J.C. Flyer | Movin' On

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Movin' On

by J.C. Flyer

Original high-flying country-rock. Features performances by The Dead and Phil Lesh & Friends' Rob Barraco, The Rowan Brothers, the David Nelson Band's Barry Sless on pedal steel, pianist George Michalski, soaring guitar playing by Jody Salino, & more...
Genre: Country: Country Rock
Release Date: 

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  Song Share Time Download
1. Big Wheels
6:13 album only
2. Outlaws On The Run
1:19 album only
3. Alone With The Wind
0:00 album only
4. Long Hard Road
0:00 album only
5. Snowing In New England
0:00 album only
6. Drive All Night
0:00 album only
7. Thousand Trails
0:00 album only
8. California
0:00 album only
9. Memories of You
0:00 album only
10. Red Light, Green Light
0:00 album only
11. The Ghost of K.C. Bishop
0:00 album only
12. Foreign Soil
0:00 album only
13. Back To You
0:00 album only
14. Towards The Sun
0:00 album only
15. Goin' Home
0:00 album only
16. Bonus Track- California (The Barraco Variation)
0:00 album only


Album Notes
Original, high-flying country-rock featuring performances by The Dead & Phil Lesh & Friends keyboardist Rob Barraco, Former E-Street Band drummer Ernest "Boom" Carter, The David Nelson Band's pedal steel wiz Barry Sless, harmony vocals by The Rowan Brothers- Lorin & Chris Rowan, Nash Bridges Musical Director Geoege Michalski on piano, guitar mastery by Jody Salino, and Kingfish keyboadist Barry Flast. The music ranges from pedal to the metal southern rockers and western swing, to weepy ballads. Includes a 12 page full-color booklet with photos by Jay Blakesberg, design by Robert Minkin, and a stunning full color mural of J.C. Flyer by renown artist Steve Johnansen. So strap yourself in and take the ride...

The Legend of J.C. Flyer

The first country song that I can remember hearing was "I've Just Seen a Face" that kicked off the Beatles "Rubber Soul" album (the original US album). While the Beatles did Buck Owens' "Act Naturally" on their earlier US release, "Yesterday and Today", my young ears didn't differentiate the cover version of Buck's classic honky tonk tune. What struck me the most about "I've Just Seen a Face," was the acoustic guitar sound and the brilliant back woods harmony that came out of a love of traditional American bluegrass music. Way back then, bluegrass was something that I was not yet aware of, although through the Beatles, and later, the Byrds, I became quite fond of that high-lonesome sound. With the proceeds that I saved from my paper route I bought an old Harmony acoustic and strummed out the three chords needed to play along with my musical heroes of the day.

After Bob Dylan went to Nashville to record "Blond on Blond", and later, "Nashville Skyline", the music community began to take notice of a simpler sound, one that touched hearts with simplicity. Through underground radio, which later became the standard FM stations, adventurous DJ's would fill the airwaves with not only what is known as classic rock today, but they also began to play music with a more home spun sound. Dylan's backing band, The Band's first album, "Music From Big Pink", was truly revolutionary. The Byrds begat the Flying Burrito Brothers and the Grateful Dead's country cousins, The New Riders of The Purple Sage, quickly caught my attention as well. Like many, I believe that Jerry Garcia was the first person that I ever saw play the pedal steel live. On "Movin' On" I tip my hat to all.

I had a musical epiphany of sorts when I first saw Commander Cody and His Lost Planet Airmen at My Fathers Place in 1972. The Old Commander had what was perhaps the finest band ever to mix Bob Wills swing, with old timey music, topped off with some dance floor shaking boogie-woogie. Hell, I didn't ever know Bob Wills' music, but I sure did after that! Along the way, the David Bromberg Band quickly picked me up and continued me through my American musical journey.

