Jim Ottaway | Timeless E-Motion

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AUSTRALIA - Queensland

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Electronic: Electronica Electronic: Electro Moods: Instrumental
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Timeless E-Motion

by Jim Ottaway

'Timeless e-Motion' is an electrifying electronic album from award-winning Australian composer and musician, Jim Ottaway.
Genre: Electronic: Electronica
Release Date: 

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  Song Share Time Download
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1. Sequence of Life
4:02 $0.99
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2. Timeless E-Motion
8:05 $0.99
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3. Skies Rain Down
5:22 $0.99
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4. Reality's Edge
4:35 $0.99
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5. Blurred Vision
6:27 $0.99
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6. Game Over
4:22 $0.99
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7. Behind Closed Eyes
4:46 $0.99
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8. Desperate Measures
3:54 $0.99
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9. Towards the Unknown
4:06 $0.99
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10. Nothing Ventured, Nothing Gained
4:30 $0.99
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11. Evolutionary Phase
5:31 $0.99
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12. Cosmic Shift
3:59 $0.99
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13. Timeless E-Motion (Radio Edit)
5:10 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
'Timeless e-Motion' is an electrifying electronic album from award-winning Australian composer and musician, Jim Ottaway. If you like Tangerine Dream you will love this album. Electronic music at its best! The album features 13 new exciting tracks.

This album follows 'Southern Cross' Jim's award winning space ambient release from 2016 and his #1 electronic album 'Invisible Vortex' released in 2015.

Jim Ottaway is an Australian composer, producer and studio performer of original instrumental music covering many genres including electronic, space ambient, rock, dance, new age and music for film and television.

The inspiration for Jim’s music stems from his love of nature and his spiritual connection to the beautiful environment of the Gold Coast hinterland of Queensland, Australia.

Jim’s major musical influences include Tangerine Dream, Edgar Froese, Vangelis, Pink Floyd, Enigma, Johannes Schmoelling, Christopher Buckman, Tony O'Connor, Christopher Franke, Lisa Gerrard, Code Indigo, Gary Wright and Radio Massacre International.

'Timeless e-Motion', is officially released on 1 January 2017. Jim has now released over 20 independent albums in his homeland, Australia.

Since 2010 seventeen of Jim's tracks have been chosen as a finalist in various Australian music/songwriting awards.

Contact Jim at jim@jimottaway.com.

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Reviews


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Steve Sheppard

Review from One World Music Radio (www.oneworldmusic.co.uk)
It’s back to his roots for Aussie musician Jim Ottaway as he ends a successful 2016 with a power play of an album that has us deep within his EM weave, creating a pulsating end to a fantastic year for him.
Starting with the electronically sublime Sequence of Life, Ottaway brings a David Wright style to your eager musical ears dear reader. This throbbing rhythmic opus is the perfect opener for the album.
Flowing with grace and speed we move calmly to the title track, Timeless e- Motion, the moment to be proud is upon the artist, and he should be, this is one of the finest slices of EM have heard for many a year. A speculative start builds and progresses with all the experience of a master musician, which of course Ottaway is. To get that rank, you not only have to feel your music, you have to BE your music, something Ottaway does with ease. This is eight plus minutes of electronic bliss, is smooth, paced and classy.
The sultry and swirling Skies Rain Down is superb, from the very beginning the mood is set, and one can feel those strong sullen storm clouds hovering with intent above our heads, waiting to open up. The anticipation built into this composition by Ottaway’s synths is off the scale, one can literally taste the tension.
I have stood on Reality’s Edge and survived, while that’s a story for another day, this music would have been the perfect soundtrack for my Twilight Zone moment! Ottaway has really created something mysterious, yet incredibly powerful here; this razors edge of a piece is ready to explode, but cleverly contains itself, whilst picking up energy and momentum along the way.
I adored landing in sequence heaven, on this our fifth track entitled Blurred Vision. Perhaps Jim has invented his own brand of EM here, can we say Aussie School? The tempo is balanced to perfection, and the lightness on the keys creates a multi-layered effect for us the listener, there are some delightful patterns to enjoy here.
Game Over, I love saying that in triumph, and here is the musical backdrop for my power play. This is a real trance filled moment of electronica that is deep, heavy and perhaps could even be used in a future Fast and Furious movie; this is a composition that has great movement and intent and delivered perfectly by the artist.
As we skip into the second half of the album Timeless e-Motion by Jim Ottaway, we come across a piece called Behind Closed Eyes. A fascinating title and an even more fascinating construction, we have an ambient back drop with some very tight sequences within, and a paced keyboard that manifests a third dimension of musical reality, this is truly artistic and very well performed.
The speed I am writing at is even amazing me, the addictive pace and tempo of the music is so compelling, I even have to stop myself, and remember to breathe. So I am somewhat relieved to have a moment to gather myself again on the piece Desperate Measures, even so you can still feel the energy in the background, building like the engine of a train, the fine paced percussion delivers an almost chill out moment of bliss.
The title sometimes says it all; on Towards the Unknown you have that very scenario. A soft and careful synth leads us by the hand into a world of vast areas of space as of yet uncharted musically. If you’re a musician and want to use drum pads in your music, but need to make sure you get the balance right, then you need to go no further than listening to this track, the added female vocalisations were a touch of class to include too.
Always time for something a little different and on Nothing Ventured, Nothing Gained, we have just that. For some reason whilst listening to this I found myself wandering mentally around the Tate Modern in London, it is music that allows you to add your own interpretation to the tones given, and perhaps for me, this is a little slice of surrealism that fitted the bill nicely and as Jim says, Nothing Ventured, Nothing Gained!
We move deeper into the labyrinths of the album now with Evolutionary Phase. The pulsating beat leads us into a piece that seems to create itself as it goes. I found this track compelling to listen to, as I was eager with every note played to see where the artist would take me next, a completely intriguing composition indeed.
Our last official arrangement is called Cosmic Shift and here Ottaway gives us a glimpse through the curtains at his musical galaxy, through a composition that has a real essence of Kevin Kendle and Jonn Serrie about it. The beautiful floaty style here is the perfect way to leave the listener. Although that’s not strictly true, as he also gifts us a radio edit of the title track Timeless e-Motion to take with us as well, a musical present that we will be more than eager to have.
Timeless e-Motion I think is Ottaway’s best so far, there is a power and intent here that is completely undeniable, the performance is confident and the production sublime, all in all I think when 2016 is done and dusted, Ottaway will look back on a fantastic year musically for him, and at its apex will sit this album, which is one of the best synth based EM albums I have heard for a long, long while. If you’re a fan of electronic styled music, this is a must have release, don’t even hesitate, just get it now!
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Candice Michelle

