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John Train | A Wig and a Wonder

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United States - Pennsylvania

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Country: Alt-Country Folk: Urban Folk Moods: Type: Acoustic
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A Wig and a Wonder

by John Train

Critically acclaimed urban alt-country folk pop outfit scores radio hits with its much anticipated six release.
Genre: Country: Alt-Country
Release Date: 

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  Song Share Time Download
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1. Nobody's Listening Blues
2:03 $0.99
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2. Las Galeras
4:02 $0.99
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3. Wonder and Pray
4:05 $0.99
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4. Who Needs the Muse?
3:11 $0.99
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5. Born in Time
3:35 $0.99
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6. Praying to St. Joe
2:56 $0.99
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7. A Wig and a Wonder
4:53 $0.99
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8. Lord Baltimore
3:48 $0.99
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9. A Girl Like You Around
3:05 $0.99
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10. Be Passersby
2:44 $0.99
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11. Done Wastin' Time
2:29 $0.99
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12. No More
3:50 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
After releasing two concept albums, The Sugar Ditch (centered around a murder in a septic run-off ditch in Mississippi) and Mesopotamia Blues (centered around an unpopular war), John Train returns to action without a unifying theme. Jon Houlon, singer-songwriter for the band, claims that he came to the realization that songs about murder and war – arguably, the same topic, he winces – may not be commercially viable. “I’m back to gazing at my own navel!,” Houlon quips.

Still, John Train’s new Chapter 7 release, A Wig and a Wonder, contains more than your usual singer-songwriter fare. Song topics range from a visit to the Rothko Chapel in Houston (the title track), adultery informed by Houlon’s fascination with John Updike (“Lord Baltimore”), a divorcing couple who buries a religious idol in their front yard to help sell their house (“Praying to St. Joe”), and the craft of songwriting itself (“Who Needs the Muse?”). Houlon, who works in the field of child welfare, for the first time in John Train’s 18 year history, offers up a song about the death of a child (“Las Galares”). “I’ve tried to keep work and music separate,” he says, “but there was just something about this particular story that I had to tell.”

Devoted followers of John Train (known as the “Train Army”) have been asking for a new Train album for several years. Why the recording hiatus? Houlon says there are two reasons: “One, I figure that considering that between John Train and my other band, the Donuts, I’ve got 10 cds already floating around out there, if someone wanted to hear what I had to say, there was plenty to dig into. Two, in a world where many people seem satisfied listening to music recorded on a phone and posted on You-Tube, the idea of putting out another disc seemed quaint and maybe even irrelevant.”

What changed? Legendary Philadelphia engineer, John Anthony (formerly of Sigma and Maja, now of Philly Post) began recording some of John Train’s weekly gigs at Fergie’s Pub. Anthony, a great supporter of John Train, felt that “what the band is doing over there was too good not to be documented.” A couple of the songs recorded at Fergie’s are actually included on A Wig and a Wonder (“Lord Baltimore” and the title track).

Anthony was so enthused by the Fergie’s recordings that he invited the band into Philly Post to do some more work. Houlon indicates: “We basically set up the same way we do at Ferg’s and spent a couple weekends laying down my new songs that we’ve been playing for the past few years. I looked up and realized we had another album on our hands.”

As usual, Houlon’s songwriting is strongly supported by his bandmates Mike “Slo-Mo Brenner (dobro), Bill Fergusson (mandolin), Mark Tucker (steel and electric guitar), Steve Demarest (bass), and Mark Schreiber (drums). Houlon says, “I feel blessed to have worked with these guys for this long. They are all fantastic musicians who know how to listen to a song and support it. And after 18 years, we still get along and still have a great time playing together.”

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