In the early seventies, I worked at a microbiological lab in Elmsford, NY. One of the microbiologists was also a country music performer. Patrick "Lefty" Malia performed a mix of covers and originals in low-lit lounges on the wrong side of town, Army bases, and USO Clubs throughout the tri state area. Lefty turned me on to a trove of great songwriters; Tom T. Hall, Johnny and Tommy Cash, the Hanks; Williams, Thompson, and Snow, Merl Haggard, George Jones, Willie Nelson, Waylon Jennings, Red Simpson, Ernest Tubb and many, many others. Back in 1972 it was as if I were learning another language, and I considered my self quite knowledgeable about all kinds of music at that time.

Little did I know....

Somewhere along the line I crossed the line from music aficionado to music performer. It was inevitable. Chronicling the San Francisco music scene in my Bay Area Bits column published in the pages of Relix Magazine for nearly 16 years certainly didn't hurt.

Several years after moving to San Francisco, Scott Wiseman, the producer from public access television's popular and inovative Deadhead TV "DTV" that I was working with, called me up one afternoon asking if I knew a drummer that could come down to a jam session that he and a few buddies had organized. After thinking for a moment and coming up blanks, Scott finally asked; "Why don't you do it?" I had never played drums before and after some insistence, (he had a drum kit down there), I agreed to come down. Something happened that day, as I discovered with some delight that I could not only keep a rudimentary beat, but I could actually play the darn thing. The session ended with me telling them again and again (to their disbelief) that I had never played the drums before. "Oh yeah...right." After several of these sessions I was ready to conquer the world. Before long, I was playing with Glenn Tucker in the Found Objects, and Third Wave, Sal Corazzo and the Nasty Habits, and finally, The Blenders. During the early eighties San Francisco had a really happening club scene. North Beach alone had 10 places where we would play regularly. The Blenders were a 70's funk and soul band that boasted a hot shit horn section. By the time that I joined they were in transition. For me, however, the funk was something that came naturally to me from a drummer's perspective. Working out of a studio on Hudson Street in Hunters Point, I slowly evolved the act to include me coming out from behind the drum kit to perform a couple of country rockers, twanging on a Fender Telecaster guitar. It was something that really got a great response wherever we played and I continued to explore more avenues fronting the band.

At the same time I also sought to find new musical partners. Through Big Brother & The Holding Company guitarist James Gurley, I was introduced to George Michalski who had just returned from LA and was hosting a weekly jam session at The Last Day Saloon. This was back in the old days when they had music downstairs and the music and the folks on the street would blend into one. The long gone comedy club Holy City Zoo was right next-door and Robin Williams would sometimes come in and raise hell to the delight of us all. It was a very special time for me. To a certain extent I consider those sessions my musical apprenticeship by getting a chance to play with real seasoned musicians. Besides Gurley and Michalski, the band included former Tubes guitarist Bill "Sputnik" Spooner, It's a Beautiful Day bassist Mitchell Holman, and Don Graham on drums. Don Graham was pure Tennessee. During the 1960's he was in a band called the Paper Boxes and toured with such legendary bands as the Yardbirds, The Jokers, and the McCoy's. Graham was a great drummer but the fact is that he could play anything. He wrote some beautiful songs too - some of which were published in the Hit Parader. He also was in a couple of other bands. Country bands. Through Don Graham I discovered DeMarco's 23 Club in Brisbane, CA. The 23 Club is a throwback to another era, with the walls filled with framed pictures of every country music star that had played there over the years. 60 years. The band that Don played with there was called The Night Flyers, and included some great players such as Rick Masters on pedal steel, Jon Hart on bass, and Declan Mulligan on guitar. Hart and Mulligan were from the Beau Brummels and they had a far-reaching repertoire of classic old time country tunes. Mulligan explained to me one time that it was all just "Skiffle." I would sit in as "one of our special arteests" during Friday and Saturday nights fronting the band - singing a couple of my original songs as the crowd line danced. In the summer of 1990, Don left for a tour with Highway 1, and the Night Flyers offered me the drum slot for 2 months. What an education! Five sets a night, and the jokes that these guys told each other over and over again for years killed me every night. And every night during the 4th set I'd front the band to sing "Long Hard Road," and Going Home," and getting a rousing reception from the crowd.

