Jose Angel Navarro | Heavenly Dreams

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official website my MySpace page

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United States - Florida

Other Genres You Will Love
Jazz: Jazz Fusion World: World Fusion Moods: Featuring Guitar
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Heavenly Dreams

by Jose Angel Navarro

Jazz, Fusion, World music, Ballads with original themes, beautiful melodies with guitar solos. Just an invitation to fly.
Genre: Jazz: Jazz Fusion
Release Date: 

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  Song Share Time Download
clip
1. Lonely Soul
4:08 album only
clip
2. Soul Light
3:45 album only
clip
3. Strange People
2:43 album only
clip
4. From my Orishas
5:09 album only
clip
5. Heavenly Dreams
5:29 album only
clip
6. Sambita
3:29 album only
clip
7. Glass Clouds
4:23 album only
clip
8. Seventh Heaven
4:29 album only

ABOUT THIS ALBUM


Album Notes
The most fundamental characteristic of Mr. Jose Angel Navarro is that he has been capable to take to the concert halls through out the world, the sounds and the concept of the Afro Cuban music as well as his technique in the guitar. His technique has been acclaimed, by music’s best as being unique in the world.
His most impressive quality in which he can imitate the sounds of the traditional ceremonial drums on the guitar strings.
"His technique" a left handed muffled harmonics with simultaneous muted notes, combined with his ability to make his hands seem to be at a stand still and yet he is classified by the guitar world as being one of the fastest guitar players in the world, you can appreciate his speed and technique in all of his music whether he plays Classical, Jazz, Fusion, New Age or Flamenco. He can play acoustic and electric guitar without you notice the difference.
In his artistic career he has participated as Master in many Guitar International Festivals. Internationally he has shared the stage with, and in many occasion played together with such masters of the Guitar as, John McLaughlin, Stanley Jordan, Paco De Lucia, Vicente Amigo, Tomatito, Reimundo Amador, Larry Coryell, Joan Bibiloni, Bireli Lagrene, Javier Vargas, Ray Gomez, Luis Salinas, Strunz and Farah Among others.
His compositions on the “Afro” concept have been honored and celebrated by the masters of this instrument as being a total innovation in the sense of conceptual sonority and sound as a patrimony inside the composition for
the guitar of Latin America.

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