Jennet Ingle & Paul Hamilton | Music That Should Have Been Written for the Oboe

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Classical: Concerto Classical: Bach Moods: Instrumental
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Music That Should Have Been Written for the Oboe

by Jennet Ingle & Paul Hamilton

Have you ever wondered what the Mendelssohn Violin Concerto would sound like on an oboe? How about the Gershwin Piano Preludes? This is your chance to find out!
Genre: Classical: Concerto
Release Date: 

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  Song Share Time Download
clip
1. Préludes, Book I, L. 117: V. Les collines d'Anacapri (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
3:18 $0.99
clip
2. Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin (Arr for Oboe and Piano)
Jennet Ingle & Paul Hamilton
2:25 $0.99
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3. Syrinx, L. 129 (Arr. for Oboe)
Jennet Ingle
2:46 $0.99
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4. Concerto in E Minor for Violin and Orchestra, Op. 64: I. Allegro molto appassionato (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
13:40 $0.99
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5. Concerto in E Minor for Violin and Orchestra, Op. 64: II. Andante (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
7:25 $0.99
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6. Concerto in E Minor for Violin and Orchestra, Op. 64: III. Allegretto non troppo - Allegro molto vivace (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
7:34 $0.99
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7. Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
2:22 $0.99
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8. Partita No. 3 in E Major, BWV 1006: I. Preludio
Jennet Ingle
4:40 $0.99
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9. Partita No. 3 in E Major, BWV 1006: II. Loure
Jennet Ingle
2:05 $0.99
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10. Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
Jennet Ingle
3:02 $0.99
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11. Partita No. 3 in E Major, BWV 1006: VII. Gigue
Jennet Ingle
1:11 $0.99
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12. 3 Preludes: I. Allegro ben ritmato e deciso (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
1:49 $0.99
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13. 3 Preludes: II. Andante con moto e poco rubato (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
3:36 $0.99
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14. 3 Preludes: III. Allegro ben ritmato e deciso (Arr. for Oboe and Piano)
Jennet Ingle & Paul Hamilton
1:18 $0.99
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15. Piece en forme d'Habanera, M. 51
Jennet Ingle & Paul Hamilton
3:10 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
This album features a collection of works that I simply love. These are the tunes I can’t stop humming. Whenever we play the Mendelssohn in the orchestra, I sing it for a week afterward. It’s showy in a way that I love but also so playful and so romantic and so melodic, and after some minor tweaks and rewrites I love how it fits my instrument.
I feel I have something to offer to the Bach E Major Partita. On the one hand, the music Bach has written is so perfectly mathematically paced and so perfectly suited to the violin – but on the other, the need an oboist has for air and oxygen shapes my phrasing and concept in a way that I haven’t necessarily heard from string soloists. There’s a greater sense of urgency in the move from line to line and cadence to cadence which feels human and genuine. Not to say that violinist aren’t human, or aren’t musical, or anything like that. I admire their abilities and I have heard astoundingly beautiful, patient, breathless performances that I can only envy. But there’s something new that air brings to the table. I love the Bach.
Debussy piano preludes are all about color. A solo piano has a lot of colors, but not as many as a piano with an oboe. These two, in particular, felt melodic and colorful in exactly the right way for my taste…
I grew up with Gershwin playing in my home all the time. The Great American Songbook was the soundtrack of my childhood. So when I approach the Three Piano Preludes, their rich bluesy harmonies and danceable rhythms are sexier than almost anything an oboist is allowed to play traditionally, but they also feel like my childhood. There’s a safety and a security and a comfort to these pieces that I love.
The Ravel Piéce en Forme d’Habanera is the only work on this recording that isn’t my arrangement or my idea. But I just loved it too much to leave it off. Originally composed as a vocalise, or warm-up, for voice and piano, it’s been transcribed for and played by nearly every instrument. So beautiful. So sparse and colorful. It’s a great pleasure to play and I hope to listen to as well!



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