I originally asked Rick Masters and Jon Hart to join me in the new original music country band that I was starting but they were ready to move on to Reno. One thing was for certain; I wanted Don Graham to be part of my band. Joining Graham on drums was guitarist Jim Kaukman, and bassist Eric Van Dorn, both from the Blenders, John P. Murphy III on pedal steel and lead guitar, and the original keyboardist was Barry Flast from Kingfish. Those first gigs in 1990 were billed as J.C. and the San Francisco Flyers, giving a nod to our brethren in Brisbane, but Flast suggested; "why don't you call yourself J.C. Flyer?" and the name stuck. Now you know.

Flash forward to another millennium....

Three years ago I started "Movin' On" with my musical partner Jody Salino. Recording began with just me on my acoustic guitar and a click track. If recording is like building a building, well, we built a building. Between various conflicting schedules we finally wrapped up mixing in February of 2003 and the CD was mastered by Paul Stubblebine in San Francisco on July 17th. Both Jody and Paul did a superb job, as you will hear. .

The songs contained on "Movin' On" are my children, literally. My children were nurtured with love, peace, and understanding by a father that at times showed a lack of patience. Love thy father.



to write a review

Ron Taylor

JC Flyer's Movin' On Will Not Move From Your CD Changer!
I got this album and its off the hook! Great songs. Great playing. Phat sound. Sounded killer on the first listen and just keeps getting better. There's a lot to like here, from the hard driving rock of Towards the Sun to the Texas swing of Outlaws on the Run, with a wide spectrum of heartfelt countified rock and boogie in between.
There are so many excellent songs here that its hard to pick a favorite. Drive All Night is a fantastic travelin' tune with lyrics every road warrior who's pushed it to the limit can relate to: "The road's an evil mother you know...". Red Light Green Light has a great hook and a tale of unrequited desire (do I hear a single here?). Alone With The Wind is all the emotional intensity of regrets half revealed and memories nearly forgotten in a powerhouse dynamo of a tune that tells what the words do not.
Among the other great musicians here, I was very impressed with Rob Barraco's contributions (keyboardist for The dead and Phil Lesh & Friends). He's on over half the songs and his style/ sound is very noticeable. One can't say enough good things about this guy. Flyer drummer (and E Street Band alumni) Ernest "Boom" Carter shows that he's lost none of the chops he had on the classic intro to Born to Run. Barry Sless of the David Nelson Band adds plenty of sweet pedal steel to the high flyin' country rock sound found here. Also there is lots of tasty guitar from Jody Salino. Jody recorded and mixed the album, too (and did a fantastic job, along with JC, of providing a geat sonic showcase to these marvelous tunes).
JC himself is a dandy singer and player, with songwriting talent to spare. This is an artist with a unique vision of America, the road, and love lost and found. To call this album catchy would be an understatement; addictive is more like it. Check it out and it'll grab hold of you and won't let go. Nor will you want it to!

Dirty Linen

Dirty Linen
October/November 04
Issue #114

J.C. Flyer – Movin’ On (JBS Records)

The San Francisco Bay area has a long tradition of producing quality country-rock artists. Singer/songwriter J.C. Flyer is a longtime member of this tradition, and his recording debut, Movin’ On is a fine example of this genre. For this project Flyer has assembled an impressive cast of collaborators including David Nelson Band multi-instrumentalist Barry Sless, Rowan brothers Chris and Lorin, original E-Street Band drummer Ernest “Boom” Carter, and former Dead keyboardist Rob Barraco, to give the disc a rich, textured sound. Flyer has an amiable voice with touches of Skip Battin and John Prine. His songs are straightforward, dealing with classic themes like being on the road and being out in nature, and they are performed with energy and lots of hot licks.


