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Jas Miller | That's Just Fan Funking Tastic (Deluxe Edition)

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George Benson Jeff Beck Pat Metheny

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United States - California - LA

Other Genres You Will Love
Jazz: Contemporary Jazz Jazz: Smooth Jazz Moods: Type: Instrumental
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That's Just Fan Funking Tastic (Deluxe Edition)

by Jas Miller

Great players accompany. Style is Smooth Jazz, Fusion, Groove, Rock, Soul & R&B. It's smooth in places, rougher in others, with tempos from the mid-range to fast & slow. Light sprinklings of voice on mostly instrumental music.
Genre: Jazz: Contemporary Jazz
Release Date: 

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  Song Share Time Download
clip
1. Isola Di Chill
3:53 album only
clip
2. Just Now
4:47 album only
clip
3. Cheaper By the Dozen
4:41 album only
clip
4. Wiggle Room
3:52 album only
clip
5. Where Are You
4:14 album only
clip
6. That's Just Fan Funking Tastic
4:32 album only
clip
7. Espresso Your Selfie
4:11 album only
clip
8. Reiki
5:09 album only
clip
9. Coco Giallo
4:57 album only
clip
10. Summer Wishes, Winter Dreams
1:04 album only
11. Just Now (Radio Edit) [Bonus Track]
3:49 $1.29
clip
12. Cheaper By the Dozen (Radio Edit) [Bonus Track]
3:31 $1.29
clip
13. Where Are You (Radio Edit) [Bonus Track]
3:29 $1.29
clip
14. That's Just Fan Funking Tastic (Mm Mm Mm) [Radio Edit] [Bonus Track]
3:35 $1.29
clip
15. Espresso Your Selfie (Radio Edit) [Bonus Track]
3:39 $1.29
clip
16. Reiki (Radio Edit) [Bonus Track]
3:39 $1.29
clip
17. Coco Giallo (Radio Edit) [Bonus Track]
3:31 $1.29
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Great players accompany. Style is Smooth Jazz, Fusion, Groove, Rock, Soul & R&B. It's smooth in places, rougher in others, with tempos from the mid-range to fast & slow. Light sprinklings of voice on mostly instrumental music.

The core band is guitar, keyboards, bass & drums with horns & strings adding savory sweetening.

These are the long-playing album length versions of these songs. Set it, forget it & enjoy your trip. 7 Radio edits are featured at the end, as bonus tracks. in some cases, the radio versions take on their own identity, as with tracks 13-17.

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