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Ingrid Rodriguez | Opera Meets Broadway

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Classical: Vocal Music Easy Listening: Cabaret Moods: Solo Female Artist
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Opera Meets Broadway

by Ingrid Rodriguez

An enchanting soprano voice that perfectly fuses Baroque-style Handel, famous Mozart arias, and cabaret-style show tunes in this delightful compilation.
Genre: Classical: Vocal Music
Release Date: 

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  Song Share Time Download
1. Don Giovanni, K. 527, Act II: "Vedrai, Carino"
Ingrid Rodriguez, David Duncan & Sydney Hartwick
3:17 $0.99
2. Amarilli, mia bella
Ingrid Rodriguez & David Duncan
3:03 $0.99
3. Ave Maria, D. 839
Ingrid Rodriguez, David Duncan & Sydney Hartwick
3:53 $0.99
4. Rinaldo, HWV 7a: "Lascia Ch'io Pianga"
Ingrid Rodriguez & David Duncan
2:55 $0.99
5. Die Zauberflöte, K. 620, Act II: "Ach, Ich Fühls"
Ingrid Rodriguez, David Duncan & Sydney Hartwick
3:27 $0.99
6. La vie en rose
Ingrid Rodriguez & David Duncan
3:41 $0.99
7. So in Love (From "Kiss Me, Kate")
Ingrid Rodriguez & David Duncan
2:16 $0.99
8. Your Daddy's Son (From "Ragtime")
Ingrid Rodriguez & David Duncan
3:25 $0.99
9. Puttin' on the Ritz
Ingrid Rodriguez & David Duncan
1:55 $0.99
Downloads are available as MP3-320 files.


Album Notes
Ingrid Rodriguez is a classically-trained lyric soprano and crossover cabaret singer. Her unique virtuosic approach of combining sets of opera arias with 20th-century cabaret favorites creates a graceful and harmonious listening experience.

Album Track List:

"Vedrai, carino", from Mozart's Don Giovanni (Don Juan)
- Don Giovanni (Don Juan) is the classic story of a womanizer, who’s lack of forethought and self-control gets him into many unfortunate predicaments. Young Masetto has just found himself on the losing end of a jealous brawl with Don Giovanni over Masetto’s fiancé, Zerlina. “Vedrai, carino” is Zerlina’s song of comfort to her wounded sweetheart.

"Amarilli, mia bella"
- Amarilli, mia bella is a 15th-century madrigal about the complexities of love.

"Ave Maria"
- Ave Maria, or “Hail Mary” is a traditional prayer from the Catholic liturgy.

"Lascia Ch’io Pianga", from Handel's Rinaldo
- Rinaldo is set in 11th-Century Jerusalem during the crusades. In “Lascia Ch’io Pianga”, the heroine Almirena has just been kidnapped by an evil sorceress and taken away from her love, Rinaldo. This is her prayer of mercy.

"Ach, ich fuhls", from Mozart's Die Zauberflote (The Magic Flute)
- Die Zauberflote (The Magic Flute) is set in mythological ancient Egypt. Princess Pamina has been kidnapped by the god of the underworld, Sarasto. Pamina’s love interest, Tamino has agreed to face a series of Sarasto’s challenges in exchange for releasing Pamina. One of those challenges is a vow of silence- Pamina is unaware of this arrangement, so when Tamino refuses to speak to her in order to win the challenge, she doesn’t understand, and is heartbroken. “Ach, ich fuhls” is Pamina’s lament at losing the love of Tamino forever, and how she longs for death.

"La Vie en Rose"
- “La Vie en Rose” is a 20th-century French cabaret song written shortly after the 2nd world war, which speaks of new romance and seeing life through “rose-colored glasses”.

"So in Love", from Kiss me Kate
- Kiss me Kate is a beloved musical that tells the story of two divorced Broadway stars- Fred and Lilli, whose love is rekindled after a series of dramatic complications when they star together in a play. Lilli sings “So in Love” about her old feelings for Fred, upon believing that she just received flowers from him. Unbeknownst to Lilli, the flowers were really meant for her co-star and Fred’s current romantic pursuit, Lois.

"Your Daddy’s Son", from Ragtime
- Ragtime is a musical the follows the lives of three different families pursuing the American Dream in turn-of-the-century New York. “Your Daddy’s Son” is sung by Sarah, a young woman who finds herself pregnant, alone, and terrified. This is Sarah’s dramatic lullaby and plea for forgiveness to her newborn son, after getting caught trying to abandon the baby at a wealthy family’s home.

"Puttin’ on the Ritz"
- “Puttin’ on the Ritz” is a 20th-century show tune originally performed by Harry Richman in the film Puttin’ on the Ritz; but was made famous later by Fred Astaire and Ella Fitzgerald.



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