Larry Brent

I enjoyed THIS CD. I had it away on vacation with me and it found its way back to the cd player several times amongst some pretty stiff competition. Where do I start, well it was “Willbury-like”. JC's voice is so pure and true. Jodi’s guitar playing is interesting and thematic and the disc as a whole has the warm welcome feel of a fire on a winter’s day in the old homestead. Very familiar even upon it’s first listen.


"The sound here is flat out American country rock inflected with a combination o
J.C. Flyer, "Movin' On"

By Ted Silverman
(Review ©2003 by Ted Silverman.All rights reserved.)

J.C. Flyer’s new CD, “Movin’ On,” is a country-infused collection of odes to the road. The primary thematic element of J.C. Flyer’s lyrical efforts is the great American highway, with all-night drives, longings to be home and the metaphoric landscape of America as it whizzes by populating the sonic landscape. Along the journey, J.C. takes detours conjuring up images of outlaw cowboys, western expansion, the demise of Native Americans, civil war ghosts, lost lovers and melancholic memories of his childhood and musical upbringing.

This CD features gorgeously rendered cover art in the form of a painting depicting a caricature of J.C. strumming his guitar while leaning on the trunk of a vintage Fleetwood Cadillac convertible on the western flanks of Yerba Buena Island overlooking the Bay Bridge and the prominent skyline of San Francisco. This disc is an ambitious undertaking with 15 well-crafted tracks featuring a strong Bay Area-based ensemble of members largely drawn from J.C.'s musical associations, many of whom recently performed along with Phil Lesh and Hep Kats.

J.C.'s chief musical ally is guitarist Jody Salino whose production efforts and burning acoustic and electric guitar licks are stamped all over this project. Bassist JohnE Sandwich and former E Street Band member Ernest "Boom" Carter round out the rhythm section with David Nelson Band alum Barry Sless laying down mellifluous pedal steel guitar licks throughout with keyboardist Rob Barraco (The Dead and Phil Lesh and Friends), and bay-area keyboard legend George Michalski. Chris and Lorin Rowan, augment the vocals with their trademark harmonies and a few tracks offer alternative personnel with Barry Flast on keys, Glenn Tucker singing and John P. Murphy III on pedal steel guitar for one track each.

The sound here is flat out American country rock inflected with a combination of the Bakersfield sound and the improvisational prowess of the jam-band oeuvre. Jody Salino's leads alongside Barry Sless's pedal steel work provide a guitarist's textbook of riffs backed by a strong rhythm section and terrific vocal layering.

Most of J.C.'s tunes focus on the American West, but in contrast, "Snowing in New England Tonight," really nails his Dylanesque compositional tendencies with a lengthy story song and lyrics laden with metaphors. The opening track, "Big Wheels" rocks like a semi in tenth gear heading toward a western sunset. And tunes like "Outlaws on the Run," "The Ghost of K.C. Bishop," and "Thousand Trails," depict slices of legends peeled from the pages of frontier history.

J.C. Flyer's primary vehicle for lyrical expression is the road itself, manifested in the drive, the journey, the trip. This metaphor infuses nearly every tune here and ensures that this CD would be more than appropriate for anyone airing this out on a long road trip. Your living room wouldn't be too bad as a road trip simulator either.

"Movin' On" begs for repeated listening as there is much to absorb here between the lyrical content and the musical interplay. The bottom line is J.C. Flyer deserves serious consideration as an intriguing composer and lyricist in the country rock idiom and he has brought together a stellar cast of sidemen to bring forth his personal rock and roll vision.

J Wilson

JC Flyer's Debut is a long overdue gem!!
This dubut release from artist JC Flyer is a treat after such a long wait. The album flows as it mixes old country and folk with a bay rock touch that reminds one of Flying buritto Brothers or even the Grateful Dead. One certain classic off the album is California.