re afraid I’ll succeed.

(Cabal) Why that’s preposterous! I’ve never been afraid of anything. It’s YOU who should be afraid, little man.

(Paul) No! You now realize the “99-percent” are waking-up and you really ARE scared… THAT’S why you suddenly showed yourself today.

(Cabal) Well you’ll never make any headway through that Veil. It’s 10-miles high and 1-mile thick!

(Paul) My wife is on the other side of this Veil and I would re-order the planets, to get her back… and I’ll do it all while deflecting everything YOU could ever throw at me! If you want to send in your Mind Slaves and cross me over to the other side of the Veil… guess what? “I” win! I will then be with My Sylvia. If I make it through this Veil before you can affect my actions, guess what? “I” STILL win and it’s Game Over for YOU!

(Cabal) But…

(Paul) Either way… YOUR days of controlling THIS planet and its inhabitants are numbered. WE are taking back our TRUE reality. You’d better start packing your things because I WILL get through this Veil.

(Cabal) But…

(Paul) Wait a minute… you already know this… You know this because THAT’S why you’re here. You want to discourage me before the “99-percent” take back their lives and this planet… and bring YOU to justice. As I said, YOU BETTER START RUNNIN’!!!

• Ominous Vectors - lyrics
…and the people thought me mad.
I feel your presence
I hear your voice
I see the dreams you shine on me

We are one
We are the same candle
We glow a single flame
The magic that we are together
…will bring you back again.

…and the people thought me mad.
I hold the Light of our Love
I fold the page of Time
I see your smile on the horizon

We are Love
We grow the Love of Light
We stand aboard tomorrow
The magic that we share together
…will ignite our inner glow.

…and still the people thought me mad.
I feel you behind me
I catch your scent in the air
I know our Love will set us free

/ / / / /

• Float
Row, row, row your boat
gently down the stream.
Merrily, merrily, merrily, merrily
Life is but a dream.

Row, row, row your boat
gently down the stream.
Enter your Heart and go through the “Veil”
This is now the key.

/ / / / /

• Time Machine
Like a rock in Space
…we tumble
…separated by a wall.
Now we race
…for a way to make it fall.

Time and distance
…have no consequence
It’s up to you and I
…to show Humanity
…this old reality
It’s just a blink of the eye

I’m gonna build a
…time machine
To take me back before
…we met (we first meet)
And you’ll know that
…we are meant to be
And we’ll spend our time (lifetime)
…side by side every day
There’s no denying
…our Love

Shielded by our Love
…we can brave
…any storm
Now we’re linked
…across the “Veil”
Of this mission
…we can never fail

You had to go.
You told me so.

I’m gonna steal a
…StarShip tonight
To take me to the
…other side
Knowing you wait for me
…just as I wait for you
And we’ll spend our time (our new lifetime)
…side by side every day
There’s no denying
…our Love

We hold our hands
Across the “Veil”
Together we are
…L O V E
Together we spread
…M A G I C
Love undeniable
Love indescribable
We are O N E

I’m gonna build a
…time machine
To take me back before
…we met
You’ll feel our Love
And we’ll spend our time (lifetime)
…side by side every day
There’s no denying
…our Love

I’m gonna steal a
…StarShip tonight
And get me to the
…other side.
Knowing you wait for me
…just as I wait for you

Activate the Systems
Energize the Lasers…
…and punch a hole
…right through that “Veil”

I will find you
Nothing can stop me

(breathy, whispering female voice)
“It’s all an illusion.”

I’m gonna build a
…time machine
To take me back before
…we met
And you’ll know that
…we are meant to be

I’m gonna build a
…time machine
To take me back before
…we met
You’ll feel our Love

I’m gonna build a
…time machine
I’m gonna build a
…time machine
I’m gonna build a
…T I M E (repeating echo and fade)

/ / / / /

• Mergible Inertia
I don’t understand this!
What just happened to us?
You were here and now you’re not here!
We’re married… WE are STILL married to each other.
We’re always together… but now I can’t find you.
I can’t see you. I can’t hear you.
This makes no sense.

Where are you?
I need you here! and you need me there!

I really hate THIS Chapter of our life!

You told me to “Hold our space”…
…and right after you crossed-over, you actually said:
…“The Veils are getting thinner. I will be with you soon”.
I heard you. In my own ears. I heard you say that.

You mentioned that we’d be working on this album together… and we are.
…but I sometimes think you asked me to do this just to give me something to do until the “Veil” is removed.

During our last “physical” years together, you encouraged me to work on my psychic abilities.
I remember that… and now I know why.…
Some part of you knew this would happen and wanted me to exercise those energies within me, in order to “sense” you and “communicate” with you “now”.

I do NOT understand ANY of this!
I know that, on some level, you and I did this.
We did this together.
Maybe, before we incarnated this time, our Higher Selves stood back and realized what was going to happen to this “reality”… to this very “illusion”.
…I’m sensing that you’re agreeing with me.
…and maybe, because of our powerful and unquestionable Love for each other, we need to anchor the Light on each side of the “Veil”.
So we decided to temporarily separate “physically” from each other, in order to accomplish this…
…and… once the “Veil” is dissolved, you and I will be reunited with each other.
…I’m sensing you’re nodding your head “yes”.
So I just have to be patient?
I HATE being separated from you!
We belong to each other!
We ARE each other!
Alright. Alright. I’ll do the best I can “here”, while you are “there”.
We’ll just continue to work through the “Veil” until the “Veil” is no more.
Thank you for staying by my side.

/ / / / /

• Shining Armor
My knight, in shining armor.
You may come looking for me.
Looking everywhere.
Here, by your side, I’ll be.

I see you there
…but your mind cannot pierce this Veil.

I wish I could hold you, again.
Wrap my arms around you
You reach for me
…and I feel you…
…but you don’t see me
……standing here
……right here, beside you.

I send you hope, in your Dreams.
I send you Visions of your True, reality.
Hold our space.
I will return… my Love.

We share our Life now, in our Dreams.
You see the Visions… of who we are.
We are One.
We are Love… in Love… my Love.

You are my knight, in shining armor.
We’ve traveled the destinies.
Together everywhere.
Here, at each other’s side.

Our Life…
Our Journey…
Does not end here.

/ / / / /

• Perfectionately Yours
There’s something… I want you to know.
Since that time we looked up
…and gazed at the sky…
Since the beginning
…when birds first began to fly…
Since the dawn of time…
Since that first day and night…
I’ve been Perfectionately Yours.
Perfectionately Yours.

I remember
…when it all began.
We sat on the edge of the Universe
…and watched the Stars begin to shine
When I first looked at you
…your smile
…lit the Galaxy.
Your my symphony.

There’s something… I want you to know.
Since that time we held hands
…and I gazed into your eyes…
Since the beginning
…when you first spoke to me…
Since the dawn of time…
Since that first day and night…
I’ve been Perfectionately Yours.
Perfectionately Yours.

In the beginning
…it was just you and I
We stood on the top of the mountains
…and watched them paint-in the sky.
When you first took my hand
…your caress
…made the Stars start to spin
Your my everythin’

I’ve been YOURS forever.
I need nothing more.
We’ll go ON forever.
It’s you I adore.

Our LOVE knows no bounds
We live our life as one
We LIVE in the now
Our Love is perfection

Since the dawn of time…
Since that first day and night…
I’ve been Perfectionately Yours.
Perfectionately Yours.



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