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Jarring Sounds | Jarring Sounds

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Classical: Art songs Classical: Early Music Moods: Type: Vocal
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Jarring Sounds

by Jarring Sounds

Jarring Sounds' debut album featuring works from the 16th, 17th, and 20th centuries for voice and guitar/lute/theorbo.
Genre: Classical: Art songs
Release Date: 

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  Song Share Time Download
clip
1. Un Jour I'amoureuse Silvie
3:03 $0.99
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2. Ne deliberons plus
2:51 $0.99
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3. Ma bergere
1:37 $0.99
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4. Se pur destina
9:51 $0.99
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5. From Silent Shades, Z 370, Bess of Bedlam
4:10 $0.99
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6. With Sick and Famish Eyes, Z 200
5:00 $0.99
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7. Songs from the Chinese, Op. 58: I. The Big Chariot
2:08 $0.99
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8. Songs from the Chinese, Op. 58: II. The Old Lute
2:30 $0.99
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9. Songs from the Chinese, Op. 58: III. The Autumn Wind
1:26 $0.99
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10. Songs from the Chinese, Op. 58: IV. The Herd-Boy
1:24 $0.99
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11. Songs from the Chinese, Op. 58: V. Depression
1:57 $0.99
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12. Songs from the Chinese, Op. 58: VI. Dance Song
1:16 $0.99
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13. Under Milk Wood Songs: I. Polly Garter
2:53 $0.99
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14. Under Milk Wood Songs: II. Lily Smalls
1:23 $0.99
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15. Under Milk Wood Songs: III. Rosie Probert and Captain Cat
4:48 $0.99
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16. Under Milk Wood Songs: IV. Oh, What'll the Neighbours Say, What'll the Neighbours..
1:14 $0.99
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17. Under Milk Wood Songs: V. Pretty Polly Hums and Longs
1:09 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Jarring Sounds was formed in 2011 out of the San Francisco Conservatory of Music as a result of mutual artistic interests. Comprised of mezzo-soprano Danielle Reutter-Harrah and Adam Cockerham, who plays guitar, lute, & theorbo, the duo is committed to the repertoire of early European songs of the 16th and 17th centuries, as well as contemporary classical works of the 20th and 21st centuries. The small ensemble setting of a single voice and instrument allows for flexible creative interpretation not possible in a larger setting.

“Jarring Sounds” may have a modern connotation, which resonates with their affinity for contemporary compositions. The line is in fact taken directly from the lyrics in John Dowland’s (1563-1626) lute ayre “In Darkness Let Me Dwell,” one of the first collaborations between Reutter-Harrah and Cockerham. The name’s link to both early and recent works exemplifies the duo’s artistic mission.

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