Review from Journeyscapesradio.com
Jim Ottaway is an Australia-based electronic music composer with an impressive catalog of recordings that range from ambient-space to chill-out electronica. While his latest album, Timeless e-Motion, combines stylistic characteristics of both, it’s also a bit different from anything Jim has previously recorded. Namely, he employs greater elements of classic electronic space music in the vein of Tangerine Dream and Jean-Michel Jarre, all while infusing his compositions with a wholly up-to-date and modern feel via his vast arsenal of electronic music equipment and gear. Comprised of thirteen tracks spanning sixty-five minuets, the album was recorded, mixed and mastered by Jim between the years of 2013 and 2016.

“Sequence of Life” opens with a dynamic and rhythmic arrangement of sequencers and pulsing effects. A fantastic introduction, it conveys a feeling of moving through space and time. Following next is the hauntingly beautiful “Timeless e-Motion”, which gently paces along on a dreamily floating, liquid-like current. Easily my favorite piece on the album, hazy tones, scattering chimes and vocal-like washes are carried along by a hypnotic bassline and rhythmic pulse, which gradually evolves into a subtle chill beat. Digital bleeps and signals echo throughout, as if emanating from somewhere deep in the galaxy. At just over eight minutes in length, this piece could easily drift on forever, perhaps while one endlessly tries to solve the infinite mysteries of our vast and largely unknowable universe. Varying between the more dynamic, travelling pace of the first track and the floating ambience of the title track, the compositions always seem to move in a linear, forward motion. Each employs a varied degree of digital sequencing, synthesized vocals, spacey signals and pulsating electronic rhythms. The seventh track, “Behind Close Eyes”, is another especially notable and mesmerizing piece, which effectively brings to mind that of being in virtual reality or dreamlike simulation. Despite these distinctive sci-fi motifs, the compositions herein convey human warmth and a conscious presence throughout, as if musically illustrating a narrative of the cosmos and how it relates to life here on earth. Another favorite is the twelfth track, “Cosmic Shift”, a classic ambient-space number characterized by ethereal chords, sparkling chimes and a wondrous sense of mystery, as one can easily imagine numerous constellations of twinkling stars against a stark midnight sky. Aptly concluding the album is “Timeless e-Motion (radio edit)”, which clocks in at just over five minutes, lending itself as a sort of reprise of the title track to wrap-up this fantastical cosmic journey.

Jim Ottaway’s previous album, Southern Cross, was one of my favorite recordings of 2016 and this one is surely destined to become another. In fact, Timeless e-Motion may very well be the best output from this amazingly talented artist thus far, unquestionably solidifying Jim’s place as a distinctive and innovative electronic music composer. Fusing ambient, modern electronica and classic space music, I can detect several decades of musical influences here, as Jim masterfully carves out his own sound and style that he has both developed and gradually improved on over the years. Lending itself to an emotive sci-fi quality, the music of Timeless e-Motion conveys a mesmerizing notion of having entered some futuristic parallel dream-world that’s dominated by themes of hyperspace, wormholes and time-travel. Likewise permeated by an ever-present and intangible mystery throughout, this album is both an interstellar and inner voyage that’s absolutely not to be missed!
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