Order 3 or more physical items and get 1¢ shipping
Jay Ungar & Molly Mason | The Quiet Room

Go To Artist Page

More Artists From
United States - NY - Upstate NY

Other Genres You Will Love
Folk: Gentle Easy Listening: Mood Music Moods: Type: Acoustic
There are no items in your wishlist.

The Quiet Room

by Jay Ungar & Molly Mason

Music to heal the heart and soothe the soul—this album contains eleven specially selected tracks from Jay & Molly's previous CDs, plus three new releases. Learn more in the album notes below.
Genre: Folk: Gentle
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
Buy 2 or more of this title's physical copies and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
clip
1. The Quiet Room
Jay Ungar & Molly Mason
3:50 album only
clip
2. Thanksgiving Waltz
Jay Ungar & Molly Mason
3:47 album only
clip
3. Prairie Spring
Jay Ungar & Molly Mason
3:43 album only
clip
4. Roscoe's Waterfall
Jay Ungar & Molly Mason
2:40 album only
clip
5. Foster's Ladies
Jay Ungar, Jay Ungar & Molly Mason
4:40 album only
clip
6. Give Me Your Hand
Jay Ungar & Molly Mason
3:03 album only
clip
7. Mountain House
Jay Ungar & Molly Mason
4:09 album only
clip
8. Liberty's Golden Shore
Jay Ungar & Molly Mason
4:10 album only
clip
9. Love of My Life
Jay Ungar & Molly Mason
4:05 album only
clip
10. Blue River Waltz
Jay Ungar & Molly Mason
4:51 album only
clip
11. Montague Processional
Jay Ungar & Molly Mason
4:09 album only
clip
12. Lovers' Waltz
Jay Ungar & Molly Mason
3:26 album only
clip
13. My Cape Breton Home
Jay Ungar & Molly Mason
5:06 album only
clip
14. Ashokan Farewell
Jay Ungar & Molly Mason
4:47 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
This collection was born from an illness. During the summer of 2001, Molly began to experience pain in her face. It turned out that it was caused by a brain tumor. We were told the operation to remove it would be difficult, and Molly put together a few things she knew would help her get through her hospital stay.

She filled a small swatch of fabric with seeds from a cottonwood tree, a favorite smell from her childhood in Washington State. She created a display of photos of friends and family to hang in her recovery room.

She also brought these tunes. She had recently made a compilation of our most healing music to give to friends and others facing difficulties. But almost before she had time to pass it on to others, she was the one in need, heading into a hospital for brain surgery.

We were told the operation would be difficult, but it turned out to be far worse. After more than 11 hours of surgery, the doctor came out pale and exhausted, and told me and James, Molly’s brother, that if Molly made it through the night, she would have a chance.

A chance of what? I asked.
A chance of surviving, he said.

Molly made it through that long night. The next day I bought a boom box to play Molly’s compilation in the intensive care room where she lay in a coma. Some of the tunes were old classics, such as “Shenandoah” and “Gentle Annie” by Stephen Foster. Most were our own compositions, such as “Ashokan Farewell” and “The Lover’s Waltz.” Each tune seemed to express what was needed: peace and calm, love and hope, all built upon a foundation of resilience.

We were warned that the Molly we knew might not be the Molly who emerged from surgery. Shortly after she came out of the coma, James and I went to her room with our fiddles and played “The Blue River Waltz.” Molly had not yet spoken and we worried about how much damage the surgery had done. At one point, James played a C chord—not the wrong chord, but not quite the right one, either.

The next time we approached that beat in the music, Molly said, “A minor.”
Those were two of the happiest words I’d ever heard. Molly was still here.

Molly has said her recovery felt like being reborn. Over a period of days and weeks, she began talking, recognizing faces, moving her arms, and taking her first steps. We’d brought in the music for Molly, but we soon realized it touched a much wider circle. Doctors, nurses, orderlies, and physical therapists often entered our rooms tight and tense, but as they heard the music, you could almost see their stress melt. Molly’s ordeal often overwhelmed me, but the music calmed me, and it seemed to do the same for anyone who came calling during our hard times.

While Molly was recuperating, sleeping in long stretches, I often went to what was called The Quiet Room in the hospital. No one was ever there, so I played my fiddle. One afternoon I heard a new tune in my head. It sounded like a Scottish air, as does “Ashokan Farewell.” In the last bars of what became “The Quiet Room,” the music reaches upward never fails to bring me back to the moment of Molly’s reawakening. The title seemed the perfect name for the tune and the collection.

Molly is now herself again, with a few new wrinkles, like all of us. And in the years since her operation, she’s given copies of this compilation to people in need, to help them through their difficult times. It’s meant to help you heal, soothe your soul, and lift your spirits.

Be well,
Jay & Molly

PS—A book that helped us through this ordeal was Help Me to Heal by Bernie Siegel and Yosaif August. We met Yosaif for the first time during a walk in the woods behind our home the day before Molly’s surgery. He brought us a copy of the book that evening. We recommend it highly.


Read more...

Reviews


to write a review

Drew Lamm

Fills and Thrills the Soul
This music is like coming home to myself. It fills my soul and spirit . It lifts me. My heart dances/is moved from the first tune to the last. I’ve only had it a couple of days now and I’ve probably listened to it seventeen times. It’s a treasure.
Read more...