Josh Rosen & John Voigt | The Music of Paul Motian and Spontaneous Compositions by Josh Rosen and John Voigt

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Jazz: Chamber Jazz Jazz: Free Jazz Moods: Instrumental
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The Music of Paul Motian and Spontaneous Compositions by Josh Rosen and John Voigt

by Josh Rosen & John Voigt

"Delicacy, whimsy and synergy" in these masterful piano/bass interpretations of Paul Motian compositions, augmented with spontaneous compositions by the duo.
Genre: Jazz: Chamber Jazz
Release Date: 

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  Song Share Time Download
clip
1. One Time Out
Josh Rosen
1:27 $0.99
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2. Cathedral Song
Josh Rosen & John Voigt
3:38 $0.99
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3. Kalypso
Josh Rosen & John Voigt
4:19 $0.99
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4. Jack of Clubs
Josh Rosen & John Voigt
2:30 $0.99
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5. Johnny Broken Wing
Josh Rosen & John Voigt
3:36 $0.99
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6. Story Teller
Josh Rosen & John Voigt
2:28 $0.99
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7. Once Around the Park
Josh Rosen & John Voigt
4:12 $0.99
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8. Dance
Josh Rosen & John Voigt
3:55 $0.99
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9. Victoria
Josh Rosen & John Voigt
2:50 $0.99
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10. Points in Space
Josh Rosen & John Voigt
1:58 $0.99
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11. Chasing the Swamp Woman
Josh Rosen & John Voigt
1:28 $0.99
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12. Accidents on Purpose
Josh Rosen & John Voigt
1:30 $0.99
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13. Cousin Hildegard
Josh Rosen & John Voigt
0:28 $0.99
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14. Nica's Cat
Josh Rosen & John Voigt
2:43 $0.99
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15. Tentative Bipolar
Josh Rosen & John Voigt
4:35 $0.99
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16. Sunset with Susan
Josh Rosen & John Voigt
2:50 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
John Voigt:
Over the sixty years of playing with many great musicians, Paul Motian is on the top of my list. With him I discovered the better the player, the easier it is to play with them. The Motian experience for me happened back in 1976, but it might as well have been yesterday with the way I remember and feel it in my brain, heart and bones. Motian liked that concert so much that on his last published interview he said, “The music was incredible. I loved that stuff.” He gave the tape recording to Manfred Eicher at ECM for release, but alas like the “fish that got away” the tape disappeared! “Gone in the air,” as Eric Dolphy said. But at least I am left with the glorious honor that Paul Motian, such a grand master of the music, liked my playing. 

With him I also discovered what my musical goal truly was and should be: To feel that I am Flying when I play.  Now that blessing continues with my playing with Josh Rosen. With Josh as with Paul Motian, it is magical. It’s like ESP, like the same muse playing through both Josh and me. Without the slightest idea of what I am doing or going to do, the right notes just come into my inner-ears, then down arms and into my fingers and out to the world through the strings of the bass.  We are flying together in a musical cosmos. It can’t get any better than that.
 
To call it free jazz or avant-garde jazz, or even “improvisation” doesn't technically explain what we are doing. I call it Spontaneous Composition. We are automatically composing as (often as with the Motian material from themes) we go along. I also call it “through-composed improvisation.” Purists go bananas at that and say it is a contradiction in terms: “You can’t compose and improvise at the same time. Through-composed is what Franz Schubert did in his song cycles (Lieder).”  I got news for them: it is what Josh and I do on this CD album. (And I believe Paul Motian often did his version of the same thing in his playing situations.)
 
All that is but words. Put the CD on, fasten your safety belts, and come fly with us. -John Voigt

Josh Rosen:
Paul Motian’s compositions propel us to musical discovery, tapping an inner innocence. The minimally notated tunes are gems of distilled musical essence, ready for exploration. Motian’s open suggestiveness invites us to free-play: a steady pulse or not? or both simultaneously! Harmony, hmmm… Some of Motian’s pieces are harmonized, some not. For us it’s wide open, and no harmony is a great choice too. There’s always melody - Motian’s sturdy themes carry the tunes, and guide our improvisations. A whole different approach than the customary “playing the chord changes” in jazz. Improvising on a melody frees the harmony, and returns us to the melodic roots of jazz.

The album’s opening tune, “One Time Out”, contrasts Voigt’s steady walking bass with a jagged frantic piano melody. Somehow it works, the piano hands hurriedly stumbling over a calm bass line, both instruments finally merging in the last pips of the piece.

The meditative “Cathedral Song” opens with a reverent bass statement of the opening theme, accompanied by freely moving pan-diatonic harmonies. Motian’s serene melody later becomes the piano accompaniment to a bubbling bass solo. Role reversal, which seems just right in this open music. These are the things that happen with Motian’s music.

Listen for the vulnerability of “Johnny Broken Wing”, the cubist conversation of “Story Teller”, the rolling pulsations in “Dance”, the traces of Monk in “Nica’s Cat”, and the fragile beauty of “Victoria”, nails on string, music box piano, and the emotion of an inspiring melody.

It has been a joy and an honor to realize these singular compositions of Paul Motian, with master improviser, John Voigt . Thank you for listening. - Josh Rosen

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