Jon Byrd | Route 41

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Route 41

by Jon Byrd

Rooted in Gram, Merle, Kitty, Hank, and Buck MOJO: “Americana the way it was and the way it should be.” MAVERICK: “Spellbinding, showcasing a true genius at work.”
Genre: Country: Country Folk
Release Date: 

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  Song Share Time Download
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1. George Jones (Has Never Sung About My Girl)
3:31 $0.99
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2. Would You Like to Dance
3:49 $0.99
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3. In the Back of Your Mind
3:35 $0.99
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4. Going to Montgomery
4:25 $0.99
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5. Wine
3:08 $0.99
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6. Knew All Along
4:36 $0.99
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7. Brilliantine
3:58 $0.99
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8. Walk On By
3:24 $0.99
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9. Just Another Gun
3:37 $0.99
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10. I'll Play Angel
3:09 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
www.jonbyrd.com jbyrd@tds.net
JON BYRD: ROUTE 41
MOJO Magazine proclaimed Byrd's Auto Parts, Jon Byrd's 2007 debut solo recording, “Americana the way it was and the way it should be.” MAVERICK Magazine declared Byrd's 2011 follow-up Down At The Well Of Wishes “Spellbinding, showcasing a true genius at work.” That same year the Grammy-nominated recording I Love: Tom T. Hall's Songs Of Fox Hollow featured Jon alongside Patty Griffin, Buddy Miller, Bobby Bare, and Tom T. himself. Britain's R2 (Rock and Reel) Magazine says Jon's latest recording, ROUTE 41, is "underpinned by sublime Country picking… Byrd's warm, effortless vocals touch the emotional core of all he sings."

“This recording is in part a reflection of my journey up Route 41 from Atlanta to Nashville over a dozen years ago. On that trip I took some inspiring songwriters with me, or at least their songs. And of course met so many more when I arrived. A few of these writers weren't far behind me on their own journey up Route 41. Others traveled some other stretch that got them to Music City. Nashville has been the most generously inspiring place I've ever known. I love living in the same town as John Prine, Bobby Bare, and Tom T. Hall... and so many of the songwriters, and dear friends on this record!” jb

Biography
Contact Person: Jon Byrd jbyrd(at)tds.net
JON BYRD
East Nashville, TN 37216
Born in Birmingham, JON BYRD lived his formative years deep in the piney woods of south Alabama, just one county over from the birthplace of Hank Williams. When Jon was just eight years old, his dad was diagnosed with TB and began singing Jimmie Rodgers' song "T.B. Blues" all around the house. That same year Jon saw the Beatles on Ed Sullivan and his obsession with the musical tension between country and rock 'n' roll was born. Two years later he was conscripted into the drum corps of his tiny school's marching band and played Booker T. and the MG's "Green Onions" while the majorettes held the cymbals and danced. There was no turning back.

After touring nationally with jangle-pop purists TIM LEE and the WINDBREAKERS and Birmingham's PRIMITONS in the 1980s, the 1990s saw Byrd attempt a Ph.D. in American Studies at Emory University in Atlanta… and become a central figure in Atlanta's infamous Redneck Underground movement as lead guitarist for the seminal and storied country band SLIM CHANCE and the CONVICTS ("Letters to Mama" 1993, and "Twang Peaks" 1996). He also formed the hard country band THE RATCHET SET as a musical outlet for his love of old trucking songs and two chord honky-tonk gems.

In 1998, after 7 years of teaching and no dissertation, Byrd helped country traditionalist GRETA LEE record her first full-length cd "THIS AIN'T OVER YET." In 2001, he co-produced and again handled lead guitar duties on Lee's follow-up "YOU MUST BE PRESENT TO WIN." That same year Byrd relocated to Nashville, Tennessee where he quickly made a name for himself in Music City as a singularly authentic country singer and Telecaster slinger recording with such fine country and alternative country artists as the dangerously soulful DAVIS RAINES and his FADERS, Texas country singer BUCK JONES, extraordinary folk-rock songwriter STEPHEN SIMMONS, and the rockabilly whirlwind SUZETTE and her NEON ANGELS.

But the move to Nashville had an ulterior motive. As a sideman, Jon had been long been performing his own compositions––if only one or two a night––but now he was ready to showcase his singing and songwriting in ernest. In 2004 he debuted BYRD'S AUTO PARTS, a rambling collective of in-demand players who set about fleshing out Jon's original material. A self-titled cd followed in 2007. The recording reflected Byrd's eclectic tastes in roots music and his fun-loving performance style, and the critics loved it: "A terrifically accomplished, versatile country singer," reported No Depression magazine.

Since then, Jon's songs have appeared on three Red Beet Records compilations––Red Beet is an East Nashville label known for their support of quality, if under-sung, songwriters like PETER COOPER and FAYSSOUX McLEAN. A duet with AMELIA WHITE, "Morning Song," was highlighted on that singer's 2009 recording, MOTORCYCLE DREAM." In the fall of 2010, Jon's composition "Silent Night" was the first single from MASER SESSIONS, an ERIC BRACE and PETER COOPER recording that also featured steel guitar legend LLOYD GREEN and Dobro hero MIKE AULDRIDGE.

After a standing-room-only show in October 2011 at Nashville's legendary Station Inn, Byrd's DOWN AT THE WELL OF WISHES was released to European radio where it reached no. 14 on the Euro-Americna Chart and began jon's lengthy first 5-week tour of the UK and Norway. Over the next two years Jon put together two more international tours. 2012 also saw Jon taking the lead vocal on "How to Talk to a Baby Goat" on the Grammy nominated I LOVE: TOM T. HALL'S SONGS OF FOX HOLLOW, a tribute to Hall and that legendary Fox Hollow recording. This recording also included BUDDY MILLER, PATTI GRIFFIN, JIM LAUDERDALE, LLOYD GREEN, ELIZABETH COOK, DUANE EDDY, and BOBBY BARE.

In 2014 Jon became a full-time, touring musician. He's also released ROUTE 41, a new recording of 10 songs in the Outlaw tradition celebrating the great writing of un-sung, songwriting hero-pals.

Ultimately, JON BYRD brings music lovers of all stripes out to hear great country songs sung and played with heart and soul. He's a little more accomplished now, but he's still that little kid playing for the hometown crowd.

"Americana the way it was and the way it should be." – MOJO Magazine

"Full of lovely guitar touches and brimming with clever, mordant songs" – The London Telegraph

"The thing about Byrd is that he has a well-worn and rough voice that could draw a comparison to a more countrified Leonard Cohen." – PopMatters

"A mixture of Americana and country and is spellbinding showcasing a true genius at work." – Maverick

"Byrd’s an understatedly great singer. And the songwriting… applies a fresh, sharp, Southern vocabulary. He’s understatedly great at the writing part, too." – The Nashville Scene

"Smooth, affecting, classy country… mature experience to match the vocal finesse." – Engine145.com

"Even in the rootsy arena of country musicians full of reverence for the genre's past, crafting new music doesn't have to be a regurgitation of worn clichés… Jon Byrd proves it."– Georgia Music Magazine

"Mature songwriting is married to some classy playing, whilst Jon's warm, slightly gruff but very relaxed singing holds the centre. ... Though he sings of heartbreak and regret, there's something enormously reassuring about Jon Byrd's music, a refuge in troubled times."– No Depression/Flyinshoes

"A superbly talented songwriter… on a par with other Americana stars like Prine, Snider, Crowell... a fine representation of one of the best songwriters and stylists today.” – Americana Gazette

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